Keznamdi has released his highly anticipated sophomore album, BLXXD & FYAH, to critical acclaim, debuting at #1 on the iTunes Reggae albums chart. The 13-track project solidifies Keznamdi’s position as one of reggae’s most innovative artists, blending roots and modern influences into a sound that is both timeless and contemporary. Featuring collaborations with Kelissa, Mavado, Marlon Asher, and Masicka, the album is a powerful exploration of resilience, identity, and social commentary.

Keznamdi’s decision to step away from touring last year allowed him to reflect on life experiences and channel them into this deeply introspective album. “When I step into the studio to create a body of work, it’s about discovery,” he shared in a recent interview. “This album wasn’t just about clever rhymes or interesting flows; it was about the message. What am I really saying? How do I want people to feel?”

The album opens with “I Am,” a collaboration with Kelissa that sets the tone with a chilled-out riddim and introspective lyrics. The track invites listeners to reflect on their memories and limitless potential. Another standout, “Colonial Bondage,” fuses Nyabinghi drums with a one-drop beat as Keznamdi delivers impactful lyrics critiquing systemic oppression. He described the recording process as a live jam session that allowed the music to breathe, resulting in one of his favorite tracks on the album.

“River Jordan” brings a gospel-infused roots vibe, showcasing Keznamdi’s vocal prowess over acoustic guitar. The spiritual groove continues with “Natty Dreadlocks (Live Roots Version),” inspired by an incident where a young girl was barred from school because of her locks. Keznamdi’s heartfelt lyrics address the ongoing discrimination against Rastafarian culture, making the song both timely and powerful.

Keznamdi also pays homage to reggae legends with a reimagined version of Toots and the Maytals’ “Pomp and Pride,” staying true to the original message while adding his unique touch. “Serious Times” reflects on the challenges of the global pandemic, pairing an upbeat rhythm with Keznamdi’s sharp lyricism.

“Identity Crisis” carries a profound message of resilience in the digital age, urging listeners to reclaim their sense of self amidst social media pressures. The track’s simple melody allows Keznamdi’s flow and emotion to take center stage. Similarly, “Pressure” delivers a rootsy Dancehall vibe, encouraging perseverance through life’s obstacles.

The album also explores themes of love and family. “Somebody” is a heartfelt love song dedicated to someone special, while “Bread and Butta” highlights the grind and hard work needed to provide for loved ones. Set to a Hip-Hop beat, the track captures the essence of everyday sustenance and resilience.

The anthemic “Bun Di Ganja (Roots Version)” features Mavado and Marlon Asher, blending soothing melodies with powerful social commentary. Mavado’s classic flow complements Keznamdi’s lyrics, creating a hypnotic and meditative ganja tribute. “Forever Grateful,” featuring Masicka, celebrates life’s accomplishments and lessons learned. Keznamdi praised Masicka as “the voice of the streets,” whose uplifting presence adds depth to the track.

The album concludes with “Time,” a poignant reflection on cherishing life’s essential moments. Blending traditional reggae with elements of Dancehall, Afrobeats, and Soul, the track encapsulates Keznamdi’s ability to create music that is both deeply personal and universally resonant.

BLXXD & FYAH is more than just an album—it’s a call to action. Keznamdi blends genres effortlessly, nodding to his reggae roots while delivering a sound that is global and urgent. The title itself embodies his message: “Blood” symbolizes sacrifice and struggle, while “Fyah” represents transformation and resistance. Together, they strike a balance between the weight of oppression and the passion needed to push back.

“As Nina Simone once said, ‘An artist’s duty… is to reflect the times,’” Keznamdi shared. “Through every beat, every lyric, and every note on this album, I wasn’t just making music—I was telling stories. Stories of struggle, resilience, and resistance. Stories of the third world, of the unheard, of those fighting against the weight of oppression.”

With BLXXD & FYAH, Keznamdi delivers one of the top reggae albums of 2025, proving that reggae’s mission to inspire, comfort, and challenge the status quo remains as vital as ever.

One Love – Todd M. Judd

After the abrupt cancellation of the 2025 edition, Sick New World (SNW) is back and not just in one city. In 2026 the festival returns with two major one-day events, in Las Vegas and Fort Worth, Texas, re-asserting itself as one of the boldest heavy/alt-rock festivals in the U.S. Here’s your early look at what to expect.

Debuting in 2023 with a successful lineup, Sick New World quickly built a reputation for its heavy-rock, nu-metal, industrial and gothic-leaning lineup. With the cancellation behind them, organizers are now rebooting in 2026, with a bifurcated strategy: the original Vegas event plus a brand-new Texas debut.

2026 Dates & Locations

Las Vegas, NV: Scheduled for April 25, 2026 at the Las Vegas Festival Grounds.

Fort Worth, TX: Inaugural Texas edition set for October 24, 2026 at the Texas Motor Speedway.

The 2026 editions lean into the festival’s core: heavy, alternative and genre-crossing rock.

Las Vegas, NV (April 25, 2026)

Headlined by System of a Down, with major support from Korn. The bill also features Bring Me the Horizon, Marilyn Manson, Evanescence, Ministry, AFI, Cypress Hill, Acid Bath (notably), and more.

Fort Worth, TX (October 24, 2026)

A standout heavy-metal lineup featuring System of a Down again, plus Slayer (celebrating 40 years of Reign in Blood), Deftones, Evanescence (again), Ministry, AFI, Mastodon, and others.

Signup for the official Sick New World mailing list for presale codes!

https://www.sicknewworldfest.com/vegas

Las Vegas presale begins this Friday, October 23rd.

For fans of heavy, alternative and genre-hybrid rock festivals, 2026 is shaping up to be a comeback year for Sick New World. With a strong lineup anchored by System of a Down and a savvy dual-city format, the festival is making a statement: it’s not just back, it’s expanding. Whether you’ve been to Sick New World before or this is your first rodeo, now’s the time to get ahead of tickets, travel, and planning

Just twelve months after releasing Man Down, Ice Cube returns with his twelfth and latest album, Man Up. At 56 years old, the emcee, actor, film producer, BIG3 founder, CubeVision founder, and songwriter shows no signs of slowing down since his days with N.W.A.. The timing of this album suggests it could be a follow-up or continuation of Man Down, possibly featuring leftover tracks that didn’t make the final cut. However, upon listening, it’s evident that Man Up is unique in both its production and lyrics. While it may serve as a companion to Man Down, it is not a direct sequel.

Ice Cube takes center stage on this album, with Scarface being the only guest artist appearing on a few tracks. Hip-Hop has often been perceived as a young person’s genre, but Cube and other "old school" rappers have challenged this notion in recent years. Although their messages may have evolved, they continue to resonate. “I’ve always stood for speaking truth to power and making music that reflects reality,” Cube stated. “Man Up is about accountability, resilience, and reminding people of the root causes of real problems. Hip-Hop didn’t create the struggle — it gave us the language to call it out.”

“Man Power” kicks off the album with a hard-hitting West Coast beat. Ice Cube delivers strong, in-your-face lyrics that feel slightly forced at times, but he still impresses. In “What You Gonna Do About It?”, the beat remains powerful, and Cube brings his signature hardcore lyrics that seamlessly flow with the rhythm. His confidence shines through in this track.

"Freedumb" showcases Ice Cube’s classic edge as he critiques our dependency on AI and technology, calling out the youth for relying too heavily on platforms like ChatGPT. The production is solid, and Cube’s emotions are palpable in every line.

With a smooth, chill, and laid-back groove, “Guess What?” may initially feel slightly out of place, but the more you listen, the more the song grows on you. Cube delivers a relaxed vibe as he raps, even surprising listeners with a bit of singing. Featuring a solid melody, the hook adds a nice twist. If Snoop Dogg can do it, why not Cube?

One of the standout tracks, “Forget Me If You Ain’t Wit Me,” features a catchy, dope beat and an aggressive rhythm. This is classic Cube, delivering hard-hitting rhymes with his signature flow. The production has a vibe reminiscent of G-Unit, but it blends seamlessly with Cube’s style, making it work perfectly.

Starting with a sample from Robert Townsend’s Hollywood Shuffle in the "I Can't Do This" scene, “Before Hip Hop” is a bass-heavy jam filled with anecdotes about life prior to the genre’s emergence. The track examines the timelines of various crimes and lifestyles that existed before Hip-Hop’s perceived influence on society.

In a statement, Ice Cube remarked, “It’s easy and lazy to look at what’s going on in many communities and blame Hip-Hop for everything. But the reality is that the violence, pain, and broken systems were already here. Those who opposed Hip-Hop often had racially motivated biases. They didn’t or wouldn’t compare white-led movies to rap artists; they were entrenched in their views and had already made up their minds.”

Cube later added, “‘Before Hip Hop’ calls out the revisionists, showing that crime and injustice existed long before Hip-Hop music. We didn’t cause it — we just called it out.”

Scarface contributes a great flow on his verse in the track “Act My Age,” which features a simple, deep beat. This song emphasizes Cube and Scarface delivering a strong message. Both artists assert that they still deserve respect and are far from being washed up, with Cube displaying a gritty flow reminiscent of his earlier, villainous days.

“Ratchet Ass Mouth” features Ice Cube advising young men to choose smart, intelligent women instead of those who may bring them down. With a deep bass line, Cube delivers the message:
“Hey young punk, listen to your uncle. Keep your mind off junk in the trunk. Focus on the grind, just like a monk. While girls get high and women get drunk, get your money right, and they'll come to you. When you choose someone, don’t be foolish. Don’t just focus on looks; make sure the conversation isn’t dizzying. Ensure that she isn't ditzy.”

“Respect My Space” has a strong beat and bass, making it a head-bobbing tune as Cube makes it clear that he is ready for a battle. He firmly expresses the need for others to acknowledge and respect personal boundaries, both physical and emotional.

“Forget Me Knots” is sampled next in “California Dreamin’.” Although this song doesn’t fit the typical Cube style, he makes it work with a smooth flow and a calmer tone. It allows listeners to let down their guard, relax, and enjoy a bit of G-Funk vibe.

We continue with that funky groove in “That Salt and Pepper,” produced by Eric Sermon. This song discusses adulthood and the freedom from old worries. The lyrics reflect this sentiment:
“They’re all looking at us because they admire that grown man status (I love it). We don’t chase anyone; young bucks are the ones chasing like Jason. Always smelling good, always representing the hood. See, I’m a true provider.”

Cube delivers an upbeat, 70s funk-inspired track with “Bring Everybody,” where he confidently expresses his untouchable status. The funky drumming and some scratching from the turntables keep listeners dancing throughout the song. Cube showcases a quick flow in a style that is quite different from what we’ve seen from him before.

Next, a remix of “It’s My Ego” features Scarface and Quake Matthews, standing out as one of the stronger tracks from Man Down. While Quake Matthews demonstrates his talent, Scarface steals the spotlight once again with his impressive rhymes.

The album closes on a high note with “All Work No Play,” which features a fantastic West Coast beat. Cube’s energy in this track is off the charts, delivering a powerful message to the OGs. This song includes some of Cube’s best lyrics and flow on the album, providing a strong and impactful conclusion.

Ice Cube delivered a solid follow-up to Man Down, showcasing a different style and message. While the production on Man Down may have been slightly stronger, the lyrics and flow in Man Up are sharper and more impactful. Cube recently stated in an interview, “I think they go hand in hand in a way. The first record, ‘Man Down,’ is more of a statement about where we are as men in this society and how we’re perceived, not how we actually are.” He added, “On the other hand, ‘Man Up’ is a call to action, challenging us with the question, ‘Okay, what are you going to do about it?’”

Ice Cube unapologetically embraces his masculinity while delivering a raw, classic West Coast Hip-Hop album. The consistency throughout the album is commendable, as Cube conveys a meaningful message while positioning himself as a contemporary critic. His sharp mind remains his greatest asset as he navigates the Hip-Hop battlefield with confidence.

One Love – Todd M. Judd

Genesis refers to the origin or beginning of something, and Rik Jam and producer Phillip McFarlane have established a strong foundation and relationship while creating a new path for both the artist and producer, as well as for roots Reggae music. Originally from Fletcher Land, Ronaldo Ricketts, known as Rik Jam, moved to Stadium Gardens with his father after the passing of his mother. He began his musical journey in the choir at St. Andrew Technical High School, a common starting point for many Jamaican artists. Rik Jam shares, “As I participated in various rehearsals and live performances, I quickly realized that music was my life goal. I felt a passion within me each time I sang; I didn’t just want to sing the words of a song; I wanted my music to resonate with my audience.” During a high school band competition, he met Phillip McFarlane, which sparked his journey toward a professional music career. After completing his education, Rik Jam recorded his debut track, “Love Never Lost,” in 2018, marking the beginning of his evolution as an artist.

The album begins with “The Genesis Intro,” a brief introduction to Rik Jam and his new project. While it sets the tone beautifully, I wish this track had been developed into a full song. “Hear My Cry” follows as a spiritually charged piece addressing social issues, showcasing Rik Jam's vulnerable side. Another noteworthy track is “Journey,” written three years ago. This song discusses a corrupt world government system that people must navigate and endure. The lyrics convey the struggles of life:
“This is a journey. I tell you, life is so sweet, but often you can't find food to eat. In the streets, I remind you, better prepare for Judgment Day. For the weeping and wailing, and the gnashing of teeth, you’d better start counting the days. The feast has turned to famine; it's the end of days. And I say, oh, you know that life is tough. You know that the system is corrupt, because everything is taken as a joke.”

“Caution” delivers a strong beat, with Rik Jam’s impressive lyrics flowing seamlessly alongside the rhythm. This hard-hitting song addresses the harsh realities of life in Jamaica’s inner-city communities, emphasizing the importance of being cautious and aware of the dangers present on the streets. In contrast, “Give Praise” offers a beautiful roots Reggae tune. This spiritual song showcases Rik’s sweet voice, creating a mood that uplifts listeners. You can’t help but feel good after listening to it.

Phillip McFarlane presents a delightful Lovers Rock track titled “Fight With You,” featuring Rik Jam and Hawaiian singer Taye Louise. Together, they create a standout piece highlighted by the soulful connection between their voices, captivating listeners with their stunning vocals.

In another noteworthy song, “Emotions,” Rik Jam expresses his feelings over a simple acoustic guitar arrangement. His voice serves as a vessel for his sentiments, allowing him to convey deep emotion with passion and eloquence.

Eric Rachmany, the lead singer of Rebelution, joins Rik Jam on the track “Stereo.” Together, they create a Reggae song infused with a California beach vibe that is sure to appeal to a wide audience. The chemistry between Eric and Rik is exceptional.

In the powerful track “Book of Life,” Rik Jam flows over a strong riddim, varying his cadence as he shares hard-learned lessons, personal struggles, and his faith.

“True Love” features a delightful production as Rik Jam delivers heartfelt lyrics dedicated to the woman he loves. He sings, “You are my lady, yeah. I want to express my thoughts and feelings to you, the only one. Lately, I've realized that we've been holding on. No other girl can compare to your love; it is so amazing that I can trust you. No one else can match your love.” Rik skillfully changes his cadence and vocal delivery, giving the song an impressive finish.

Taye Louise returns alongside Rik Jam’s labelmate Dalwayne in the Hip-Hop-inspired track “Troubled Streets.” While this song may feel somewhat out of place on a rootsy Reggae album, it adds fresh energy and injects new life into the project. Taye’s vocals shine on the hook, and Dalwayne complements Rik Jam’s style perfectly.

Rik and Phillip present a fusion of modern Reggae and urban rhythms in their track “Cry Blood.” This song shifts away from the rootsy Reggae vibe of the album and offers a stylistic change that some listeners may find refreshing. MediSun adds his high-level musical artistry with a soulful Hip-Hop sound that makes you want to bob your head along to the beat.

The album then returns to its roots Reggae feel with “Stronger,” where Rik Jam delivers more positive and uplifting lyrics. This is the perfect song to play when you need a pick-me-up.

The album concludes with “Hail The King,” which might just be the standout track. It features an incredible riddim produced by Irie Yute Tapes and Phillip McFarlane. On this conscious track, Rik Jam shines with beautiful vocals and profound lyrics about staying grateful throughout our journeys. This song ties the entire album together and serves as a perfect ending to this wonderful musical journey.

In recent years, Rik Jam has continued to develop his sound in collaboration with Phillip McFarlane. Sharing a vision and a commitment to the essence of music, message, and roots Reggae foundations, Rik and Phillip create a soul-inspiring journey enriched with beautiful instrumentation, reflective lyrics, and modern riddims. Genesis marks a significant turning point for Rik Jam as he transitions from his initial phase (genesis) to a broader exploration of his music, energy, spirituality, and expression. This album offers listeners a diverse experience while remaining true to the roots vibe. In a year filled with exceptional Reggae albums, this one stands out at the top of the list.

One Love – Todd M. Judd

Marking 25 years as a band, The Used decided to celebrate in style with a unique set of shows, playing three separate nights in each city. Night one featured their Self-Titled album in its entirety, night two showcased In Love and Death, and night three was dedicated to Lies for the Liars. This special celebration of the band’s first three albums hit nine cities earlier this year and was so successful and beloved that they embarked on a second leg, hitting six more cities. The tour kicked off at the House of Blues in Anaheim, CA, where fans packed the showroom for a chance to sing along with every song across three nights. I was fortunate to be in the room on night three for the deep cuts from Lies for the Liars.

Opening the night was emo heartthrobs Escape the Fate. Lead singer Craig Mabbitt performed with a huge smile on his face, clearly enjoying every second of being able to share the stage with The Used again. Guitarist Matti Hoffman carried the emo boy flag proudly with his swoopy hair and loose-fitting clothes, all while playing with incredible character and style.

Bassist Erik Jensen, stepping in as rhythm guitarist while TJ Bell takes a short hiatus, brought just as much attack to the guitar as TJ. Drummer Robert Ortiz held down the beat with his cool-guy style, rocking shades and frequently standing to slam on his drums while hyping up the crowd. Fans of The Used have likely been listening to Escape the Fate just as long, so the band had the entire crowd singing along to every song, including “Gorgeous Nightmare,” “H8 MY SELF,” “Low,” “The Flood,” “This War Is Ours (The Guillotine II),” “Broken Heart,” and “One for the Money.”

Having performed alongside The Used for much of their career, Escape the Fate’s set felt like a throwback to the late 2000s heyday of emo music, and the crowd loved every second of it.

Before The Used took the stage, a video package played, reminiscing about the band’s history and expressing gratitude to both old and new fans who have been along for the ride. As the curtain dropped, the band launched into the opening track, “The Ripper.” Diehard fans immediately went wild for this deep cut, as it was never a single. The mosh pit opened up, crowd surfers began pouring over the barricade, and the front row felt like it might tip over as fans reached out to connect with the band.

Vocalist Bert McCracken was visibly moved by the joy and energy of the fans, constantly smiling and giggling between songs in response to their reactions. Though the band doesn’t often perform many of these songs live, Bert gave his all, pouring his heart into the lyrics he wrote and holds close.

Bassist Jepha Howard, a founding member alongside Bert, was equally energized, dancing around the stage and roaring through the screamed lyrics. Guitarist Joey Bradford and drummer Dan Whitesides, though not part of the original lineup for Lies for the Liars, played with passion and precision, fully understanding how much this music means to the fans.

During “Paralyzed,” Bert invited a few fans on stage for a dance-off, creating a unique and memorable moment for those lucky enough to join the band.

The most emotional moment of the night came with the final song, “Smother Me.” A ballad about longing and the desire to be someone’s special person, the song filled the room with raw emotion as fans sang along. Many in the crowd were visibly moved to tears, reflecting on loved ones they wished were with them or those they had lost. For a band known for high-energy and screamo songs, ending the night—and the three-day run—with such a powerful ballad reinforced why The Used holds such a special place in their fans’ hearts.

This special run of shows was a gift to fans, and I feel lucky to have seen all three albums performed live earlier this year when the band came to Los Angeles. However, re-experiencing Lies for the Liars in Anaheim felt even more significant. Perhaps it was because I only got to see one night this time and wanted to savor every moment, or maybe it was the chance to truly appreciate the deep cuts. Either way, The Used made this a night to remember for everyone in attendance.

While I’d love to see even more of their albums performed in their entirety, that seems unlikely anytime soon. Regardless, I know I’ll be there the next time The Used, the greatest band in the world, comes through Southern California.

The Osbournes (R.I.P. Ozzy) may be the first family of Rock ‘n’ Roll, but the Cavaleras are without a doubt the first family of extreme metal. Max Cavalera started his journey into the extreme with Sepultura in 1984, took things to the next level in 1993 with Nailbomb, mixed the best of nu-metal, death metal, and thrash in 1997 with Soulfly, pushed heavy music to new heights with Cavalera Conspiracy in 2007, and got his groove on in 2020 with Go Ahead and Die. Max and his brother, drummer Iggor Cavalera, have been touring as simply Cavalera over the last few years, and to make it even more of a family affair, Max’s son Igor Amadeus Cavalera plays bass in the band.

Cavalera recently re-recorded the first three Sepultura albums and celebrated that on the “Third World Trilogy” tour earlier in 2025. Now, they’re back on the road celebrating 32 years of Sepultura’s landmark album, 1993’s Chaos A.D..

This four-week tour made a stop at the House of Blues in Anaheim, CA, for a Tuesday night rager on October 7, with openers Thrown Into Exile, Genocide Pact, Prong, and direct support from Fear Factory. With five bands on the bill, the night had a mini-festival vibe as doors opened at 5:00 PM. It was clear this would be a night to remember.

Now 14 years into their musical assault, Los Angeles-based Thrown Into Exile kicked off the night at 6:30 PM with a bit of a surprise. Vocalist Evan Seinfeld was down with an illness and couldn’t perform, so guest vocalist Hannah Rebel stepped in and absolutely killed it. Adding a bit more aggression to each song, she fit right in with the band.

Founder and TIE captain Mario Rubio led the shredding and hair whips (watch out, Ira Black—Mario is giving you a run for your money as the best hair in a metal band). Drummer Hank Lin, filling in during the search for a new permanent drummer, held down the beat with power and precision. The band, rounded out by longtime bassist Javi Exile and guitarist Austin Shadowsill, delivered a killer set. You’d never know it was Hannah’s first time playing with the band, and the SoCal fans welcomed their opening set with enthusiasm.

Washington D.C.’s Genocide Pact was up next, delivering sheer brutality over their 40-minute set. Bathed in red lights, vocalist/guitarist Tim Mullaney, drummer Connor Donegan, and bassist Nolan ripped through songs from their three-album discography. Their crushing sound and relentless energy proved that younger bands are carrying the torch for the next wave of death metal.

Veteran band Prong took the stage at 8:00 PM, led by vocalist/guitarist Tommy Victor (who also plays guitar in Danzig). They opened with “For Dear Life,” and Victor was fired up, strutting across the stage and blasting out his iconic riffs. Prong, melting faces since 1986, delivered fan favorites like “Snap Your Fingers, Snap Your Neck,” which had the capacity crowd headbanging in unison. The aggressive circle pits were non-stop, and the set ended with the fast-paced “However It May End” from 2017’s Zero Days. Victor hinted at new Prong music in 2026—fingers crossed!

The crowd didn’t mind staying out late on a “school night” as the stage was set for Fear Factory to take over and destroy Anaheim. Vocalist Milo Silvestro, now over two years into his tenure with the band, has reinvigorated their live performances. His powerful voice brought new life to the band’s classic bangers, making the set a treat for fans.

Still celebrating 30 years of Demanufacture, the band opened with seven songs from the groundbreaking album that helped shape a new sound in heavy music. Dino Cazares’ razor-sharp riffs were perfectly in sync with Pete Weber’s blasting drumbeats. Filling in for bassist Tony Campos (currently on tour with Static-X) was Ricky Bonazza of Butcher Babies, who bridged the thunder between Cazares and Weber.

Silvestro shone on vocals, nailing both guttural growls and clean melodies. The crowd was amped up for “Martyr,” and the set ended with “Linchpin.” Fear Factory remains a monster of a band in 2025, and anticipation is high for new music, hopefully arriving in 2026.

At 10:20 PM, the lights dimmed, and video screens on each side of the stage played tributes from peers like Shane Embury of Napalm Death and Todd Jones of Nails, praising the influence and brutality of Chaos A.D.. The band then took the stage and launched into “Refuse/Resist,” igniting the crowd into a frenzy.

Max Cavalera looked fantastic—slim, fierce, and as active onstage as he was in 1993. The band mixed up the order of the Chaos A.D. tracks, but the viciousness of each song remained intact. The crowd was more active than ever, keeping the security team busy.

Iggor Cavalera was a monster on drums, his hard-hitting rhythms and grooves forming the backbone of the early Sepultura material. Igor Amadeus Cavalera brought youthful energy to the live delivery with his thumping bass, while guitarist Travis Stone (of Pig Destroyer) shredded riffs and leads with precision.

Hearing songs like “Biotech Is Godzilla,” “Slave New World,” and “Propaganda” live was euphoric. Max’s voice remains as powerful as on the original recordings, and his joy in performing was palpable.

The band paid tribute to Ozzy Osbourne (R.I.P.) and Black Sabbath with a killer cover of “Symptom of the Universe” before closing the night with “Territory” and a reprise of “Refuse/Resist.”

It’s special to see the Cavalera brothers destroying venues and honoring their roots with this classic set. Max Cavalera continues to reinvent himself and remains the God of Heavy Music. The Chaos A.D. tour is one not to be missed. The tour heads to Texas next, ending with three shows in the Lone Star State.

For all tour dates and anything Cavalera, visit Cavalera Conspiracy.

The title of Hirie, also known as Trish Jetton, is fitting for her new album, Phases, as it reflects her current stage in life. She has not only embraced a new chapter in her music but has also celebrated three years of sobriety, moved back to her hometown in Hawaii, and recently welcomed her second child. After more than a decade in the music industry, Hirie shares this pivotal moment through her strongest collection of songs to date. The album introduces a fresh vibe and energy, offering a delightful journey that marks a wonderful evolution for Trish both as a musician and as a person.

The journey begins with “Elevation,” the ideal opening track for the album. This song symbolizes a journey of self-empowerment, spiritual connection, and artistic liberation. It speaks to reaching a higher plane of consciousness and embracing authenticity following a significant personal transformation. Hirie’s beautiful vocals glide over a sweet, rootsy reggae groove. With a positive and upbeat rhythm, she embodies an energetic mood and encourages listeners to connect with and share this feeling in “I Am Your Vibe.” This uplifting song promotes authenticity, unity, and a shared sense of freedom, featuring a fantastic riddim, impressive horns, and an awesome guitar solo.

One of the album's standout tracks is “All Is OK,” featuring The Movement. This song embraces both the highs and lows of life, offering a soulful, steady, roots-inspired rhythm that gets you grooving. The strong lyrics focus on perspective and resilience, while Josh Swain and Hirie shine together, complementing each other perfectly.

“Hold On Me” brings an old-school reggae vibe that makes you want to get up, dance, and groove. Hirie sounds fantastic as she varies her cadence and vocals, and the band elevates the song to another level towards the end.

With a sweet reggae rhythm flowing through the air, Hirie delivers a sultry performance in “I’m High.” She sings, “This beat moves me. Capture my love inna reggae stylee, yeah, ahh, your touch, your love. Got me feelin', oh I'm high. I’m high.” Inna Vision joins the track to deliver a captivating verse that enhances the song further:
“See I only buy straight from the farmer. No government marijuana. But I do have a few exceptions. Open WeedMaps and I hit directions. See I only buy straight from the farmer. No government marijuana. But I do have a few exceptions. Open WeedMaps and I hit directions.”

In a playful and soulful track, “Messing Around,” Trish invokes feelings of nostalgia and a lingering desire that keeps the connection alive, all set to a great reggae rhythm. Cas Haley seamlessly blends his unique fusion of reggae, soul, blues, and country in this tune, perfectly complementing Hirie’s voice and style.

“Let Her Heart Know” is a heartfelt plea for vulnerability, urging a friend not to let fear stand in the way of her feelings for someone she loves. Hirie’s voice shines on this track as she encourages her friend to be honest about her emotions.

Karim Israel of Arise Roots joins Hirie in the captivating track “Youniverse,” delivering a powerful performance that complements Hirie's vision for the song. “Youniverse” explores the endless cycle of life—past, present, and future. Hirie described the song by saying, “‘Youniverse’ is an all-encompassing piece that marries the past, present, and future into one. Energy is never lost; your ancestry, your purpose, and the purpose of those who came before you encircle the universe indefinitely. Therefore, ‘Youniverse’ conveys a message to those who recognize they are here—not by chance, but by master design. Stay firm, rooted, and move forward, knowing that you were brought into the ‘Youniverse’ with intention.” Karim’s powerful message further supports Hirie’s vision, creating a transcendental energy stream that invites listeners to find their own meaning in the track.

In another track that showcases Hirie’s vocal range, “For Me and You” blends reggae, pop, and island-influenced sounds into a positive and soulful song. Mike Love joins Hirie in this sultry, horn-infused tune, with the horns adding energy as Hirie skillfully changes her tempo and vocal delivery. Mike Love complements her with his energetic flow in this fantastic duet.

Reflecting on her struggles with bipolar disorder and alcohol addiction, Hirie delivers a heartfelt song titled “Days Like These.” This uplifting beat and riddim hit nicely, and the message is sure to inspire and uplift many during difficult times.

In a heartfelt love letter to her daughter, Hirie expresses the profound, enduring, and unconditional love that brings both comfort and meaning in her song “Guiding Light.” This sweet, melodic tune showcases her affection for her daughter, who serves as a source of inspiration for her. Continuing the theme of family love, the song “Only One” features a reggae groove and is dedicated to her husband. Hirie described this track as “special,” emphasizing her love and appreciation for him.

The album concludes with a bonus track, “I’m High Dub,” featuring Tippy I-Grade, which introduces a chill dub vibe. This track beautifully wraps up the journey that Hirie invites us to experience with her.

Over the past decade, Hirie has taken us on a journey through her life, showing her growth as both a person and a music artist. Phases captures her evolution and provides a glimpse into her experiences, not only as an artist but as a human being as well. It features her most complete collection of songs to date, offering a rootsy reggae journey that fuses various genres and showcases beautiful lyrics. Hirie's voice has always been captivating, but she has elevated her vocal range and emotional expression to new heights. This album is sure to inspire, uplift, and entertain, allowing you to relax and enjoy it all at once.

One Love – Todd M. Judd

The post-grunge and hard rock boom of the 2000s gave rise to some of the biggest names in rock, ushering in a new wave of sound that resonated with fans worldwide. Many of these bands wrote songs about personal struggles—drinking, drugs, failed romances, and fighting through hardships—all tied together with powerful guitar lines and raw, emotional vocals. This genre of music has been lovingly dubbed “divorced dad rock,” and two fan favorites from this subgenre, Breaking Benjamin and Three Days Grace, have joined forces for a co-headlining tour that recently stopped at the Toyota Arena in Ontario, CA. Fans packed the venue, and whether or not they were divorced dads, everyone was there to sing their hearts out and connect with the music that has been a soundtrack to their lives for decades.

Opening the night was a newer band, Return to Dust, hailing from Los Angeles. These local rockers have been making waves in the club scene, and it was exciting to see them take the stage on such a major tour. Return to Dust brings back the 90s grunge sound with a modern twist, featuring both guitarist Matty Bielawski and bassist Graham Stanush trading off vocal duties. Their droning, hypnotic vocal styles paired perfectly with the fuzz-laden guitar lines shared by Bielawski and fellow guitarist Sebastian Gonzalez. Drummer London Hudson anchored the band with a powerful yet unhurried groove, allowing the music to flow naturally. Their setlist included tracks like “Black Road,” “Shine,” “Face Down,” “Downfall,” “Bored,” “Belly Up,” “Cellophane,” and “When You Look at Me.” Drawing inspiration from grunge legends like Alice in Chains, Return to Dust is putting their own stamp on the genre, and it will be exciting to see where they go from here.

Next up was the first of the co-headliners, Three Days Grace, and fans were thrilled to see original vocalist Adam Gontier back with the band after an 11-year hiatus. Instead of parting ways with longtime vocalist Matt Walst, the band took a unique approach by keeping both Gontier and Walst on vocal duties. This dual-frontman setup transformed the live experience, with Gontier leading songs from his era and Walst taking the lead on tracks from his tenure. The two vocalists often traded lines or harmonized, showcasing their individual strengths while playing to the crowd with charisma and energy.

The band opened with “Animal I Have Become,” driven by Brad Walst’s pulse-pounding bassline, which immediately had the crowd erupting in excitement. Guitarist Barry Stock delivered some of the most iconic riffs of the 2000s rock scene, with fans air-guitaring along in their seats. Drummer Neil Sanderson added his signature grooves and melodies, elevating the band’s sound and making their songs stand out.

Three Days Grace delivered a setlist spanning their entire discography, including hits like “So Called Life,” “Break,” “Home,” “The Mountain,” “Mayday,” “Pain,” “Kill Me Fast,” “I Hate Everything About You,” “Time of Dying,” “Apologies,” “Rooster,” “I Am Machine,” “The Good Life,” “Painkiller,” “Never Too Late,” and “Riot.” The energy never waned, and the crowd was left wanting more, proving that Three Days Grace continues to write hit after hit.

Finally, it was time for Breaking Benjamin to take the stage. Opening with “Awaken,” the band immediately set the tone for an emotional and cathartic performance. Frontman Benjamin Burnley captivated the audience with his ability to seamlessly switch between clean, passionate vocals and guttural growls that roared across the arena. His lyrics, filled with pain and resilience, resonated deeply with the crowd, creating a shared emotional release.

Guitarists Jasen Rauch and Keith Wallen kept the music heavy and emotionally charged, their riffs weaving into the audience’s collective soul and connecting with the darker parts of their personalities. Bassist Aaron Bruch and drummer Shaun Foist provided a powerful rhythm section, giving fans the perfect backdrop to headbang and mosh. This wasn’t just a concert—it was a spiritual connection through music.

Breaking Benjamin kept the energy high throughout their set, performing fan favorites like “Follow,” “Blow Me Away,” “So Cold,” “You,” “Evil Angel,” “Failure,” “Red Cold River,” “Blood,” “Dear Agony,” “Dance With The Devil,” “Polyamorous,” “Without You,” “Until the End,” “Breath,” “I Will Not Bow,” and closing with their iconic hit, “The Diary of Jane.” As the final notes rang out and the lights came up, the crowd let out a collective sigh, having experienced an emotional release they didn’t know they needed.

While the term “divorced dad rock” may be tongue-in-cheek, the music of Three Days Grace and Breaking Benjamin transcends labels, connecting with fans of all ages and backgrounds. Three Days Grace delivered a high-energy performance that had the crowd rocking out, while Breaking Benjamin tapped into something deeper, creating a shared emotional experience.

This co-headlining tour is nearing its end, but the impact of these performances will linger long after the final show. Here’s hoping these two powerhouse bands hit the road together again in 2026—because this is a tour no rock fan should miss.

Hailing from Jamaica, Mr. Vegas has once again proven why he remains one of the most dynamic talents in Reggae and Dancehall with the release of his latest album, Ghetto Reggae. This 14-track masterpiece explores a wide range of themes within Reggae music, featuring Lovers’ Rock grooves, rub-a-dub rhythms, a ganja anthem, ecological awareness, spiritual motivation, humor, and incisive tracks addressing “bad mind.” The album also pays tribute to the 80s and 90s music that shaped his career.

In his own words, Mr. Vegas explains, “Ghetto Reggae tells the story of the music that shaped my career. That story has never been told through my musical work.” Released on August 29 under his MV Music label, the album showcases his ability to preserve the essence of Jamaican music while evolving it for today’s audience. “This album is my love letter to reggae culture,” he says. “I wanted to bring back the lost art of grooving to reggae and the joy that comes with it. It’s about preserving the roots while embracing evolution.”

The album opens with a bang as the legendary Daddy U-Roy joins Mr. Vegas on “Call Tyrone.” Vegas’s signature singjay style shines as he incorporates humor in a stand-up comedy fashion while delivering sharp social insights. The old-school groove feels both fresh and timeless, making it a perfect introduction to the album.

Next, “Bye Bye Julie” brings a delightful rocksteady rhythm, highlighting Mr. Vegas’s smooth and captivating vocals. This irresistibly catchy tune is a nod to the golden era of Reggae, setting the tone for the nostalgic yet forward-thinking journey ahead.

The strong opening trio continues with “Ganja Lover,” featuring a warm and soulful saxophone performance by Andre Gillespie. This steady and smooth track captures the nostalgic vibes of early Mr. Vegas, transporting listeners back to the roots of his career.

One of the standout tracks, “Parasites,” begins with a cinematic intro reminiscent of The Good, The Bad, and The Ugly and Hugo Montenegro’s timeless score. As the song transitions into a rootsy Reggae beat, Mr. Vegas delivers a powerful message about humanity’s exploitative relationship with the Earth:

“I don't want to be like a parasite to the Earth. They treat her like she has no worth.”

Inspired by the pandemic’s impact on the planet, the song serves as a poignant reminder to give back to the Earth.

Mr. Vegas brings the heat with the Dancehall gem “My Enemies,” featuring Demelo, whose impressive vocals complement the track’s strong beat. Another standout is “Grateful,” produced by Nigerian artist Young Alpha, which blends Afro-Caribbean rhythms with the core pulse of Reggae. This fresh and upbeat track showcases Mr. Vegas’s versatility and ability to innovate within the genre.

The carnival vibes come alive in “God Will Deliver Me,” an incredibly fun and lively Soca-inspired tune that’s perfect for a party. On “One Praise,” Mr. Vegas lifts listeners into a spiritual realm, weaving Gospel harmonies into an uplifting groove that’s impossible not to sway along to.

“Fade Away” takes listeners back to old-school Reggae, sampling a classic by Leroy Sibbles. With a simple beat and a focus on his delivery, Mr. Vegas changes up his cadence, allowing his lyrics to take center stage.

The album’s Lovers Rock tracks are a true highlight, showcasing Mr. Vegas’s talent as a crooner. “Love Lifted Me” and “Take My Heart” are slower love songs that bring back the charm of grooving to Reggae, with straightforward production that lets his vocals shine. The standout moment for Lovers Rock and Rocksteady vibes comes in “I Miss You,” where Mr. Vegas continues to impress with his ability to evoke deep emotion through his music.

Mr. Vegas pays homage to his homeland with a Dancehall version of Eric Donaldson’s “Land of My Birth,” a song often regarded as Jamaica’s unofficial national anthem. Originally the winner of the Festival Song Contest in 1978, this version captures the raw energy of sound systems and dance parties, inviting listeners to dance and raise their hands in celebration.

The album concludes with “God is the Greatest,” a reflection of Mr. Vegas’s journey into Christianity. With soulful lyrics and an upbeat groove, this track leaves listeners on a high note, celebrating faith and resilience.

With Ghetto Reggae, Mr. Vegas has delivered a multi-genre album that goes beyond just hearing the music—it invites you to feel it. From swaying to nostalgic rocksteady rhythms to dancing to infectious Dancehall beats, the album reconnects listeners with the cultural essence that has made Reggae a global phenomenon.

This collection of songs masterfully blends classic Reggae styles with the energy of Dancehall, the soulfulness of Lovers Rock, and the vibrancy of Afro-Caribbean influences. Its strength lies in its cohesive storytelling, driven by Mr. Vegas’s signature singjay style, sharp social commentary, and humorous lyrics.

Ghetto Reggae is not just an album—it’s a celebration of Jamaican music’s past, present, and future. Mr. Vegas has crafted a love letter to Reggae culture that will resonate with fans old and new, solidifying his place as one of the genre’s most enduring and innovative artists.

One Love – Todd M. Judd

Hailing from the countryside of Christiana, Manchester, Jamaica, Lila Iké has taken her talents to the global stage. With her stunning vocals, unique style, and exceptional songwriting, Lila has become an international sensation. Her journey to success has been anything but easy, but her dedication to her craft has never wavered. Her debut EP, The ExPerience, released in 2020, earned her international acclaim and established her as a prominent new voice in reggae music.

As a protégé of Protoje, Lila has grown into a powerhouse performer, gracing major international stages. Now, she delivers her first full-length album, Treasure Self Love. This collaborative project, released under Wurl Ike Records, In.Digg.Nation Collective, and Ineffable Records, features contributions from a stellar lineup of producers, including Noah Ehler, D.K. the Punisher, New Machine, Tim Suby, Cadenza, and Nana Kwabena. With Lila and Protoje as executive producers, and additional support from the talented Ziah.Push, this album marks Lila’s bold step into the spotlight.

The album opens with the sound of an acoustic guitar accompanied by the crackling of a fire, setting the stage for Peter Tosh’s sampled vocals. As the beat and rhythm pick up in a quick, almost militant cadence, Lila delivers a powerful lyrical performance. Her ability to shift cadence and flow is remarkable, making this an unforgettable opening track. The song concludes with a nod to Garnett Silk’s “Complaint,” as Lila channels his spirit with lyrics that touch on themes of resistance:

“If you do wrong, they complain / Even if we call the Father's name, it's the same / What do they want us to do? / Don’t they know this is nothing new? / Why won’t they do what they want / And let me do my thing? / They should be thankful / There are lights of hope that are still shining / Shining.”

Following this, “Too Late to Lie” slows things down with a steady, soulful beat. Lila’s vulnerable lyrics and emotive voice shine, offering listeners a glimpse into her inner world.

“Sweet” is a tender, slow-burning track that blends reggae with Lila’s soulful singing, drawing listeners into its warm embrace. The previously released “Fry Plantain,” featuring Brooklyn rapper Joey Bada$$, adds a playful energy to the album. Joey’s dynamic verse pairs perfectly with the song’s sweet R&B groove, creating undeniable chemistry in this standout collaboration.

“All Over The World,” featuring Protoje, highlights the global reach of Jamaican music. Drawing inspiration from Rascalz and Barrington Levy’s classic “Top Of The World,” the track is a celebration of reggae’s international influence. The accompanying video, directed by Samo, was filmed in iconic locations like New York, Jamaica, Paris, London, Japan, and Egypt, further emphasizing the song’s global message.

Lila pays homage to dancehall history with a remarkable cover of Patra’s 1993 classic “Romantic Call.” Featuring Masicka, who replaces Yo-Yo with an impressive verse, this updated version elevates the original while honoring its legacy.

“All That and More” sees Lila teaming up with Maverick Sabre for a warm, relaxing duet. The song encourages self-love and resilience, reminding listeners to prioritize their own well-being. Another standout collaboration is “He Loves Us Both,” featuring Grammy winner H.E.R.. Their voices blend beautifully in this bold track, which Lila described to Rolling Stone as reminiscent of “The Boy Is Mine.” She shared, “The first time I played this song for H.E.R., she immediately got in the booth and effortlessly transformed it into the masterpiece it is today.”

“Serious” delivers raw honesty with jazzy undertones, capturing the weight of internal struggles and life’s monotony. Lila’s lyrics are unflinching:

“Damn, this shit is serious / All this pain, so tired of feeling it / Every day's the same, can I be rid of it? (Same ol', same ol') / Who feels it knows, who feels it knows.”

In contrast, “Brighter Days” shifts toward optimism, with an upbeat rhythm and empowering lyrics that reflect Lila’s journey of finding strength and hope.

The album closes with “Love in a Lovely Way,” a heartfelt homage to Garnett Silk’s “Place in Your Heart.” Featuring Lila’s incredible voice and poignant lyrics, accompanied by acoustic guitar, this track feels both fresh and nostalgic, serving as the perfect conclusion to an extraordinary album.

Lila Iké’s Treasure Self Love is a testament to her artistry and resilience. By paying tribute to the artists who have influenced her while pushing Jamaican music into new territories, Lila has created a body of work that is both innovative and deeply rooted in tradition. With her exceptional vocal skills and genre-blending approach, Lila seamlessly fuses reggae, dancehall, soul, R&B, and hip-hop, delivering meaningful messages wrapped in captivating melodies.

Lila Iké is poised to become a leading figure in the next generation of reggae and dancehall artists, and Treasure Self Love solidifies her place as one of the most exciting voices in contemporary music.

One Love – Todd M. Judd