The Toyota Music Pavilion in Irving, Texas was the place to be on a recent starry night as Young The Giant took the stage, igniting the venue with their boundless energy and passionate musical prowess. As part of their much-anticipated heading North American tour, the California-based band delivered an unforgettable show, with direct support from Milky Chance and the mesmerizing opener Rosa Linn, creating an unmissable experience for all in attendance.
As the sun began to set over the picturesque amphitheater, Rosa Linn stepped onto the stage, and her soulful voice immediately captured the hearts of the audience. With her unique blend of indie pop and R&B influences, Rosa Linn proved to be the perfect choice to set the tone for the night. Her opening set was short but captivating, featuring standout tracks from her debut EP that showcased her impressive vocal range and emotive delivery. The crowd was drawn in by her raw, authentic performance, and she received a warm reception as she left the stage, undoubtedly leaving a lasting impression on those eager for more.
As dusk settled in, the stage transformed with an enchanting setup for the highly-anticipated Milky Chance. The German duo, known for their infectious blend of folk, electronic, and reggae-infused sounds, effortlessly charmed the crowd from the moment they took the stage. Frontman Clemens Rehbein's soothing vocals and mesmerizing guitar work were met with thunderous applause as they launched into fan favorites like "Stolen Dance" and "Cocoon." The setlist showcased the band's versatility, as they effortlessly shifted from upbeat tracks that had everyone dancing to more introspective songs that tugged at heartstrings. The seamless blend of live instrumentation and electronic elements created an entrancing atmosphere that had the audience completely immersed in the music. Milky Chance delivered a performance that was equal parts soulful and invigorating, leaving the crowd eagerly awaiting the headlining act.
As the lights dimmed, an air of anticipation filled the venue. Young The Giant emerged, greeted by a thunderous roar from the ecstatic crowd. Opening with the high-energy anthem "American Bollywood," the band wasted no time in showcasing their remarkable showmanship and musical prowess. Lead singer Sameer Gadhia's magnetic stage presence was undeniable, as he effortlessly connected with the audience, encouraging them to sing along and dance to every beat. The band played a masterful mix of songs from their diverse discography, blending indie rock, alternative, and even some hints of pop seamlessly.
Highlights from their set included fan-favorites like "Cough Syrup," "Apartment," and "My Body," each performed with an electrifying energy that had the entire venue pulsating with excitement. The band's tight musicianship was on full display, with each member delivering standout performances that underscored why they are considered one of the most compelling live acts in the industry.
As the night drew to a close, Young The Giant returned for a much-anticipated encore, delivering a fantastic performance of "My Body”. The atmosphere was electric, with the crowd singing every word back to the band, creating an indescribable sense of unity and connection.
Young The Giant's heading North American tour with direct support from Milky Chance and opener Rosa Linn at The Toyota Music Pavilion in Irving, Texas, was nothing short of a mesmerizing musical experience. Each artist brought their unique flair to the stage, leaving the audience captivated and inspired. From Rosa Linn's soulful serenade to Milky Chance's infectious beats, the night was a testament to the power of live music to bring people together. Young The Giant's headlining performance was a tour de force that solidified their status as an unstoppable force in the contemporary music scene. If this concert is any indication, the future of live music is undoubtedly bright.
We done blew it out on our journey to our momentous 500th show, Hunnypot Live #492! Changing it up a little we presented a panel on top of our normal panel, moderated by Kyle Emerson-Brown (Artist Manager) with Rosie Howe (Music Supervisor Netflix), and Tasha Peter (Music Supervisor Bad Sneakers) for a lively discussion on the current state of Music Supervision and the Music Industry.
We enjoyed the captivating sound of Los Angeles-based band Pretty., transporting you back to the unforgettable era of New Wave, the sensational Latina vibes of alternative Pop Urbano artist Dani B, and a mind-blowing, rock 'n' roll performance by power-trio Kid Baron. As a closer we partied to the culture-changing songs and irresistible beats of Doll Machine.
#WhereMusicLoversGoToPlay #492 7/31/2023
Kyle Emerson-Brown is the creator of the Industry Talks music network. super connector. music catalog and asset broker. Also known for epic VIP industry pool parties!
Tasha Peter is a Music Supervisor and Coordinator at Bad Sneakers led by Kier Lehman. Tasha grew up singing with her sisters, playing multiple instruments and has always had an ear for music and a deep love for TV/Film.
After graduating from Belmont University with a BBA degree in music business and a minor in graphic design, Tasha started her career at Dreamworks Animation Television as a Music Assistant and quickly worked her way up to Music Supervisor. While at DWA, she worked on projects such as Kipo and the Age of Wonderbeasts, She-Ra and the Princesses of Power, Fast & Furious: Spy Racers, Gabby’s Dollhouse, and more. Tasha then transitioned to work as a Music Coordinator for Kier Lehman (Insecure, Spider-Man: Into the Spider-Verse, The Mitchells vs the Machines, etc.). She has coordinated on multiple TV shows and films including the award-winning series Abbott Elementary, Truth Be Told, CSI: Vegas, Nimona, House Party, On The Come Up, and many more. Tasha Music Supervised the Apple TV+ show, Life by Ella, and is currently working on two animated Apple TV+ shows in production.
Rosie Howe is a music supervisor and a creative biz wiz who works with filmmakers, TV producers, gaming companies, advertising agencies, and brands from all across the globe. Her superpower is procuring unforgettable music from artists, producers, and companies through artist relations, music supervision/licensing, and original music production. She loves to work with her diverse network of professionals to provide clients with the power of music.
Rosie is a member of the Guild of Music Supervisors and spends her free time providing helpful feedback and educational resources to musicians starting out through workshops, panels, and one-on-one sessions. She has been featured on Behind the Music podcast, panels and workshops for The Grammy Museum, Billboard, The Guild of Music Supervisors, Synckeepers, Music Biz Mentors, and has contributed to the magazine-style blog Ms. In The Biz.
Website Facebook Rosie Facebook Instagram
PRETTY. is a 5-piece band out of Burbank, CA that delivers a NEW New Wave sound combining elements of The Smiths, INXS, and The Killers. The group has been featured on several radio stations including 95.5 KLOS, BBC Lincolnshire, KCSN 88.5, KX 93.5, KVCM, WMFO, as well as some international stations. When on the number one morning radio rock show, The Heidi and Frank Show they were interviewed and featured on the “Stay or Go” segment and received one of the highest approval ratings in the segment's history with a whopping 98%.
Currently, PRETTY. has a commercial airing for the historic Greek Theatre and Mercedes Benz which features their song “HYA” from the EP, “honey, it was paradise”. The EP was the highest-rated project in the May issue of the industry magazine, Music Connection and featured in the end-of-the-year Top Artist special issue.
Having packed out shows at The Peppermint Club, Bardot-Hollywood, Resident DTLA, among many others, the group delivers an energetic stadium-like live performance impacting audiences of all ages.
Dani B is an alternative Pop Urbano artist, she has more than 660k followers on Tiktok and over 80k on Instagram and YouTube. After signing with Austral Records in 2022, at just 18 years old, she was already invited to take part in the Stgo Flow festival with artists such as Pailita, Soulfia, and Jordan 23 among others. Just a month after releasing her debut album "Huellas", which had already reached more than 50k plays on Spotify. She also has been chosen for the official playlists of Spotify's "Pop Chile", and "Latin Fresh Finds" and as the cover of Amazon Music's "Sector Pop" and "Alternative Sector", where other Chilean artists such as Princesa Alba and Cami are also found. In turn, her audience has grown considerably after the singer's appearance on open television in the program "El Retador" from Mega, one of the largest channels on Chilean television. After this, she shared the stage with Denise Rosenthal and Francisca Valenzuela on February 17, 2023 at the Grade 3 festival, at Sporting de Viña del Mar.
Currently, she is preparing many releases for 2023, including national and international collaborations. New music brings a new and refreshing sound. In addition, the artist is preparing a tour in Canada and the United States in July.
Kid Baron, an alternative rock band hailing from Los Angeles, was established in 2022 by Jack Griffo (lead vocals, guitar) and Tristen Bankston (lead guitar). Drawing inspiration from renowned groups like Incubus, Muse, Nothing But Thieves, and Foo Fighters, the band aims to create music that resonates with their audience. According to Jack Griffo, the band's inception was fueled by his personal struggles, which he transformed into something beautiful. "It started with pain. Turning my troubles into something beautiful has brought me so much purpose and made me understand art more than I ever had," he shared.
The band has already achieved significant milestones, such as playing the Troubadour, opening for The Dangerous Summer at the Roxy in October, and selling out a headline show at the Viper Room last May. Completing the trio is drummer Preston Huber.
Genre-defying recording artist, composer, and producer Doll Machine has been electrifying stages with her unique and culture-challenging performances.
With roots in electronic, hip-hop, pop, jazz, and punk, doll machine brings forth a new level of artistic authenticity and self-expression. She’s co-written with Grammy-nominated Telepopmusik, house legend DJ Robbie Rivera and is currently working on a collaboration with Grammy-winning artist, Really Doe. She’s also the co-founder and creative director of the monthly Japantown residency Multi-Player.
Read Doll Machine's recent feature in SPIN Magazine, watch her Day In The Life video.
The Pavillion at Toyota Music Factory in Irving, Texas, was alive with nostalgic energy as fans eagerly awaited the Yellowcard's Ocean Avenue 20 Year Anniversary Tour. With an incredible lineup that included direct support from Mayday Parade, Anberlin, This Wild Life, and a surprise guest appearance by Matty Mullins of Memphis May Fire, the stage was set for an unforgettable night of emo and pop-punk goodness.
The evening kicked off with the acoustic duo, This Wild Life, whose mellow tunes set the perfect tone for the rest of the night. Their captivating performance, filled with raw emotion, showcased their impeccable vocal harmonies and fingerstyle guitar skills. The audience was immediately drawn in, and the atmosphere grew even more intimate as they played crowd favorites like "Catie Rae" and "No More Waiting."
Next up was Anberlin, a band whose presence on stage instantly ignited the crowd's enthusiasm. Stephen Christian's absence was felt, but the surprise appearance of Matty Mullins was met with thunderous applause. Mullins effortlessly slipped into the lead vocalist role, breathing new life into Anberlin's classics like "Feel Good Drag" and "Paperthin Hymn." The band's energy was infectious, and the audience was singing along with every word, as though the songs were still fresh and relevant.
As Mayday Parade took the stage, the crowd's excitement reached a fever pitch. Their performance was nothing short of electrifying, and lead singer Derek Sanders had the audience eating out of the palm of his hand. Their setlist was a perfect blend of old and new, with anthems like "Jamie All Over" and "Terrible Things" resonating deeply with the fans. The band's signature emotional delivery and tight instrumentals left a lasting impact, and the camaraderie between band members was evident in their onstage chemistry.
Finally, the moment everyone had been waiting for arrived: Yellowcard's 20-year celebration of their iconic album, Ocean Avenue. The stage was adorned with an impressive visual display, featuring imagery reminiscent of the album's iconic cover art. From the first note, the crowd was transported back in time to a period of their lives when Yellowcard's music was a soundtrack to their emotions and experiences.
Ryan Key's powerful vocals, backed by the band's tight instrumentation, breathed new life into the beloved tracks. The audience erupted with joy during songs like "Only One," "Way Away," and, of course, the iconic "Ocean Avenue." Every lyric was sung with passion, and the unity between the band and their dedicated fanbase was palpable throughout the night.
As the night came to a close, the overwhelming feeling in the air was one of gratitude and appreciation. The Yellowcard's Ocean Avenue 20 Year Anniversary Tour was more than just a concert; it was a celebration of a genre-defining album that had a profound impact on countless lives.
Bottom line, the concert at The Toyota Music Pavilion was a mesmerizing journey through the past, capturing the essence of emo and pop-punk's golden era. Mayday Parade, Anberlin, and This Wild Life delivered stellar performances, setting the stage for Yellowcard's triumphant celebration of Ocean Avenue. Though the absence of key members was felt, the night was a reminder of the lasting legacy of these bands and the enduring power of their music to connect with fans across generations. It was an unforgettable night filled with emotions, sing-alongs, and a sense of community that will resonate with fans for years to come.
Addison Grace’s song "White Lie" is one of those songs that before you know it, it’ll be stuck in your head, and you will be playing it on loop. The lyrics are relatable and cut deep but are sung in such a way that the song manages to be upbeat and high energy at the same time. One of my favorite things about their music video for "White Lie" is how their emotions are shown through the use of close-up angles with a fisheye lens, their facial expressions and hand gestures as well as the overall pacing and trippy effects in the video. The visuals and colors chosen are pleasing to the eye and give off an early 2000s energy to it. They were radiating confidence as they sang the lyrics “I don’t like you” and at a certain point in the song, you can feel the sadness of how they wish the person they used to love was actually genuine.
Overall, I feel like Addison Grace’s song is definitely going to connect with the younger generations and even help encourage them to get away from fake friends instead of putting up with them. If anything, I would have liked to see how the video would have played out if they had someone in it representing the people pleaser they have grown to dislike.
- Toren Brown
Even if you don’t think you know Portugal. The Man, I promise you do. The group's hit song “Feel It Still” went viral after its release in 2017. However, what I did not know about the band was their involvement in the Native American community. The show opened with Native American representatives explaining their connection with the band and how involved the group has become. Not only the whole of the community, but more specifically the females within it. The speakers expressed their femininity and the power that drew from it and the emphasis of feminine strength before the music began. Which was a shock of an opening, but not unwelcomed by any means.
Portugal. The Man were not the only musicians on the stage that night. Joined by the vast Colorado Symphony, playing the instrumental for the band, the groups joined to bring Red Rocks to life. This was my first time shooting at the world acclaimed Red Rocks, and I was flabbergasted by the environment. Being surrounded between two glorious red enormous stones gave the show such an intimate feel. Not to mention the visuals projected by the band emphasizing their more psychedelic side. The group had a spirit perfectly suited for Red Rocks.
If you go to Portugal. The Man show looking for everything to be akin to “Feel it Still”, you are in for a world of shock. The group has an immense variety of music, ranging from electronic, to rock, to indie. They truly can do it all. Portugal. The Man not only makes rockin 'tunes, but uses their influence for the better, which certainly cannot be said about most groups of their notoriety. This is what truly stuck out to me about the band, their truly equitable spirit.
mxmtoon has been making waves in the music scene for the past few years. She began to make noise in the industry around 2017 by posting her original work and covers on social media. It spread like wildfire. Fast forward to 2023, mxmtoon has been racking up the views/listens across all platforms. At the date of this review, she’s amassed 347,573,340 listens on “Falling For U” and 253,805,564 listens on “prom dress” on Spotify. Seeing numbers like this, I knew she was not an act to miss. Let’s hop into it.
Opening for her was Ricky Montgomery. I wasn’t familiar with his music but the indie-pop singer-songwriter got the crowd singing along with every note and word. The crowd really engaged with his musical versatility and soulful vocals. Montgomery had an ability to tell stories through his music which really kept the crowd engaged until he hung it up for mxmtoon herself to take the stage.
As the light dimmed for mxmtoon’s introduction, the crowd erupted into cheers. I thought the crowd hung onto every word that Ricky Montgomery sang, but that was child’s play for how they latched onto mxmtoon’s music. Some of her hits that had every person in the venue singing were “mona lisa”, “prom dress”, and “fever dream”. In addition to her soulful singing, mxmtoon also broke out the ukulele for many of her jams and strummed along to her vocals. Throughout her set, she paused for moments to just talk and interact with the crowd. In these moments of raw authenticity did it dawn on me that she amassed not only a fan following for her music, but for her personality as a human being. I love peeling back the curtain to subcultures like this and mxmtoon and her fans didn’t disappoint on a great time.
Overall, the folk-inspired indie-pop artist absolutely crushed her set at The Observatory in Santa Ana, California. Her set was emotionally charged and a memorable experience. When she’s playing a show near you, get yourself out to that venue! I guarantee it’ll be a blast.
Live at the magnificent Denver Botanic Gardens a jaw-dropping performance by Fitz and the Tantrums echoed jubilant jams throughout the Denver area. The group is well known in the pop scene from some of their major hits including but not limited to “Hands Clap”, “Out of My League”, and “I Just Wanna Shine”. They have a major following that is well deserved. The group has an energy that is sure to bring light to even the darkest days, and let me be the first to tell you, that same energy is even more remarkable in person.
This was my first outdoor venue concerts, and this was just the group to see in the magnificent outdoors of Colorful Colorado. Surrounded by the beauty of the vegetation of a summer in full effect, evoked even more joy into the lyrics of Fitz and the Tantrums. The crowd was an incredibly age diversified group which took me by surprise. They seem to have a sound that speaks to ages all alike. The group allowed for a small pit to be formed in front of the stage which is where I spent most of my time. There, fans watched in awe as the band performed to an audience that fully surrounded the stage in a full 360 degrees.
Fitz and the Tantrum’s music naturally puts a groove into your step, so it was no wonder the entire venue was standing, dancing, some even moshing, the entire night. Not just fans, but the group themselves put on not only a lyrical show, but a physical one as well. Keeping every corner of the venue engaged.
Going into this show I was already a casual fan of Fitz and the Tantrums, but after a delightfully captivating set, I not only have more songs to add to my personal playlist, but have found my anthems for the months to come. Be sure to check out Fitz’s new album Let Yourself Free if you are looking for the obligatory pick-me-up.
This could be one of the last few times I will get to write about performances at the FivePoint Amphitheatre in Irvine. It has been announced and planned that a new permanent outdoor venue will take its place. It is bittersweet news for me because while I am looking forward to seeing this get built, FivePoint will be done with, and it has been a great replacement for the original Irvine Amphitheatre. Anyway, what better way to start my summer concert series in Irvine than by seeing Disturbed stupify the Irvine metalheads. Celebrating the release of their 8th release Divisive, Disturbed wanted us to take back our lives with a headbanging tour along Ukraine metal warriors Jinjer and hard rock legends Breaking Benjamin. Rabit and I head over there along with Rockaholic, the Metal Samurai, and his lady Abbey, aka Lady Sinister, and did we get down with the sickness.
Jinjer was the first to go on and get the crowd pumped up. This metalcore outfit has been through a lot the past year and a half with their country’s ongoing war with Russia, but just like Ukraine, they showed resolve and strength on the stage. Frontwoman Tetiana Shmailyuk (aka Tati) exhumed her brutal screams to the fans, and they roared with approval. What I always found amazing about Tati is that not only can she throw down the hammer with her screams, but she can also move people’s souls with her heavenly singing. As always, Roman Ibramkhalilov (guitar), Eugene Abdukhanov (bass), and Vladi Ulasevich (drums) brought metalcore enthusiasm and excitement that reminded us why Jinjer is amazing. From “Perennial” to “Call Me a Symbol,” “Vortex,” “I Speak Astronomy,” “Copycat,” and “As I Boil Ice,” we saw the fighting spirit of Ukrainian metal. Jinjer conquered their performance and Irvine was all fired up. (Fight on Ukraine!)
Up next was Pennsylvania’s Breaking Benjamin. Seeing them always brings me back to my high school days when Saturate dropped 25 years ago and brought much need excitement in the world of alternative hard rock. Frontman/rhythm guitarist and founder Benjamin Burley is still one of the best alternative singers in the game, jumping between death growling and tenor singing. He knows how to draw the audience into his angst and feel his anger & sorrow. Since the release of 2015’s Dark Before Dawn, Breaking Benjamin has been hotter with their current lineup of nearly 10 years. The guitar duo attack of Jasen Rauch (lead) and Keith Wallen (rhythm) is always a sight to behold, while Aaron Bruch (bass) and Shaun Frost (drums) were laser focused on alternative perfection. A majority of their setlist came from Phobia and We Are Not Alone, tunes old school Breaking Benjamin fans love to take in. Songs like “Breath” “Dance With the Devil,” “The Diary of Jane,” “Until the End,” “Follow,” “Simple Design,” “So Cold,” and “Sooner or Later” ignited the high schooler inside all of us. Other tunes that we enjoyed hearing included “Failure,” “I Will Not Bow,” “Red Cold River,” “Polyamorous, and “Blow Me Away.” This was a trip down memory lane, and Breaking Benjamin did not disappoint.
After a 30 intermission and arousing introduction from the Metal Ambassador himself Jose Magnin, the mighty Disturbed took to the stage. Starting things off with their hit lead single off Divisive, “Hey You,” and did that song get everyone into the right mood. Frontman David Draiman has one of the greatest voices in music today, not just metal. That night, it showed no signs of aging. He still can hit those operatic baritone notes like nobody’s business. As Draiman was slaying the lyrics, guitarist Dan Donegan shredded up a storm with his signature hammer-on and “flick off” technique. Drummer Mike Wengren wailed and hammered with all his might, showing us why he is considered one of the best modern metal drummers around, and bassist John Moyer brought the roaring boom that lifts Disturbed up to the Heavens. What was awesome to see was all the players showing off their skills with their own solo spots, and did they dazzle us. While many of their songs from that evening came from The Sickness, a good portion also came from Divisive. The Disturbed loyalists really enjoyed the songs like “Stupify,” “Ten Thousand Fists,” “Prayer,” “Are You Ready,” Genesis’ “Land of Confusion,” “Droppin’ Plates,” “The Game,” “Indestructible,” “The Light,” and “Stricken.” Their best came from their calm, booming ballads like “A Reason to Fight” and Simon & Garfunkel’s “The Sound of Silence,” which were both dedicated to the depressed and those we lost (including Chris Cornell & Chester Bennington). As someone who at times battles depression, those songs meant something to me. So Disturbed, thank you for that. After a brief break, they returned for a 3-song encore that included “Unstoppable,” “Down With the Sickness,” and “Inside the Fire.” For those tunes, I let my metal side go into overdrive.
That was a fun night to be at FivePoint. Disturbed gave us an electrified performance that involved a lot of pyro technics and fire pits. Talk about bringing in a ring of fire. Breaking Benjamin brought exciting rock and Jinjer lit up the feelings in all of us to keep on fighting for the right reasons. I do not know how long it will be until the new venue is built, but I will continue to enjoy FivePoint’s performances for as long as it is around. To Disturbed, Breaking Benjamin, and Jinjer, I salute you. Horns up!!!
Photos by: Matt 'Rabit' Martinez
Few 20-year-olds are doing life in the fast lane like multi-instrumentalist, electronic music producer, and artist Lamorn. After dropping his debut album Forever on mau5trap on 6/2/2023, Lamorn would embark on an 18-date tour across the country to promote the project and introduce himself to the world. The Los Angeles show at The Echo was a sold-out affair and he was joined by Molly Otto, Linney, and Latroit. I gave Forever a few spins before the show to get familiar with the music he’d be dropping but no matter how much time I had with the project, there was no way I was prepared for the live show he put on. Let’s hop into it.
Up first was Molly Otto. I wasn’t too familiar with Molly Otto’s music besides the song “Sonic” with Lamorn that was released on mau5trap. Molly lived up to the hype. Setting the “live” music tone for the night, she strummed her guitar through her catalog and got the crowd into the zone.
Rocking the stage second was Linney. Known for her work on “Line In The Sand” with KILL SCRIPT and “In My Dreamz” with Champagne Drip, Linney is emerging as one of the new voices across the electronic music landscape. Her powerful voice and honest lyrics really pack a punch over the beats she’s chosen to sing over. Her live set was no different. Armed with a mic in each hand, she took everyone in The Echo down for an emotional ride through her greatest hits to date.
Finally, before handing off the stage to the main draw, the fans were in for a real treat with the next act. Grammy Award winning electronic dance producer and DJ Latroit took to the stage to the rock the crowd at The Echo. Assisted by several (and I mean several!) vocalists, Latroit kept the party grooving deep into the night. My favorite Latroit collab was “Someday” that he performed with frequent collaborator Brea Bunevacz. Latroit’s beats and Brea’s voice epitomize the best of electronic dance music. Despite having so many accolades of his own, Latroit ended his set gracefully and let the crowd know that years from now, everyone who attended that night would look back and think about how crazy it was to have the opportunity to see Lamorn in such an intimate venue like The Echo.
Finally, after much anticipation, Lamorn took to the stage. Prior to jumping into his set, Lamorn grabbed the mic and thanked the crowd for making it out to his sold-out night. It was a real human moment, and I could tell he was humbled by the successes he’s found as a young artist. He then wasted little time as he jumped into his set. Twisting knobs and sliding levelers, Lamorn took the crowd on a sonic journey. On this journey, he encompassed the entire spectrum of electronic music, from euphoric trancey moments to dirty dubstep. My favorite moment was when Lamorn grabbed the mic and sang the vocals to his hit “Armed”. It dawned on me only at this moment that it was him singing on many of his songs. In addition to having an amazing voice, Lamorn picked up the guitar and stummed along to his production giving the show a heavier live music feel than you would normally expect from a DJ set.
Lamorn absolutely knocked this one out of the park. On my drive home, Latroit’s words stuck with me. It was absolutely nuts that I got to see Lamorn in such an intimate venue. I’ve been chatting non-stop about this one to everyone I talk to. Check out Lamorn the next time you get the opportunity to while you can still see him in intimate venues. Soon, he’ll be graduating to only playing big venues and you’ll wish you listened to me. This kid is it.