The Disco Biscuits brought a dynamic close to their fall tour with a trifecta shows on November 22nd and 23^rd and 24^th, and I was lucky enough to be there to photograph two of them. The first night at the Capitol Theatre in Rome, New York, set the tone with its grand, almost cinematic vibe. The following night at Buffalo’s Town Ballroom brought a raw, intimate energy that only a packed hometown crowd could deliver. These were two of three final shows of the tour that I had the chance to photograph, and there’s something special about that end-of-tour energy—it’s like the band and the fans know these moments won’t come again for a while, so they give everything they’ve got.

The November 22nd show at the Capitol Theatre was magic. The venue itself is stunning, with its ornate details and historic charm, and it felt like the perfect setting for the band’s sprawling jams. They opened with “Magellan,” and from there, it was a masterclass in improvisation. One of the standout moments came in the second set with a seamless transition from “Shem Rah boo” into “Also Sparch Zarathusta.” The band was completely locked in, pushing the music in directions that felt spontaneous and alive. The Capitol’s lighting rig didn’t disappoint either—waves of color and intricate patterns made the music feel even more vivid. Photographing this show felt like a gift; every angle captured a piece of the night’s energy, from the ecstatic crowd to the band in full creative flow.

The next night, November 23rd, brought the tour to Buffalo’s Town Ballroom, my hometown venue. If the Capitol Theater was about grandeur, this show was all about intensity. The Ballroom was packed, and you could feel the anticipation buzzing in the air before the first note. When they opened with a song titled “House Dog Party Favor,” the crowd erupted, and the energy didn’t let up for the rest of the night. The second set featured one of the best jams of the weekend, with “Pimp Blue Rikki” flowing effortlessly into “Munchkin Invasion.” You could tell the band was feeding off the crowd, and vice versa—it was one of those nights where the connection between the stage and the audience felt almost tangible.

Being able to photograph this show in Buffalo was especially meaningful for me. There’s something about capturing those moments of pure joy and connection in your hometown that hits differently. It was also my second time being able to shoot the Disco Biscuits at this very venue. The Town Ballroom’s lighting and intimate setup created a perfect canvas for photography, and the crowd’s energy made every shot feel alive.

These two shows felt like a fitting finale to the tour, at least from my perspective as a photographer. Unfortunately, I wasn't able to shoot the third and final show but I was most defiantly there in spirit. There’s an urgency and excitement that comes with the end of a run—everyone, from the band to the fans, seems to dig a little deeper, knowing the finish line is in sight. For me, it was a reminder of why I love doing this: being part of something fleeting yet unforgettable, and having the chance to capture it so the memories last a little longer.