'Scene's Not Dead.' This was the statement made loud and clear when fans sold out the House of Blues in Anaheim, CA, for the 15-year anniversary show of 3OH!3’s album Streets of Gold. 3OH!3 curated a lineup featuring fellow early 2010s electropop bands Breathe Carolina and Millionaires. The venue was a sea of big, poofy teased hair, skunk tails, and bright, popping hair colors as far as the eye could see. Fans were ecstatic to dig through their closets and don their scene gear once again.

First up was Millionaires, a band often criticized by musical gatekeepers for their lyrical content and style. However, I was excited to finally experience what they had to offer. Co-vocalist Melissa Marie Green, an icon with her oversized hair bow, inspired plenty of fans—both female and male—to rock the giant bow look in her honor. Fellow co-vocalist Meredith Hurley exuded a "mean girl" energy, carrying herself with the confidence of someone who knows she’s the center of attention. Millionaires brought a party energy, unapologetically celebrating themes of drinking, partying, and sex positivity. Their setlist included anthems like “Party Like a Millionaire,” “Prom Dress,” “Professional Party Girl,” “Microphone,” “The Weekend,” “Rated XMAS,” “Take Your Shirt Off,” and concluded with “Alcohol.” Their performance was bold, brash, and unapologetic—either you were along for the ride, or you weren’t. Millionaires make music for themselves and their crowd, a group of fans ready to party and let loose.

Next up was Breathe Carolina, a band whose career has evolved significantly over the years. Originally an electropop band, they later transitioned into EDM as DJs. As a longtime fan of their early electropop days, I was curious to see what they would bring to this throwback event. What we got was a blend of their early music and modern EDM remixes—a happy medium for fans from all eras. Vocalist David Schmitt returned to the frontman role, jumping, dancing, and hyping up the crowd while singing both classic tracks and vocal lines for the remixes. Schmitt’s energy was infectious, feeding off the crowd’s enthusiasm as they sang along to hits like “Last Night (Vegas),” “IDGAF,” and “Blackout.” The EDM remixes added fresh beats and rhythms to familiar songs, keeping the crowd engaged and dancing. While I personally prefer their earlier electropop sound, I can’t deny that their EDM remixes are equally fun and infectious.

Finally, it was time for the headliner, 3OH!3, who chose Anaheim, CA, to celebrate the 15-year anniversary of Streets of Gold. This wasn’t a tour; it was a one-night-only event, and we were lucky to be part of it. The show kicked off with “I Can Do Anything,” and the energy in the room was palpable. The ground shook as the crowd jumped in excitement—I’ve been to the House of Blues many times, but I’ve never felt it shake like this before.

Vocalists Sean Foreman and Nathaniel Motte were clearly thrilled to be performing for such an enthusiastic crowd. They weren’t just singers; they were hype men, constantly engaging with the audience. Whether it was gyrating, winking, or creating special moments with individual fans, they made sure everyone felt included. As this was a celebration of Streets of Gold, the band performed the album in its entirety, including deep cuts that had never been played live before. The crowd’s energy never wavered, proving to 3OH!3 that every song on the album deserved to be a hit. Fans sang every word, whether it was a single or a lesser-known track.

The night ended with a three-song encore featuring “Hit Me Harder,” “Starstrukk,” and the infamous “Don’t Trust Me.” Somehow, the crowd found even more energy for these final songs, making the celebration unforgettable. When 3OH!3 took their final bow, the fans were still screaming as if the show had just begun.

I’ve attended rock shows, metal shows, indie shows, and industrial shows at the House of Blues, but none compare to the energy the scene kids brought that night. Nostalgia is a powerful force, and the love we all shared—for the music, the artists, and each other—was undeniable. Though this style and music were often dismissed as “cringe,” we proved that it wasn’t just a phase. This music and style will forever hold a place in our hearts.