Hailing from Seaview Gardens, Kingston, Jamaica, O’Neil Bryan, better known as Elephant Man, has been a mainstay in dancehall since 1995, when he burst onto the scene as part of the group Scare Dem Crew. Over the years, he has become known for his low, raspy, grumbling singing voice with a slight lisp, his trademark dyed yellow-orange hair, and his super-hyped stage performances. Alongside a few others, he has carried the dancehall torch for 30 years, staying true to the style that got him started while also evolving and adapting to the times. This ability has allowed him to retain his longtime listeners while bringing in new, younger fans.

The album kicks off with the previously released title track, “Dancing to the Max.” Using the Fiesta Riddim, Elephant Man sets the tone for the album with one clear goal: to get people dancing and having a good time. It’s the perfect song to start this dance party, and he’s already accomplishing his mission.

Next up is “God Is Good,” which samples James Cleveland and the Southern California Community Choir’s “God Is” from Cleveland’s 1979 album It’s a New Day. Elephant Man delivers a slower flow over the beat and riddim, creating a reflective yet uplifting vibe.

“Turn & Twist” follows, a reinterpretation of Chubby Checker’s original song. Rather than sampling a snippet, Elephant Man reimagines the tune with a chill riddim and a solid beat, offering a fresh take on a classic.

The energy ramps up with “Gimmi Rum,” a fun and energizing track that demands you get up and dance. The production is top-notch, featuring an infectious beat and exciting sounds throughout.

Next is “Dancing School,” which samples Diana Ross’s “I’m Coming Out.” This rousing track celebrates both old-school and new-school dances, once again compelling listeners to hit the dance floor.

“Work Out” keeps the party going with another great sample. This time, Elephant Man incorporates R. Kelly’s “Fiesta,” which itself sampled Pavlo Simtikdis’s “Fantasia.” His flow and vocals shine on this track, making it another must-dance-to anthem.

The party atmosphere continues with “Party Anthem,” featuring Busy Signal. Their styles and flows complement each other perfectly, creating a fantastic, high-energy track. It’s a collaboration that leaves you wanting more from the duo.

The album closes with a bang on “Yah Smaddy,” a track done in collaboration with Damage Musiq. This energetic finale pays respect to the communities and people in Jamaica who set the standard, while also calling out the fakes. The Montego Bay slang term “yah smaddy” inspired Elephant Man to do a roll call for the realest people in Jamaica, warning listeners to be cautious of frauds and their potential consequences.

With summer approaching, Elephant Man delivers the perfect collection of party songs that deserve a spot on every playlist. The album was brought together by an impressive lineup of producers, including Energy God Productions, DJ Mac, Damage Musiq, and Silent Addy, who crafted a series of party singles that don’t miss. Elephant Man brings his infectious energy, dope vocals, and signature style, keeping us dancing from start to finish.

One Love – Todd M. Judd