Rochelle Bradshaw’s debut album, Island Girl, is a soulful fusion of reggae, soul, and contemporary sounds that reflects her rich musical legacy and personal journey. Rochelle didn’t just step into music; she was born into it. She was born in Portland, Jamaica, and grew up surrounded by reggae legends—her father, Anthony Bradshaw, and uncle, Devon Bradshaw, were original members of the legendary reggae group Burning Spear. This reggae heritage is evident in every track of her album.

I’ve known Rochelle for about ten years, having met her while she toured with Stephen Marley. When I heard she was releasing her debut album, I was not only excited for my friend but also eager to hear her creations. While touring with Ragga, she formed an incredible background duo with Rica Newell, bringing captivating dance moves and beautiful singing to the stage., Rochelle developed her artistic foundation in her uncle’s recording studio in Norwich, Portland, Jamaica, where she honed her skills in harmony. This experience allowed her to record and tour with some of reggae’s biggest names, including Damian Marley, Stephen Marley, Burning Spear, The Original Wailers, Chaka Demus & Pliers, and Luciano. All these experiences perfectly prepared her for her current role as a flawless professional in the music industry.

She posted on her Facebook page on the day her album was released:

“I have held this album in my heart for years. ISLAND GIRL is not just music; it embodies memory, grief, joy, bloodline, and healing. It represents my journey of finding my voice after a long silence. It is the sound of everything I’ve survived. I created this with my sister, Tamara Bradshaw, and our uncle, Devon Bradshaw, produced it. Together, we wove something sacred through sound. We recorded in Portland, Jamaica, where our ancestors rest, and in Fayetteville, Arkansas, where I have discovered who I am. This project began during a moment I can only describe as divine. One quiet night, after taking my Island Time gummies (created with @thesource.edu_), I suddenly tasted the ocean and was transported back to Jamaica in a flash of memory. That moment became the title track. Every lyric is a truth, and every melody carries something I couldn’t express aloud.”

The album opens with the inspiring track "It's What's Inside," which immediately sets the tone for its introspective mission with a powerful message about looking beyond surface appearances. At the end of the song, the production shifts, slowing down to create a haunting sound. In "Warriors," Rochelle explores vulnerability as a strength. The song features a slow, hard beat that gives it a reggae anthem feel, allowing Rochelle to deliver her powerful flow over the rhythm.

"Love So True" is a heartfelt declaration of deep, unique, and fulfilling love, set against a classic roots reggae riddim. The horns complement Rochelle’s flowing vocals perfectly. In the title track, "Island Girl," Rochelle delivers a powerful, conscious message with vocals that capture the metaphysical essence of island vibes. This fantastic roots reggae production invites you to slow down, absorb her message, and connect with yourself.

"Celestial Decree" has a vibe reminiscent of Bob Marley and the Wailers. It's a song about divine timing, expressing the belief that certain events and blessings in life are predestined and ordained by a higher power. Rochelle's subtle flow complements the theme beautifully.

Next, it’s time for Rochelle to slow things down with a sweet R&B-soul groove in "Turn It Around." This song resonates with me personally due to its empowering message of hope, resilience, and positive change.

Pushing the boundaries of the genre, "Take All The Time" has a distinctly different feel compared to the rest of the album, yet it fits in perfectly. This upbeat pop tune showcases her brilliant vocals. The repeated chorus—"Take all the time you want. Take all the time you need. Take it all before it's gone"—carries a powerful message about giving space and time to a loved one. It highlights the importance of understanding in relationships and the value of not rushing things.

Another standout track, "Ancestors Light," features her sister Tamara and boasts fantastic production. With a dancehall rhythm, the sisters sound wonderful in this celebration of their cultural legacy and heritage. The lyrics honor the history and influence of past generations, especially within the context of reggae music and culture, offering a beautiful shoutout to their parents. This song has been on repeat for me, and I can't help but groove to it.

Another song that resonates with me is "Let The Storm." It features a sweet, upbeat reggae rhythm, and Rochelle delivers her message perfectly. She conveys themes of finding strength, joy, and a sense of being alive, even in the face of challenges or turbulent times. This track truly highlights Rochelle’s beautiful voice.

In "Crucial High," Rochelle shares a message about marijuana and the experience of reaching an intense, transformative state of being. The beat keeps your head bobbing as Rochelle flows effortlessly over the keys:  "It's recreation medication meditation good vibration, Elevation. Used by all nations all where we came from.  So pass di kutchie wid di strong strong strong."

"Always RB" delivers another upbeat groove, showcasing one of the finest productions on the album. In this track, Rochelle shares a heartfelt message with a friend, assuring them of her enduring commitment and unwavering support in their friendship. The album concludes with "Island Girl Dub," making it a perfect ending to the journey Rochelle has taken us on. The smooth dub riddim allows us to relax and enjoy the ride out.

While Island Girl is a deeply personal project, it is also one that many can relate to and enjoy. The themes of strength in love, heritage, respect, transformation, living rightly, community, and consciousness resonate with everyone. Rochelle recently stated:  “Reggae music is about living right, treating your fellow humans with respect, and being a good person. It’s music with a positive message.”  She added: “It’s a completely different type of music to play and convey to people. It’s like soul music; it’s something you really have to feel.”  And feel it you do. "This project is my truth," says Bradshaw. "It’s a journey through reflection, love, and liberation—all on island time." In collaboration with her sister Tamara Bradshaw and her uncle Devon Bradshaw, Island Girl represents Rochelle’s artistic evolution and invites listeners to experience self-discovery, transformation, and mindful living rooted in the enduring spirit of Caribbean and island culture.

To my friend, I say, amazing job, Rochelle! You accomplished what you set out to achieve in a perfect way.

One Love – Todd M. Judd

Hollie Cook is no stranger to the music industry. The daughter of Sex Pistols drummer Paul Cook and backing singer Jeni Cook (of Culture Club), and with Boy George as her godfather, music is in her blood. After joining the punk-rock-reggae band The Slits in 2005, she went solo following the death of Ari Up. Almost fifteen years after her self-titled debut on the Mr Bongo label, reggae’s orator of love returns home with Shy Girl—her fifth and most authentic album to date.

Bringing a sun-drenched, analogue lovers rock sound, Shy Girl feels both warm and vulnerable, exploring love’s magical and melancholy sides. Cook’s signature “tropical pop” style shines through tight grooves, airy melodies, and lush production, elevating her artistry with confidence and emotional depth.

The buoyant title track, “Shy Girl,” sets the tone with its elastic lovers rock groove and Cook’s light, sensual vocals brimming with positivity. The brassy “Ooh Baby” keeps that breezy energy flowing, while “Rockaway” offers an uplifting escape—a dreamy, slightly melancholy reflection on peace and emotional connection.

“Night Night,” featuring Horseman, pairs a joyful tropical riddim with a bittersweet story of longing and loneliness. Horseman’s bold personality contrasts beautifully with Cook’s softness. The tempo rises on “Holding On,” a sunny, reggae-infused tune about infatuation and surrendering to love’s overwhelming pull.

“In the Pictures” blends jazzy undertones with a dubby flow, perfect for swaying on the dancefloor. “Frontline” delivers a deeper, more forceful Black Uhuru-style vibe with a bubbling bassline, sharp guitar, and heavy horns—one of the album’s standout moments.

“Take Me In Your Arms” is a sweet-natured love song driven by a steady bassline and smooth horns, while “Crying Wolf” stands out for its beautiful horn arrangements gliding across a classic reggae riddim. The upbeat “River Run Deep” symbolizes resilience and unity, with Cook’s airy vocals matching the track’s lively rhythm.

The intimate “Hello Operator” reveals Cook’s vulnerability, her longing voice carried by a rich bassline and flowing horns. The album closes with a tender remake of Skip Mahoney & The Casuals’ 1974 classic “We Share Love,” the perfect send-off after such a heartfelt journey.

Shy Girl may not be loud or forceful, but its warmth, airy flow, and authentic lovers rock spirit make it the ideal album to unwind with. Wearing her heart on her sleeve, Hollie Cook delivers songs of love and honesty, revealing new emotional depths in her writing. Shy Girl is both a homecoming and a coming-of-age—a shimmering, soulful distillation of reggae that will capture your heart, just as it first captured hers.

One Love – Todd M. Judd

There’s nothing quite like seeing one of your favorite American reggae bands and one of your favorite Jamaican artists share the same stage—and on The Visions Tour 2025, The Movement and Kabaka Pyramid proved exactly why they sit at the top of the reggae world right now. Rolling into Pittsburgh (Millvale), PA on the heels of The Movement’s newest album Visions, the night was packed with love, energy, explosive performances, and the unmistakable spirit of one love.
Mr. Smalls, with its cathedral bones, warm acoustics, and wraparound balconies, was the perfect temple for the night’s sermon of sound.

The evening kicked off with a meet-and-greet where a group of diehard fans got to watch The Movement during sound check. The vibe was pure joy—jokes flying, songs riffed on, fans smiling ear to ear. I tagged along for photos and a few minutes with the band afterward. Every time I’m reminded: these guys are truly as genuine, humble, and grounded as reggae gets.

As The Bebble Rockers stepped onto the stage, the crowd snapped to attention—they knew what was coming. The band built the anticipation until Kabaka Pyramid emerged to a roar, launching straight into “Light It Up.” The crowd did exactly that. He slid seamlessly into “Ready Fi Di Road,” flowing with a smoothness that reminded everyone why he’s one of the top lyricists in reggae today. Hearing those two rare tracks back-to-back set the tone: this set was going to be special. “Rock Mi Nice,” “Reggae Music,” and “Nice Up the Dance” kept the room swaying—old-school reggae flavors with that signature Kabaka fire. Even though I’ve heard him perform them countless times, they hit with the same joy every single show.

“Everywhere I Go” landed heavy, Kabaka’s delivery sharp and passionate. From there, he took us back to his Lead the Way EP with “Herb Defenda,” commanding the mic with the kind of conviction only he can bring. Before continuing, Kabaka spoke about the devastating impact of Hurricane Melissa on Jamaica, urging fans to donate. He promised to be at the merch table meeting fans and signing autographs as they contributed—a beautiful, grounded moment that showed exactly who he is. He followed with the tender, patriotic “Jamaica,” then shifted into the lovers-rock glow of “Show Love.” “Stand Up,” one of the emotional high points of The Kalling, hit as powerfully as ever. You could feel it ripple through the room. 

But the biggest surprise of the night came when Kabaka dropped “The Revival,” then pivoted into the opening line of Damian Marley’s “Welcome to Jamrock.” As Kabaka sang, “Out in the streets they call it?” the crowd yelled, “MURDER!” The crowd erupted. Hearing him deliver that anthem over The Bebble Rockers’ riddim was a massive, unforgettable moment. He closed strong with “Well Done” (a perfect song for the times we all live in—not just the corrupt Jamaican government, but our government here as well), “Red Gold and Green” (with Kabaka’s manager joyously waving the Ethiopian flag), and the title track “The Kalling.” Kabaka and The Bebble Rockers delivered one of their strongest performances yet—each time I see them, the bar somehow rises.

As “Great Discovery” floated out into the air, the crowd lost it—the moment had arrived. The Movement took the stage and immediately shifted the room into full vibing mode with “Take Me To The Ocean.” Then came my personal favorite, “Orange Sky.” Hearing the entire venue sing along word for word was surreal. Even from the photo pit, I had to remind myself I was supposed to be working and not just belting it out with everyone else. “Fair Warning” slid effortlessly into “High Roller,” Matt and Kyle ripping through the horn lines with precision and energy. “Cool Me Down” gave the room a needed breather, but the crowd never lost its groove. “Ways of the World,” “Redwoodz,” and a powerful, bass-heavy “Break In The Glass” kept the energy high.

From the new Visions album, “This Is Your Life” absolutely crushed. Jason and Gary drove the rhythm, Josh commanded the stage, and the horns shined—one of the standout moments of the whole show. “Alien,” “Siren,” and a massive sing-along to “Habit” had the whole room glowing. When Josh asked the crowd to lift their lighters and phones, nearly 900 lights swayed like fireflies as he sang, “I live and I learn, all I wanna do is burn…” It was a beautiful, goosebumps moment.

The new tracks “Live It Up” and “Visions” sounded incredible live—lush, bright, and full of that island-soul sweetness that defines the new album. Watching the crowd from the balcony was stunning: pure joy, nonstop movement, and endless good vibes. They closed the main set with “Loud Enough”—and trust me, it absolutely was. The room shook.

The Movement returned for the encore with “Putting Up 2” and “Deep Blue Sea”—two gorgeous tracks that showcase each band member’s skill. The entire room throwing up peace signs during “Putting Up 2” was a moment I won’t forget.

But the night wasn’t over.

Kabaka Pyramid and The Bebble Rockers stormed back on stage, joining The Movement for one massive, unforgettable finale: the classic reggae anthem “Ring The Alarm.” It was pure celebration—two powerhouse acts sharing one riddim, one love, one stage. A perfect ending.

This night was everything reggae should be: unity, energy, heart, and musicianship on full display. Both The Movement and Kabaka Pyramid keep getting better every year, and The Visions Tour 2025 is proof of that. If this tour comes anywhere near you—run, don’t walk. You’ll leave feeling lifted. This wasn’t just a concert.  It was a celebration of life, love, roots, and reggae at its finest.

One Love. — Todd M. Judd

Vybz Kartel's album Heart & Soul showcases a passionate and emotional side of the artist, drawing heavy inspiration from his engagement. This project offers something different from what fans are accustomed to hearing from him. It highlights a gentler, more introspective aspect of Kartel, exploring themes of heartbreak, vulnerability, and romantic tension. While the music retains a distinct dancehall sound, it prioritizes emotion over pure party anthems.

Known for his lyrical dexterity and skill in genre-mixing, Kartel leans toward modern dancehall but adds a surprisingly subtle twist. For over three decades, the founder of Adidjahiem Records has released more than a dozen EPs and full-length albums, even during his decade-long prison term.

The album opens with “They’re Outta Love We Aren’t,” a romantic ballad dedicated to his fiancée, Sidem Öztürk. The track features a classic Vybz riddim as he effortlessly flows over the beat. In “I Know,” he brings another classic Vybz beat, exhibiting his raw and tough vocal style as he sings about the love Sidem has for him, emphasizing that she makes him feel special like no other woman can.

In "You Walked Away," Vybz Kartel takes some responsibility for the events that unfolded with his ex-wife, Tanesha Johnson, who is also the founder of Short Boss Muzik. The production quality isn't among his best and feels somewhat repetitive. Kartel delivers the sexually explicit and provocative imagery that his fans have come to expect in "11:45." The song's suggestive and boastful lyrics align closely with Kartel's controversial image and provocative persona. His flow expresses themes of love and desire, while referencing a specific time of night, likely suggesting when they will be intimate.

Ishawna joins Vybz in a dancehall and house jam on “Bad Bad Bad.” Ishawna and Vybz Kartel deliver an energetic back-and-forth on the track "Ghetto Girl Chosen," a catchy club anthem that will get you up and dancing. The upbeat riddim perfectly complements Vybz's flow, enhancing the dance vibes.

In contrast, Vybz slows things down with "Can't Leave You Alone," a heartfelt love song in which he expresses his deep and unwavering devotion to Sidem. The lyrics convey a profound emotional connection, emphasizing that he cannot imagine life without her. Vybz sees Sidem as the most important person in his life, articulating their bond with strong declarations of commitment.

The groove picks back up with “In Too Deep,” where Vybz explores the complexities of a toxic and possibly abusive relationship. In this track, he portrays two individuals who are deeply entangled and unable to escape the situation.

The title track marks the final moments of Heart & Soul, where Vybz promises to give his one and only the time of her life, as long as she trusts him with her heart and soul. The album features a classic Vybz riddim and beat.

In “Cinderella Ballroom,” Vybz incorporates a reggaeton beat, singing about his commitment to being present for the long term and enjoying good times together. No Vybz Kartel album would be complete without a declaration of his supremacy in the genre, and “You Know GOAT” serves as the ultimate reminder that he is the true king of dancehall.

Heart & Soul is not just another Vybz Kartel album; it is a statement like we have never heard from him before. His vibe and persona feel different. Whether you’re a long-time fan or a newcomer, this album provides an emotional journey filled with captivating riddims and concise songwriting. Heart & Soul is one of the most passionate albums Vybz Kartel has released since his return, drawing heavily from his experiences of love and engagement. While he introduces a new vibe in his lyrics, he maintains that characteristic fire and rawness, albeit in a different way.

One Love – Todd M. Judd

Inspired by the legendary Punk-O-Rama and Warped Tour compilations, Pepper and LAW Records have officially launched Operation Irie, a genre-blending compilation that reimagines punk classics through the lens of today’s reggae rock scene. This project honors the raw energy of 90s and 2000s punk while showcasing a vibrant array of artists who are keeping that punk spirit alive—now with a sweet reggae twist.

Imagine Punk-O-Rama infused with Kona surf vibes, featuring a lineup that includes Little Stranger, Long Beach Dub Allstars, Passafire, Cydeways, and Micah Brown of Iration. Admittedly, I’ve never been a huge punk fan and had to look up some of the original versions while writing this review. However, what I heard was pure genius.

The album opens with a daring choice for Pepper: a cover of Bad Religion's "Generator." This song is considered sacred ground, so it was bold for Pepper to take it on, but they executed it flawlessly. They showcased their Hawaiian reggae-punk roots beautifully with this rendition. Yesod Williams recently told The Pier, “We absolutely are a punk band that plays reggae. Even if you listen to 'Give’n It,' our first record, you know what I mean? There are definitely some punk rock tunes on there, as well as a bunch of ska tunes. So, yeah, it’s just another branch of what we love, and it’s absolutely full circle.”

Nathan Aurora joins in on the Rancid track "Ruby Soho," delivering a wonderful lyrical flow while Pepper infuses the song with a great reggae vibe. The Offspring hit "Come Out and Play" features Passafire, which adds to the fun. I feel like this song has always had the potential to be a Pepper tune; it carries the same vibe and flow, and they do a fantastic job of incorporating that Hawaiian reggae beach atmosphere.

Pepper and Little Stranger’s rendition of Green Day’s “Brain Stew” stands out on the album, turning the grunge riff into a hypnotic and captivating jam. Little Stranger was an excellent addition to this track. Additionally, Butthole Surfers’ classic song “Pepper” features Long Beach Dub Allstars, making for a powerful remake. While this version leans less toward reggae, it remains a strong track.

The punk-ska classic “Johnny Quest Thinks We’re Sellouts” by Less Than Jake features Ballyhoo! teaming up with Pepper. Ballyhoo! is an excellent choice for this track, as their style fits perfectly within the vibe of Howie and the band. It’s another standout song on the album.

Another great selection is the punk-ska classic “Here in Your Bedroom,” which showcases Bumpin Uglies stepping in for Goldfinger and delivering an impressive performance. A shout-out to Baltimore for bringing us two fantastic punk-ska-reggae tunes filled with energy and great vibes.

We also hear another Offspring song, “Why Don’t You Get a Job,” featuring Surfer Girl alongside Pepper, who provides a fantastic version of the track. Pepper brings a strong upbeat island and pop groove, while Surfer Girl flows seamlessly with the rhythm.

The incredibly energetic and upbeat “On the Outside” by No Use For A Name takes a slightly different turn with a sweet chill reggae vibe. The Expendables join Pepper, delivering an exciting blend of punk and reggae, effortlessly switching between the two genres.

Pepper introduces us to another powerful punk song, Millencolin's "No Cigar," with Cydeways leading the charge. This is a perfect choice for the remake, as Dustin delivers an impressive flow. "All I Want" features Kyle Smith contributing to another solid selection from this Offspring classic. One of the tracks that truly showcases a different vibe is Face to Face's "Blind." Mike Pinto and Pepper bring a solid classic roots reggae rhythm to this energetic punk groove, creating a great vibe and a refreshing change.

Micah Brown adds a delightful touch to the No Use For A Name song “International You Day” with a beautiful acoustic version, delivering a heartfelt vocal tribute. This rendition brings a warm Hawaiian island vibe to the classic punk track. Additionally, “Silly Girl” by the Descendents features Tunnel Vision collaborating with Pepper, creating an exciting punk-ska-reggae fusion. They maintain the original energy while incorporating a laid-back island chill.

It's time for some skateboarding and chilling with blink-182's "Josie." Casey Smiles, which blends reggae, alternative, surf, and hip-hop, is the perfect choice to join Pepper on this upbeat and fun track. The excitement continues as Fortunate Youth collaborates with Pepper on the classic Pennywise song "Same Old Story." Dan Kelly sounds fantastic, and the song seamlessly flows between punk energy and the reggae vibe that Pepper delivers.

Shifting gears from the reggae artists, punk band Authority Zero joinsPepperfor a remake of theFugazisong "Waiting Room," giving it a much more punk feel.Pepperwraps up the fun with theNOFXclassic "Linoleum," slowing it down to create a sweet island and rootsy groove that works exceptionally well, with Brett delivering some beautiful vocals.

This is truly a fantastic idea for an album. Yesod and Kaleo both describe the project as a "beautiful retrospective" that honors the music that shaped their youth while showcasing the versatility of the reggae-rock community. The historical connection between reggae and punk, which dates back to the 1970s, adds even more significance to this endeavor.

Initially, Bob Marley dismissed punk rock, but he later came to appreciate the connection between the two genres due to their shared rebellious spirit. This shift was inspired by his encounter with punk-rock DJ Don Letts, which led Marley to write the song "Punky Reggae Party" as a nod to bands like The Clash and The Damned. The two movements influenced one another, with punk musicians incorporating reggae rhythms and Marley recognizing their common status as "outcasts from society." For Pepper, this project represents more than just history and nostalgia; it is a full-circle moment.

One Love – Todd M. Judd

After years in the music industry, it is surprising that it has taken Naomi Cowan this long to release her first full-length album. However, the wait was well worth it. She has built a solid catalog of music, toured the world, and even dabbled in acting. Now, she is ready to embark on a new era with her album Welcome to Paradise. In this work, she explores the challenges of standing up for oneself in a world that often measures worth by productivity and status. At the same time, the album highlights the importance of remaining grounded in one’s inner strength, reminding listeners that true value comes from within, rather than from external achievements.

Starting off with a beautiful tribute to the foundations of reggae music, “Beautiful Ska” sets the tone for this musical journey. Showcasing her vocal prowess, the artist takes listeners on a captivating ride over the bass and rhythm. It's the perfect song to kick things off, promising a fun experience ahead.

Paying homage to the women of reggae who paved the way, “Women Respect” features an old-school dancehall riddim. This thought-provoking tune highlights the importance of women respecting and validating one another. Naomi Cowan recently expressed her views on this topic: "I believe women are a magnificent representation of God’s creativity, particularly in how our minds and bodies work. While we have experienced a feminist movement that has empowered us to be strong, I feel that at times, we, as women, don’t give each other enough respect. We demand it from the world, but do we extend that same courtesy to one another? Society often pits women against each other. I think it's crucial for us, as women in music, to continue pushing this message forward."

After the interlude titled “The Throne,” there is a standout collaboration called “Version” featuring dancehall legend Johnny Osbourne, who samples his classic track “Rock It Tonight.” Cowan adds a heartfelt verse that transforms the song into a modern-day ballad. Another remarkable track is “True Lies,” which was released earlier. It features a heavy bass riddim and showcases Naomi’s impressive vocals and vocal range.

Following the “Her Attitude” interlude is “Cherry On Top,” a vibrant track that explores relationships and love while capturing the essence of classic reggae rhythm and vibe. Naomi’s vocal range and flow are once again impressive and infectious.

Next is “Up To Di Time,” a song that showcases Naomi’s vulnerability and raw emotion. She wrote this tune during a period of heartbreak while filming the Bob Marley: One Love movie in London. “The skies there were perpetually grey, which matched my mood perfectly,” she reflects. “‘Up To Di Time’ really captures the feeling of creating something raw and honest when you’re at your most vulnerable.”

We then transition to a hip-hop-inspired track featuring Runkus, titled “Lonely Love.” This methodical song showcases Naomi’s emotional and heartfelt delivery, complemented by Runkus's strong flow on his verse, blending seamlessly with her style.

The “Legacy” interlude flows into “Moments,” which features a bass-driven rhythm. In this track, Naomi's vocals intertwine with the horns, creating a duet-like feel. It gives the impression that the album is winding down beautifully.

The closing track on the album, “Imagine,” is one of the finest ballads you'll encounter in any reggae album from the past few years. It not only brings the album to a close but also concludes the journey on a perfect note. With a fusion of her vocal range, sweet production, and beautiful lyrics, she finishes this project in a delightful and memorable way.

Through uplifting melodies and heartfelt confessions, Welcome to Paradise is Naomi Cowan’s personal invitation for listeners to discover their own internal paradise while balancing softness and strength in a divided world. This journey is filled with emotions, grace, and honesty, as Cowan delivers an intimate yet expansive portrait of resilience.

Welcome to Paradise is a celebration of healing and self-discovery, urging listeners to find their inner strength and personal paradise. “We committed to keeping this project anchored in reggae music while investing a lot of time to ensure the music meets global standards of quality. Reggae is a global sound and has inspired people worldwide for many years, so I feel a responsibility as a Jamaican artist to ensure that our music is undeniably excellent,” Cowan explained.

The album serves as a reminder that true value comes from within, and that strength doesn’t have to be loud to be genuine. Welcome to Paradise is a record to feel, reflect on, and return to time and again.

One Love, Todd M. Judd

The 80s gave rise to synth-pop bands that ushered in a second wave of the British invasion, featuring legendary acts like Gary Numan, New Order, Pet Shop Boys, and Depeche Mode, to name a few. However, a band that predated and inspired many of these groups is Orchestral Manoeuvres in the Dark (OMD). OMD is considered one of the pioneers of the electronic music scene, bringing a fresh, experimental style with their debut song, “Electricity.” This sound has inspired generations, whether they realize it or not.

OMD wrapped up their Bauhaus Staircase Tour back in July but decided to add a couple more performances before the end of the year. They treated fans to a two-night special at the House of Blues in Anaheim, CA. Night one sold out, with fans of all ages packing the venue to witness these legends still delivering electrifying performances.

Opening the night was the Southern California new wave band Midway. They kicked off their set with “Only the Young,” immediately drawing attention to bassist Bradley Johnson, who was dressed to the nines and grooving with an upright bass. Johnson made his instrument stand out, as his grooves took center stage in many of Midway’s songs.

The energy shifted when vocalist Daniel Valoff stepped onto the stage, tossing roses to the crowd. Valoff, who has been battling stage 4 thyroid cancer for the past two years, continues to sing and perform despite the toll it has taken on his vocal cords. His resilience is inspiring, and fans can support him through his GoFundMe campaign titled Help a Singer Beat Cancer.

Midway is rounded out by Elizabeth Bird on keyboards, David Johnson on guitar, and Jason Wise on drums. This five-piece band brought a California twist to new wave, perfectly setting the tone for the night with songs like “Demolition Girl,” “Matinee Idol,” “Debris,” “This Charming Man,” “I’d Like to Say,” “Vanity Under Distress,” “Control,” and their closing track, “Avendale.”

As the crowd eagerly awaited the headliners, the standing room at the House of Blues filled to capacity. When Orchestral Manoeuvres in the Dark finally took the stage, they opened with their song “Isotype.” Vocalist Andy McCluskey was a whirlwind of energy, defying expectations for a man in his 60s. He worked the entire stage, engaging with every corner of the audience. At one point, he even signed a fan’s vinyl record mid-performance, seamlessly incorporating it into the show. The only time McCluskey’s boundless energy was contained was when he strapped on his bass guitar for select songs, anchoring him behind the mic stand. Even then, he seized every opportunity to dance during vocal breaks.

OMD was co-founded by keyboardist and co-vocalist Paul Humphreys, who took his place on the backline of the stage, giving McCluskey ample room to move. Humphreys, though less animated, was no less impactful, delivering iconic synth-infused beats and rhythms with a smile that reflected his joy in performing. He ensured his presence was felt, even from the back of the stage.

The band is rounded out by Martin Cooper on keyboards and Stuart Kershaw on drums. Together, they delivered a setlist packed with classics that fans have cherished for decades, including “Messages,” “Tesla Girls,” “Kleptocracy,” “History of Modern (Part 1),” “(Forever) Live and Die,” “If You Leave,” “She’s Leaving,” “Souvenir,” “Joan of Arc,” “Veruschka,” “Talking Loud and Clear,” “So in Love,” “Dreaming,” “Locomotion,” “Sailing on the Seven Seas,” and “Enola Gay.” They returned for a three-song encore featuring “Look at You Now,” “Secret,” and their debut single, “Electricity.” The night was a perfect blend of timeless classics and new tracks, all infused with the catchy grooves and hooks that kept fans dancing no matter the song.

Looking out into the crowd, you could see fans of all ages. Older fans who have followed the band since their inception stood alongside adults in their 30s who likely discovered OMD through platforms like Spotify. Even kids were in attendance, introduced to this incredible music by their parents, who were clearly thrilled to share the experience.

OMD has been performing for over four decades, and their live shows still radiate high energy. While they may be done with performances for this year, when OMD hits the road again, seeing these legends live is an experience you won’t want to miss.

If you thought GHOST couldn't top themselves, think again. The Swedish titans are back and nominated for a Grammy in 2026 for Best Metal Performance with the chillingly beautiful "Lachryma". Over the years, GHOST has morphed from underground oddity to arena-filling legends, thanks to their love of spooky theatrics, heavy riffs, and yes—catchy-as-heck hooks. Across albums like Opus Eponymous and Prequelle, GHOST have never stood still, pushing metal beyond just speed and aggression. And with "Lachryma", they reach chilling new heights.

So what makes "Lachryma" a standout? For starters, it opens not with a punch to the face, but with a haunting, baroque harpsichord that sets an instant gothic mood. You can almost see the fog rolling in! Layer by layer, the NAMLESS GHOULS bring in thunderous guitars and patient, pulsing drums, but never let things get muddy—everything serves the song’s escalating emotion. The structure feels almost hymn-like, with tension rising in the verses and lifting you to the heavens with a soaring, unforgettable chorus.

Now, Tobias Forge's vocals? Showstopping. Rather than bellowing or shrieking, he leans into a clean, emotive style that drips with sorrow and hope. The lyrics to "Lachryma"—Latin for "tear"—are classic GHOST: poetic, a little blasphemous, and deeply human, blending “consecrated tears” with “hallowed sorrow.” It takes you to church, but it’s a church with stained glass and skeletons.

Production-wise, it’s an audiophile’s dream. Every choral swell and organ note floats perfectly above the thick guitar mix, letting the harpsichord and vocals shine through. Pop on headphones and you’ll hear layers you never expected—little details that give it that signature haunted grandeur.

Why does "Lachryma" deserve the Grammy? While other nominees might bring speed and ferocity, GHOST delivers depth, atmosphere, and true songwriting brilliance. This track isn’t just about being heavy; it’s about feeling heavy. If GHOST takes home the award, it’ll be a win for fans who know metal is more than chaos—it’s art, showmanship, and emotion. With "Lachryma", GHOST proves the metal future is bright, creepy, and gloriously melodic.

- Matthew Belter

Protoje released his "Feel It" riddim as an EP, featuring reggae artists Alaine, Romain Virgo, and Mortimer. The project begins with Protoje’s track, “Feel It.” This upbeat riddim is perfect for hitting the dance floor with that special someone or simply chilling with a loved one. Protoje’s delivery, which is usually sharp and combative, transforms here into something fluid and flirtatious. He describes it as “a song that brings people closer,” and that’s exactly what it achieves. Produced by Winta James, the tune seamlessly blends reggae, jazz, and soul, anchored by The Indiggnation’s light and airy touch.

Alaine joins the EP on "Summertime," with her warm and beautiful voice floating over the riddim. Alaine's glowing vocals meet Protoje's driving riddim, creating a soundtrack built for good vibes and movement.

Romain Virgo brings his infectious vibe to "Finally," a beautiful love song. His tender voice complements the riddim perfectly, flowing seamlessly with the beat. The track expresses heartfelt gratitude, enhanced by Virgo's silky vocals and grounded in faith.

Mortimer contributes to the final track of the EP, titled “Flowers & Flames.” His unique vibe and flow fit seamlessly with the riddim. The song explores themes of duality, growth, and creative inspiration. The “Flowers” symbolize growth, beauty, spirituality, and roots, while the “Flames” represent the passionate, fiery, and sometimes destructive elements of creativity and the music industry.

Protoje's "Feel It" riddim is designed to evoke a vibrant, light, and airy feeling that inspires movement, particularly among women. It features a fresh blend of reggae and R&B vibes. He aimed for the song to encourage people to dance, foster connections, and create a summery atmosphere.

One Love – Todd M. Judd

After eight years, Chronixx has made his highly anticipated return with the album Exile. Produced by Inflo, this 17-track project blends roots reggae with elements of soul, lovers rock, and neo-soul. It features introspective lyrics, layered harmonies, and organic textures. The sound of Exile feels reminiscent of the 1970s while still being relevant to today, thanks to its grounding in live instrumentation and heartfelt lyricism. Chronixx successfully bridges the golden age of reggae with a new era of consciousness. Once again, he has demonstrated why he is considered one of the most respected voices in reggae. The response to this new project has been nothing short of electric, with fans and critics alike praising its honesty, depth, and musical richness.

As the music softly glides in, almost as if it’s approaching from afar, the first track, “Exile,” feels like it needs to be turned up. Soon, the sound grows warmer, fuller, and more vibrant. It embodies a quiet confidence from a man who no longer feels the need to prove himself. While it has the essence of Bob Marley’s “Natural Mystic,” it also stands out as distinctly different.

With Chronixx toasting over a chunky bassline, a bubbling groove, and swirling horns, “Market” strikes the perfect balance. The production is astounding, as Chronixx delivers impressive lyrics that feel both spontaneous and thoughtfully crafted. He pays tribute to some legends in the genre, including Nicodemus, Burro Banton, and Super Cat, proclaiming: “Big respect to all farmers, seen, and all original DJs!”

We are treated to a beautiful lovers rock rhythm with “Sweet Argument,” featuring Chronixx flowing smoothly over this warm and soulful tune. The track offers an organic feel, showcasing Chronixx's emotional side. Another standout track, “Survivor,” brings a funky 70s groove while channeling the spirit of classic reggae and ska. This fantastic production will make you want to get up and dance, highlighting a vibrant fusion of genres.

“Family First” features an R&B-infused reggae beat that exudes warmth, unity, and positivity—an uplifting gift to the listeners. In this heartfelt song, the artist expresses, “I put the family first / For better or for worse,” honoring relatives and elders with a sincerity that avoids sentimentality.

“I Know What You’re Feeling” captures that classic Wailers vibe reminiscent of “Waiting in Vain.” The bass guides us through the rhythm while Chronixx effortlessly glides over the warm instrumentation, creating a sound that feels both timeless and fresh. Chronixx delivers his lyrics with smoothness, patience, and soulful emotion.

Chronixx connects with his spiritual essence in “Savior,” expressing his Rastafarian faith with depth and conviction. This track serves not only to entertain but also to enlighten. The bass-heavy riddim resonates deeply, while Chronixx showcases a dynamic range of styles, cadences, and vocals to take listeners on a meaningful journey. In “Keep on Rising,” the production is simpler, but the bass-driven groove remains prominent. Chronixx offers encouragement and comfort to those facing challenges, making it impossible not to nod your head to this infectious rhythm.

Chronixx presents a slow acoustic track with "Hurricane." While this song doesn't resonate with me personally, Chronixx delivers a haunting flow that draws you in. We continue with the slow acoustic vibe in "Genesis," which features a 70s soul influence blended with elements of roots reggae. The warm, heavy sound creates a timeless and emotional listening experience.

"Don't Be Afraid" reminds listeners to stay strong during difficult times with its fantastic bassline, crisp rimshots, harmonies, and horns. Chronixx delivers an almost militant vibe that is both bold and raw. Following that, "I and I" immediately brings a smile to listeners' faces with its uplifting rhythm. This song embodies a classic Bob Marley feel and carries a message of faith and unity. It serves as an anthem with a prayerful affirmation that states, "I will never lose my faith… Jah will always be our light." While the lyrics are simple, the layered harmonies and dub bass create a meditative atmosphere.

The previously released “Never Give Up (2025 Remastered)” blends classic soul, R&B, and roots reggae beautifully. Chronixx infuses so much emotion into this soulful love song, reminding us that love, like perseverance, requires stamina and strength. I loved this song back in 2022, and I find that I appreciate it even more now that it’s included in the album. Additionally, Chronixx offers us another soulful track, “Pain in Your Heart,” which features a distinct sound compared to the rest of the album. The production is fresh, sharp, vibrant, and creative, all while maintaining a sweet soulful vibe.

“Resilient” has emotional depth; it portrays love as a partnership built on mutual strength while recognizing that no man can fully understand a woman’s pain. It may be one of the best-written songs on the album, offering a poetic, sincere, and deeply human feel over a simple acoustic arrangement. The song concludes beautifully as The Music Confectionery joins Chronixx in a performance that builds to a surprisingly powerful crescendo at the end. Sounding as though it could have come from Tuff Gong Studio, Harry J Studio, or Studio One in the 1970s, “Scheming” features that classic reggae riddim. While the song has a sweet and fun vibe, Chronixx warns about people with deceptive, two-faced intentions who will reveal their "dark ways" if given the opportunity.

The album concludes with a track titled “Love is on the Mountain,” featuring a heavy bass, acoustic guitar, and beautiful harmonies. Chronixx delivers a poignant message as the listener is encouraged to drift away into the music. This heartfelt ending offers comfort to grieving siblings, with lyrics that ask, “Sister, why are you crying? Brother, why are you weeping?” It serves as a reminder that sorrow is temporary and love endures. This tender conclusion leaves fans hoping they won’t have to wait another eight years for new music.

Chronixx takes us back to the early days of roots reggae, as well as the soul and R&B of the 1970s. I have to admit that I’ve never been a huge fan of Chronixx; his previous work just didn’t resonate with me the way other reggae artists have. Perhaps it’s because of the music I grew up with—those sweet reggae grooves and the 70s soul and R&B that influenced my early love of hip-hop.

However, I love this album and how Chronixx has seamlessly fused these different musical styles together. The combination works perfectly in most cases and touches my heart deeply. This album stays true to the essence of reggae while incorporating just the right amount of vibes from other genres. With Chronixx's amazing lyrics and flow, this album stands out as one of the top releases of a year filled with great music. I can confidently say that Chronixx has gained a new fan.

One Love – Todd M. Judd