In recent years, we’ve seen some old-school Hip Hop acts release albums, bringing a resurgence to the classic era of Hip Hop. These albums have received mixed reviews; longtime fans and enthusiasts tend to rate them highly, while others have a more varied perspective. A few months after Wu-Tang Clan released Black Sampson, The Bastard Swordsman, the 55-year-old MC from Staten Island, NY, Raekwon launched his eighth album, The Emperor’s New Clothes.

This isn’t a case of an artist returning after a long hiatus and going through the motions or losing their edge. Instead, the album strikes a perfect balance between freshness and old-school authenticity. It’s impressive how Raekwon has managed to age gracefully within the Hip Hop industry, creating streetwise boom-bap tracks that feel contemporary rather than outdated.

After a brief introduction, Raekwon delivers a powerful boom-bap beat in “Bear Hill.” The sound is fresh and crisp, with Rae skillfully working the lyrics to provide us with a classic ’90s hook.

In “Pomegranate,” featuring Inspectah Deck and Carleton Fisk, we experience more boom-bap production as the trio exchanges impressive lyrics in a song that emphasizes the idea of the Dons never being compromised.

After the “Veterans Only Billionaire Rehab” skit, we are introduced to a soulful boom-bap track titled “Wild Corsicans,” featuring Conway the Machine, Benny the Butcher, and Westside Gunn alongside Raekwon. While the trio delivers impressive bars, Raekwon ultimately dominates the song.

Next is “1 Life,” which features Stacey Barthe and is produced by J.U.S.T.I.C.E. League. This track is a soulful exploration of how Hip Hop is often exploited for profit. Stacey provides beautiful vocals, while Raekwon once again delivers powerful verses.

The “Barber Shop Bullies” skit introduces the track “Open Doors,” featuring Tommy Nova. This song captures the essence of the classic Wu-Tang sound, with lively horns and a fast-paced beat. Raekwon delivers sharp and impressive lyrics while Tommy Nova handles the chorus.

In “600 School,” produced by Swizz Beatz, the track has an orchestral vibe that brings the original crew together. Ghostface Killah and Method Man trade verses filled with classic gangsta rap alongside Raekwon. This is undoubtedly one of the top lyrical tracks on the album.

“The Guy That Plans It” brings us back to the boom-bap beat, featuring a sample of Marvin Gaye’s “I’ll Never Stop Loving You.” This track delivers a concise and vivid crime narrative centered around a street fight, showcasing Raekwon’s storytelling skills.

On “Da Heavies,” Raekwon reminisces about the past, delivering more excellent storytelling over classic ’90s production, characterized by powerful drums.

Another skit, “Officer Full Beard,” leads us into one of the standout tracks, “The Omerta,” featuring Nas. The two artists trade verses over a beat by Nottz, discussing the importance of living up to their promises. This track may be the only one where Raekwon is somewhat overshadowed, as Nas delivers an outstanding performance with his flow and lyrics.

“Get Outta Here,” featuring Ghostface Killah, showcases Raekwon’s signature glamorous portrayal of crime while presenting more compelling storytelling from the duo.

After the skit “The Sober Dose Gift,” we are treated to Marsha Ambrosius delivering beautiful vocals over a soulful, old-school Mary J. Blige-inspired groove from the ’90s with the track “Debra Night Wine.” In this song, Raekwon guides us through his soulful and introspective lyrics.

The album concludes with Ghostface Killah joining Raekwon on “Mac & Lobster.” This track discusses their lives, successes, and possibly hints at sexual innuendo. With another slower R&B beat, it provides a fitting conclusion to the album.

Raekwon continues to showcase his ability to weave together images of glamour, crime, life, and death through his textured and intense lyrics. His well-crafted and unique verses are complemented by contributions from fellow Wu-Tang members, who bring their own distinct vibes that mesh perfectly with Raekwon’s style.

The inclusion of Griselda artists—Conway the Machine, Benny the Butcher, and Westside Gunn—and Nas adds an extra layer of depth and street credibility. As someone who appreciates the classics, I can confidently say that Raekwon has delivered an album that is fresh while still capturing that old-school essence and vibe.

One Love – Todd M. Judd