The world is in a chaotic time right now, and sometimes celebrities are lambasted for speaking out on things, because they shouldn’t be concerned with these topics as they are just actors and musicians. One musician that has made it his life’s priority to put his political beliefs up front and in your face is Tom Morello. Ever since stepping into the spotlight with his band Rage Against the Machine, Morello has been a very outspoken person with his beliefs. Making his points both through his writing in his music and being a public persona. Tom Morello wanted to bring his protests to the stage with two special shows taking place at the House of Blues in Anaheim, CA and The Fonda Theare in Los Angeles. Night one kicked off with the new supergroup Seven Hours After Violet, and fans packed in the House of Blues ready to march to the drums of Morello’s music.

Opening the show was the newest supergroup known as Seven Hours After Violet featuring Shavo Odadjian of System of a Down and Taylor Barber of Left to Suffer. Seven Hours kicked off their set with the song “Gloom,” and right off the bat they were here to create a mood. Lighting the stage with dark moody lights, and flooding it with heavy greens and purples, there was an energy created in the room. Vocalist Taylor Barber has a powerful voice that can carry the beauty of a serene melody while singing cleanly and then switch to the nastiest guttural screams with little effort. Guitarist Alejandro Aranda backs Barber on vocals, creating an orchestral harmony to the bands music. With a bassist like Shavo Odadjian his instrument is put right in front of the mix to help drive to feeling of each song. Fellow guitarist Michael Montoya adds the distorted edge to the sound, while drummer Josh Johnson is blasting away behind the kit. Musically, Seven House After Violet was on top of their game and sounded amazing. Though, at times, the band could be seen surrounding the drummer with their backs to the audience. Turning around to play for us would have heightened their performance immensely. Regardless, Seven Hours had us rocking out with songs like “Cry…,” “Paradise,” “Radiance,” “Abandon,” “Go!,” “Float,” “Alive,” and ending with “Sunrise.” Seven House After Violet can only go up from here.

Then it was time for Tom Morello to begin his guitar sermon for the people of Anaheim. Tom wears a classic mechanic’s uniform with name tag, helping to show he is just an everyman. But it’s when his hands get a hold of his Fender Telecaster that his true potential comes out and we all see what a master in his craft is capable of. Not just strumming, picking, or tapping his guitar, but using it as a sandbox to create any variation of noise he can pull out of the instrument. Tom even pulls double duty, singing for many of his songs while letting his hands be the shining star. Behind him on a giant 20ft LCD screen, Tom would display images of ethnic cultures, minorities, pride, and political statements changing with every song. Tom wanted to share the stage with his son Roman Morello, having his kid come out to perform on guitar for a couple songs. With the song “One Last Dance” Roman took the solo for himself, maneuvering the guitar behind his head and ripping that solo blind. All the while Tom could be seen with the biggest proud dad smile on his face watching his son excel like this.

Tom Morello even brought out a couple more special guest stars like Thomas Raggi of Maneskin, Luke Spiller of The Struts, and even Shavo Odadjian came back out one more time. Tom Morello managed to give the fans a blend of his solo music, Rage medlies, and even a couple covers with songs like “Soldier in the Army of Love,” “GOSSIP,” “Lightning Over Mexico,” “One Man Revolution,” “Union Power,” “Hold the Line,” “Let’s Get the Party Started,” “Secretariat,” “Cato Stedman & Neptune Frost,” “Keep Going,” “This Land Is Your Land,” “Kick Out the Jams,” “Dirty Deeds Done Dirt Cheap,” “Cochise/Like a Stone,” “Killing in the Name,” and ending with “Power to the People.” All his music and cover selections are songs that speak to the average person and make a statement of overcoming adversity and loving each other. Flipping over his guitar, he had “FUCK ICE” written on the back of his axe just to make sure people understood what he was trying to say.

People are sometimes shocked to find out that Rage Against the Machine and Tom Morello are very politically driven entities. I don’t know how you miss these aspects of their songs, but when you go to one of their shows, their stances are right there in your face. Sometimes celebrities are talking about topics and ideas because they have a platform to be heard. But Tom Morello is someone who lives those beliefs every day. He isn’t just talking about things because he has a platform, he is doing everything in his power to help better the world, and his music is one of the biggest ways people have been able to hear his voice for change. A Tom Morello concert isn’t just a musical event, but this was a protest for the people, by the people, and preaches change and love.

Break out the spandex and hairspray, 80s melodic rock is back baby!! The latest album from Perfect Plan, Heart of a Lion, is a triumphant fusion of soaring melodies, electrifying guitar work, and heartfelt lyrics that uplift the soul. From the very first note to the final fade-out, this album radiates positivity, passion, and the kind of anthemic energy that makes you want to roll down your windows and let the music take you away.

With the impressive lead vocals from lead singer, Kent Hilli, along with the accompaniment of tighter than tight musicianship and harmonies from Leif Ehlin on keyboards, Rolf Nordström on guitar, Mats Byström on bass, and Fredrik Forsberg on drums, Perfect Plan is set to release their fourth studio album on February 28, 2025.  This album follows their more heavy-inspired release Brace for Impact (2022) as the band returns to their more melodic roots and embraces a more keyboard-driven sound that characterized their first two albums - All That Rise (2018) and Time for a Miracle (2020).

The album opens with its electrifying title track “Heart of a Lion,” and the album wastes no time in setting the tone—an explosion of guitar harmonies, driving drums, and an instantly memorable chorus that feels like a sunrise in musical form. Hilli delivers an immediate vocal impact and sings every line with conviction.  His voice soars effortlessly over the bands lush instrumentation with vocals that are incredibly strong and powerful.  This one quickly lures you in. To say that Kent is a one-of-a-kind vocalist would be a true understatement. This is the kind of anthem that blends melodies with emotionally delivered lyrics and creates a powerful message of heart and dedication.

“We Are Heroes,” their video single, is a tribute to the everyday heroes among us—nurses, doctors, firefighters, police officers, and anyone overcoming personal struggles like addiction, mental health challenges, or adversity. As Kent Hilli explained, 'The song highlights the strength of those striving to become better versions of themselves. Listening to the lyrics, I was reminded of the countless heroes of 2020—the doctors and nurses who risked everything during the COVID-19 pandemic to save lives, putting others before themselves in a time of crisis'.

The standout, heart-touching anthem, “My Unsung Hero,” practically brought me to tears.  This four-and-a-half-minute song is a heart-touching anthem that blends melodies with deeply emotional lyrics and tugged on every heartstring available in my chest. The song begins with a gentle piano intro before building into a sweeping chorus, where the passionate vocals shine with raw sincerity. The instrumentation swells beautifully, with soaring guitar lines and a steady drumbeat that reinforces the song’s uplifting spirit. Every lyric feels personal yet universally relatable, reminding me that even in the darkest moments, there’s always a way forward. The dynamic production and heartfelt delivery make this track an instant classic, leaving a lasting impact long after the final note fades. "My Unsung Hero" is more than just a song—it’s an anthem for anyone in need of strength and encouragement.

The album picks back up with “Ready to Break” and “Lady Mysterious”, both with more of an up-tempo, radio-friendly sound with an impossible-not-to-sing along to choruses.  Not going to lie, I played both of these on repeat more times than I’d like to admit and sang along to the catchy lyrics by the third listen through.  The album closes out with “At Your Stone”, which comes at you from the gate with heavy-hitting guitars and drums.  By the second listen through of this track, I was singing along to this one too. 

From start to finish, Heart of a Lion is pure fun and energetic electric gold and I’m excited to see more from Perfect Plan, and hopefully a US tour sometime soon?  If you crave soaring vocal harmonies, sexy guitars, and thunderous arena drums, this album is definitely a must-listen!  

Grab your favorite hairspray and pull out your best leather pants because Swedish rockers Crazy Lixx are back with their newest album, Thrill of the Bite.  Have no fear, your favorite high energy 1980’s throwback band is still oozing glam and sex.

The album starts off with the highly intoxicating heavy guitar riff driven “Highway Hurricane.” Energy is high, vocals are solid. You won’t be driving your Trans am under the speed limit with this one.  And then there is “Who Said Rock and Roll is Dead.” This one is nothing less than an arena rock anthem. It's an 11 on a 10 scale and screams at the top of its lungs, 'Turn It Up!'

Tracks like “Call of the Wild” and “Midnight Rebels” highlight Crazy Lixx’s ability to blend heavier riffs with melodic elements, creating songs that are not only powerful but catchy as well. The first video for "Midnight Rebels” in itself is a stand-alone winner. The video takes us right back to an 80’s prom full of horror and fantasy, along with the typical 80’s music video vixens.  The following tracks stick to their tried-and-true recipe.

While Thrill of the Bite doesn’t venture into uncharted territory, it doesn’t need to. Crazy Lixx excels at delivering nostalgic, feel-good rock anthems that pay homage to their 80’s influences while maintaining a fresh and energic sound. Fans of the band, as well as fans of 80’s metal and glam rock, will find a lot to love about this latest album.

Overall, this is a great addition to the discography of Crazy Lixx that captures the spirit of the heyday of hair bands of the 80s. So let loose, let your hair down, and bask in the fun of rock ‘n’ roll through the lens of Crazy Lixx.  Thrill of the Bite is a hands down, no holds barred winner!

As we move into the new year of 2025, tours are starting to kick off. One of the biggest post-hardcore tours to probably happen this year has to be Silverstein’s 25 Years of Noise tour. The band has been going strong since the year 2000, and only continue to get bigger and bigger over the years. For this tour they decided to make a stop at the House of Blues in Anaheim, CA to remind the SoCalians how crazy their shows can get. Bringing with them other post-hadcore founders known as Thursday, as well as Arms’ Length and Split Chain. Before the doors could even open, the line to get in was humongous with fans ready to rock out with the best bands the genre has to offer.

Up first was a Bristol based band known for their nu-gaze sound, known as Split Chain. Vocalist Roberto Matinez-Cowles was determined to get the crowd rocking out to the band. Frequently calling for a bigger mosh pit. Guitarists Oli Bowles and Jake Reid infused their tone with mixes of shoegaze, grunge, and nu-metal. Even for the fans hearing them for the first time, they found a way to connect with the music while bopping in the crowd. Bassist Tom Davie and Drummer Aaron Black carried the back beat and allowed all the people in attendance to vibe and bounce with the music. Playing songs like “Haven,“ ”Get Inside,” “Chalk,” “I’m not Dying To Be Here,” “Fade,” “Future,” and ending with “(Re)-Extract,” Split Chain made their presence known to the people on Anaheim, and even created some new fans this night.

Up next was Canadian emo’s known as Arm’s Length. Right when the band hit the stage, a handful of fans raised a huge Canadian flag in the crowd, showing their love for this band. Vocalist and guitarist Allen Steinberg has a captivating voice that carries a bit of dreary passion along with a commanding presence. While guitarists Jeremy Whyte and Marty Hacker-Mullen manifest some of the catchiest riffs of the night. Bassist Benjamin Greenblatt looked like a hardcore kid ready to wreck things on the stage. While drummer Jeff Whyte appeared to be the doppelganger of Russel Brand, but instead of comedy, let his limbs do the talking as he banged away behind the kit. Arm’s Length played songs like “In loving Memory,” “Funny Face,” “Object Permanence,” “Tough Love,” and ending with “Overture.” Post-Hardcore eventually evolved into emo, and Arm’s Length was the perfect blend of both to bring on this tour.

The next band to hit the stage was one I have always associated with the beginning of the post-hardcore genre, or at least one of the earliest contributors to it. That being the legendary Thursday. Kicking things off with “The Other Side of the Crash/Over and Out (Of Control),” lead singer Geoff Rickly was a mad man on stage. Never allowing himself to be confined to one spot on stage, and instead constantly moving around. In moments when he wasn’t singing, you could see him playing to the crowd to hype them up even more. Rhythm Guitarist Steve Pedulla kept the melodies moving and maintained the flow of the songs. Thursday has a unique line up for this tour, as some members are off performing with L.S. Dunes. So, filling in for them was guitarist Wade MacNeil of Alexisonfire, bassist Stuart Richardson of No Devotion, and drummer Jeff Gensterblum, who all fit into the band as if they were original members. Thursdsy was also the band to get the crowd surfers up on the shoulders of the ebbing fans. With bodies coming over the barricade for songs like “Cross Out the Eyes,” “Signals Ove the Air,” “Jet Black New Year,” “The Song Brought to you by a Falling Bomb,” ”Fast to End,” “Taking Inventory of a Frozen Lake,” “The Lovesong Writer,” “Understanding in a Car Crash,” and ending with “War All the Time.” This was my first time experiencing Thursday and their chaotic presence, but they truly made a fan out of me with this performance. And I know there are others who have become diehard fans just from this 45 minute set.

To kick off 25 Years of Silverstein Noise, the band played a short home made video showcasing their rise from garage band to where they are today, and honoring all the fans that have found them over the years. Kicking things off with “Skin & Bones,” the crowd was ready to lose themselves in the frenzy of the music. Vocalist Shane Told performs with nothing but passion, getting right down to the foot of the stage to sing at the crowd. Rhythm guitarist Josh Bradford is all smiles as he works his way around the stage. You can tell how much he loves performing his music, as a huge grin never leaves his face through the show. While lead guitarist Paul Marc Rousseau is pulling double duty on guitars and helping Told with the backing vocals. Bassist Billy Hamilton and drummer Paul Koehler carry the heaviness of the bands music. The low end allows the fans to headbang and break their necks as they rock back and forth. A unique moment Anaheim got to experience was for the song “The End,” as we were honored by Lights coming out to perform the song as a duet with Shane Told. The song on the album is a duet with Lights already, but getting to experience it live took the song to a magical new level. Silverstein curated a setlist that transported fans across their entire discography featuring the very best songs like “Confession,” “The Altar/Mary,” “Infinite,” “Bad Habits,” “The Afterglow,” “Aquamarine,” “A Midwestern State of Emergency,” “Massachusetts,” “One Last Dance,” “Sacrifice,” “Vices,” “My Disaster,” “Your Sword Versus My Dagger,” “Call it Karma,” “Smile in Your Sleep,” and a three song encore of “My Heroine,” “Smashed Into Pieces,” and “Bleeds No More.” For nearly two hours Silverstein was the ultimate band in the world to every person in attendance and could not be stopped.

25 Years of Noise is an oversimplification of what Silverstein has meant to people over the last two decades. Throughout their set, fans could be seen singing in with unbridled passion to every single song. Even the crowd surfers had their own ferocity in their eyes to get as close to their heroes as physically possible. Silverstein fans packed in the House of Blues so much that the mosh pit could not open up more than 10ft, but moshers still made the most of the room they managed to claim. We are halfway through the tour, but Silverstein has already announced a few extra dates that will take them into March. If you have the opportunity to see this tour yourself still, you would be doing yourself a disservice by choosing not to attend.

January 22nd, 2025, at The Rebel Lounge in Phoenix, Arizona, was a night that took you back to the early 2000s. The night was headlined by Girl In A Coma, with support from GUSHR. It was a show that a lot of people had been waiting for. The venue may not have been the biggest, but the energy made it feel ten times larger.

GUSHR got the night rolling. They had two vocalists in the band, with the lead vocalist also being the band’s drummer, which made their sound more interesting. They have a nostalgic rock feel to them, and you could tell the drummer really enjoyed being on stage. One of my favorite moments was when one of the guitarists ended up singing a song. There was a lot of passion and energy in it. I’m excited to see what GUSHR does next.

You could feel the excitement from everyone, including longtime fans of Girl In A Coma, waiting for them to come on. When Girl In A Coma took the stage, they radiated confidence, topped with a sense of humor that could make even someone having a bad day laugh. If you’re into artists like Courtney Love or The Material, you'll love Girl In A Coma. The lead singer has rockstar energy.

Their setlist featured an electrifying mix of songs, including fan favorites like "The Photographer," "Say," and "Static Mind," alongside the hauntingly beautiful "Their Cell" and the dreamy "Clumsy Sky." They also treated the audience to new material with "Here Is Now" and "Invisible," adding fresh energy to the night. The show was filled with powerful moments, from the raw feelings of "Sappy" to the mesmerizing rendition of "As The World Falls Down," originally by David Bowie. Tracks like "Adjust," "Baby Boy," "Smart," and "El Monte" kept the crowd engaged before they closed the night with an unforgettable encore of "Si Una Vez." You could see why the band has fans who have stuck with them for years.

Girl In A Coma and GUSHR was my first show, in Arizona, and they definitely proved that Arizona concerts are worth checking out. I’m excited to see how both bands grow moving forward. Girl In A Coma made a strong comeback after being on hiatus, and their music still resonates in the hearts of everyone who listens to them. It’s haunting and beautiful in the best way possible. The love they have for their fans is beautiful too—I know they’re going to make the world a better place.

NAMM is always one of my favorite weekends. It is a time to celebrate music, rock/metal, and the merchandise. It is a great time to be a music fan. Besides the convention, another entity that captures my soul is the concerts. First one to check out is Metal Allegiance at the House of Blues in Anaheim, but the next one that metalheads flock to is at the Observatory in Santa Ana for the NAMM Guitar Fest. This is a show where the best of the best in guitarists showcase their talent to the NAMM crowd. Last year, I did not really feel that well because my heart was not fully into it. This time around, the blood was flowing through my veins like a river of fire. This year, John 5 headlined along with Marty Friedman, Nita Strauss, and Springfield/Kennison. This mecca of guitar legends was what was needed for Rabit and me after our first day at NAMM.

Nikki Stringfield and Patrick Kennison got the evening started for the NAMM Guitar Fest. Promoting their debut EP, Ghost Notes (released the day of the show), the husband-wife duo performed an epic acoustic show. It's awesome to see the Iron Maidens shred master strip down musically, baring her soul with conviction. Kennison is the Ying to Stingfield's Yang with his smokey country rock inspired riffs. The Heaven Below frontman was rough but harmonious with his voice as well. Backed with a sound machine that played the bass & drum licks for each song, they wowed us with tunes like "Where the Demons Lie," "Lunacy," "See Me Die Again," and Iron Maiden's "Aces High." Haunting, simple yet Majestic, everyone at the Observatory felt something special. The horizon looks bright for Springfield and Kennison.

Keeping the night rolling at full steam ahead was Nita Strauss. It is always amazing to see the shredding goddess do her thing when not on the road with Alice Cooper. Armed with her signature Ibanezs', Strauss and her gang got down & dirty with the Santa Ana crowd, starting with "Summer Storm." Each member of the band had an intrigal part that made their night a monstrous success. Rhythm guitarist Johnny D Young was a secret weapon, keeping the metallic sound flowing naturally. Katt Scarlett gave the riffs a classical/rock feel on the keyboards. Strauss' husband, drummer Josh Villalta, was a wrecking machine behind the kit. When Strauss went into "The Wolf You Feed," "Digital Bullets," "Dead Inside," and "Victorious," vocalist Kasey Karlsen stepped out from the shadows and ate us alive with her ferocious & melodic voice. Along with "Our Most Desperate Hour," "Mariana Trench," "Alegria," and "Quest," the night was scorched thanks to the maestro solos. Though her Rams lost the playoffs, Strauss won the hearts of the metal faithful in Santa Ana.

Another guitar god to follow Strauss was the mighty Marty Friedman. This performance would be very different from what was originally to be, for his band was stuck in Japan due to a ridiculous glitch with the Department of US Immigration. Instead of cancelling his night, Friedman soldiered on with backing tracks from his catalog and mustarded a top-notch spectacle of a show. The 62-year-old guitar ninja was swift and just with his Jackson X series. Friedman's style is a stellar fusion of neoclassical, thrash, and progressive metal where the West meets the East. With his platform boots and sleeveless flannel, this was an evening where Friedman was determined to give it his all solo wise. From "Amai Goe" to "Illumination," "Tearful Confessional," "Undertow," and "For a Friend," each tune had a unique quality that resonated with the artist and crowd in different ways. Whether it was sorrow or energetic, it was special. Though the night did not go the way he planned, he gave us his best because that is who Marty Friedman is...the best!

Saving the best for last is a headliner who needs no special intro for he is already special, John 5. The horror-inspired virtuoso, armed with his signature Fender Telecasters, has been keeping busy since officially joining Mötley Crüe. When it comes to NAMM however, this is his time to shine. The great thing about John 5 is that while he is primarily a metal musician, he is a versatile musician who can play pop, rockabilly, country, and straight up rock. There was one point where he brought his banjo for a little fiddle. With his drummer riding high on his kit, the fans were treated to a great array of tunes that included John’s original material and a few covers. As always, John 5 brought his stage screens that showed clips of horror & action flicks, with each clip complimenting his music. From “Six Hundred” to “Que Pasa,” “Crank It,” “Howdy,” “LA Express,” “I Am John 5,” “How High the Moon,” “Strung Out,” “First Victim,” “Black Grass,” “The Ghost,” “Cactus Flower,” and “Season,” John 5 brought us all to cloud 9. Of his covers, he performed his best with Queen’s “Crazy Little Thing Called Love” and a medley of guitar classics that honors the falling and still standing guitar heroes. Just like how he smiled over his lit up Telecaster, we all left that night with a sinister smile.

If there was a time needed for guitar heroes to shine, it was that night at the Observatory. I will admit, after walking around NAMM all day, Rabit and I were wiped. However, as soon as I heard the first licks coming from Springfield and Kennison’s acoustics, it put me in the mood. The whole night was exciting. Only wish that Friedman’s band had not been held up in Japan. Other than that, it was a rocking evening. To John 5, Marty Friedman, Nita Strauss, and Springfield/Kennison, I salute you. Horns up!!!

Photos by Matt 'Rabit' Martinez

I cannot tell you Hunnypot readers the last time I have been to the famous Whisky a Go-Go on the Sunset Strip. This iconic venue has stood the test of time since the 1960s, and I will admit, when the LA wildfires first struck, I was a little afraid it was going to turn into ashes. Luckily, that was not the case, and the Whisky was open for business. It was recently announced that famed lady guitarist Sophie Lloyd would be making her U.S. solo debut on January 16 at the venue made famous by groups like the Doors, Van Halen, and Mötley Crüe. The British axe master known for her YouTube videos and touring with Machine Gun Kelly has put a spell on us rockers and metalheads just itching for a new guitar hero. Ever since putting out her debut album in 2023, Imposter Syndrome, Lloyd is blazing her own trail for rock ‘n’ roll glory. Along with our longtime compadre Rockaholic, Rabit and I got the chance to head back to the Strip and witness a spectacle of a show. Following dinner and drinks at the Rainbow Bar & Grill, it was off to Whisky to see both Lloyd and rock sensations Dead Posey.

We made it into the Whisky just in time to catch the end of Dead Posey’s set. Fronted by the sizzling Danyell Souza, I was immediately enchanted by the band’s take on alternative rock, rockabilly, and punk. This blend made Dead Posey a kick ass sensation for the few songs we caught them playing. From “Welcome to the Nightmare” to “Scar” and New Order’s “Blue Monday,” I was grooving with a sense of aura. Dead Posey put me in the mood for what was about to come.

After a short intermission, Sophie descended from the stairs with her group and got her evening started with “Battleground.” Armed with her array of Kiesel guitars and EVH amps, Sophie dazzled us with her mesmerizing licks. I will say watching her perform would give Nita Strauss a run for her money. This woman is a shredding messiah who preaches what she riffs, clean and heavy licks. When she released Imposter Syndrome, there was a different singer for each song, and each vocalist brought their own uniqueness to the tune. Songstress Lauren Babic was one of those frontmen who appeared on stage and belted out her best, from “Hanging On” to “Won’t You Come,” “Fall of Man,” and “Avalanche” to name a few. Unfortunately, Inglorious frontman Nathan James (who was featured on the record) could not make it due to travel issues, but Babic, Danyell, and alternative pop rock songbird Izzy T took over, each packing a punch to our eardrums (in a good way). Steel Panther'S Michael Starr made an appearance to perform one of the night’s top performances, “Runaway.” His presence made it feel more like a Sunset Strip show. Sophie also collaborated with fellow guitar marvel Cole Rolland. When the two of them came together for “Lost” and mgk cover “I Think I’m OKAY,” it was like watching Penn & Teller create magic, only with guitars.

What was great about her set was that it was a lethal combination of originals and covers that made her an internet sensation. Whether it was Metallica’s “Enter Sandman,” Bon Jovi’s “You Give Love a Bad Name,” or AC/DC’s “Thunderstruck,” you could feel Sophie raw energy being transformed into a rocking euphoria. Her best cover that night was Pink Floyd’s “Comfortably Numb.” Listening to her riff away David Gilmour’s intoxicating licks transported me into a high buzz. For most of the night, it was the Sophie and Babic show. Each woman complimented each other’s capabilities to transcend metal. Other songs they performed included “Judge and Jury,” “Imposter Syndrome,” and the closer “Do or Die,” which brought the Whisky down.

Traveling to the Whisky that night was totally worth it. Though I was tired and sore the next day, it just gave me new concert battle scars to polish. Even with the fires still blazing in Los Angeles, Sophie lit up the Whisky and gave the loyal rock fans of Hollywood one hell of a U.S. debut. What was also cool was whatever tickets were left to be sold, $5 from each remaining sold ticket would go to the LAFD fund. This was a show for the books for myself, Rabit, and Rockaholic. Always great to be at the Whisky. To Sophie Lloyd and Dead Posey, I salute you. Horns up!!! I also pray, salute, and dedicate this article to all the first responders battling this inferno. Stay safe!!!

Photos by:  Matt 'Rabit' Martinez

Sacramento was treated to a thrilling night of synth wave, industrial goth, and unholy vampiric energy as the Colder Than Hell tour kicked off in the city. The planned Los Angeles show featuring Vampires Everywhere, Priest, and Julien-K, and was canceled the previous evening due to raging fires, making Sacramento the tour’s starting point. Despite the setback, all three bands captivated the crowd with their intense display of musical mayhem. The venue teemed with Sacramento’s gothic community, decked out in elaborate regalia, with fans of all ages gathered to revel in a night of techno, pop, and synth wave bliss.

The evening opened with the Long Beach industrial pop rock power trio Julien-K, a group formed in 2003 by former members of the band Orgy. This electrifying ensemble set the perfect tone for what was to come. Led by frontman Ryan Schuck on vocals, with Amir Derakh on programming, guitar, and keyboards, and Galen Waling on drums, Julien-K is renowned for their powerful live performances. They blend electronic rock with industrial beats to create an unforgettable sound. Schuck was dynamic, grooving on stage in a way that got the crowd moving with him. Derakh displayed masterful control of both guitar and keyboards, exuding a Gothic German persona that was captivating to watch. Meanwhile, drummer Waling anchored the performance with relentless energy. The band’s fans were highly engaged, adding an infectious energy to the set. Don’t miss Julien-K when they come to your city—they’re guaranteed to make an impression.

Next on stage was the Swedish synth wave act Priest, who took the performance to another level. Hailing from the dark waves of Scandinavia, the group consists of former members of the Grammy-winning band Ghost. Their set was nothing short of spellbinding. Frontman "Mercury" was enigmatic and brimming with charisma, captivating the audience with his stage presence. "Salt" layered the performance with atmospheric melodies on synths, while "Sulphur" added depth through programming and wielded a wicked keytar with flair. Rooted in electronic dreams and occult techno pop, Priest delivered their brand of High Octane Bop flawlessly. The audience was in perfect unison, singing along to every song—a sight that is always thrilling to witness. Their cyberpunk industrialism created an undeniable energy that left the crowd primed for the night’s headliner.

The grand finale belonged to Vampires Everywhere, an American post-metalcore and industrial rock band from Los Angeles. Led by the enigmatic Michael “Vampire” Orlando, a self-proclaimed real-life vampire, this band brought theatricality and a deep love for the gothic to their performance. Drawing inspiration from horror films and vampiric lore, Vampires Everywhere is aptly named after the 1980s vampire classic “The Lost Boys.” Michael Vampire embodied a Nosferatu-like presence on stage, complete with fangs and a menacing gaze, as he danced with eerie precision. Heavy riffs from guitarist Michael “Ghost” Rodd and booming basslines from Brandon “Blackout” Burke added a raw edge to their sound, while drummer Jesse James Smith intensified the atmosphere with his pounding rhythms.

The blood-red lighting enhanced the haunting aesthetics of their set—a perfect match for their horror-inspired themes, though challenging for photography. Their setlist spanned fan favorites and included their latest single, “Antichrist,” from the newly released album, The Devil Made Me Do It. This band is a must-see for fans of theatrical, genre-bending rock. Their Colder Than Hell tour runs through January, so catch them while you can. Personally, I can’t wait to see them again. And who knows, their vampiric energy might just turn you into one of them. It’s delightfully contagious.

2024 was a great year for live music and the experience of getting to see bands play live. Personally, I got to see some of my favorite bands, and even check off some new ones from the concert bucket list. January tends to be a bit slow, and many musicians take a much needed break to be home with loved ones, rest, and recuperate for the coming year. However, some artists are already itching to get in front of crowds, and fans are itching for live music. Emery decided to kick off their year with a short eight show run across the west coast, bringing with them a few different line ups. When they came to the Glass House in Pomona, CA Emery graced us with a lineup that included Lacey Sturm, Bad Luck, and 7D7D. It was a chilly night in Pomona, but as we packed into the venue, the place was warming up quickly waiting for the music to ring out over the speakers.

Opening the night was the duo of Time Commerford on bass and vocals, and Mathias Wakrat on drums, known as 7D7D. Many people may know Commerford’s name, as he is the bassist of Rage Against the Machine. However, with 7D7D he traded in those hard hitting, in your face tunes, for a more alternative rock groove. While on vocals, Commerford has a deep droning voice that comes across as hypnotizing. All the while, playing technical and grooving bass lines locked in with Wakrat. Wakrat isn’t sleeping behind the kit as every song he fills with groove and texture. 7D7D doesn’t just have Wakrat be the time keeper of the band, but they put his musicianship up front in the songs to star. The two men were on top of their craft for a solid 30 minute set. Though I can’t imagine many people knew who this band was, or even recognized Commerford as he was dressed down in disguise. It was an honor for our ears to hear such masters of their craft play for us.

Up next was a rock band from New York known as Bad Luck. Lead singer and guitarist Dominick Fox greeted the crowd with a heart warming deadpan hello. His demeanor as he snarkily hyped up the crowd actually came across as welcoming and I feel helped people connect with the band. Kicking into the music, Fox shimmied and danced in place behind the mic while playing his guitar. Lead guitarist Charlie Caruso crafted driving guitar lines filled with distortion and fuzz. While bassist Joe Fox was the chaos magnet on stage, dancing around anywhere he could get. Drummer Michael Sichel let his long hair be the show man, as he whipped it around while slamming on his kit. Bad Luck’s music got people bouncing and rocking in the crowd with songs like “Love Song,” “Noise in Your Head,” “Top Drawer,” “Cold Bones,” “Matching Tattoos,” “Willoughby,” and ending with “Impressive Depressive.” A special moment during Bad Luck’s set was when all the band members spotted a 10 year old girl holding a sign that said “This is my first concert, and you are my favorite band.” Each band member made sure to acknowledge the girl, and I can only imagine how special her first concert was because of it.

It was then time for the legendary Lacey Sturm. This singer rose to prominence with her decade tenure with the band Flyleaf, who she recently rejoined in the last couple years. But she is still carving out time to perform as a solo artist. With the reaction of fans in the crowd as she walked on stage, her solo work is just as beloved as her Flyleaf work. Opening with a song off her latest album Kenotic Metanoia, “Intro (My Heartbeat).” This song was all emotion and vibes with the lighting being dark and dramatic, but it bled perfectly into Flyleaf’s “I’m So Sick.” Kicking things off with one of her band's biggest hits captured the attention of the crowd and had the whole place singing with her. You can tell how much passion Lacey sings with as she is constantly dropping to her news as if the power of the song is too much to stand up against, and instead just letting the raw emotion spill through her lyrics. Lacey has a very strong connection with her religion and God and took a few moments to talk about it with the crowd. Something that was different though, was this wasn’t a preachy sermon about God. But was the story about how Lacey found him and how he saved her from committing suicide as a teenager. The speech was incredibly heartfelt, and you could see fans shedding tears as we got to connect with a true human aspect of Lacey Sturm the person. Lacey Sturm filled the remainder of her set with songs from her chart topping solo albums, and other Flylead favorites like “State of Me,” “Vanity,” “Rot,” “Are you Listening,” “Terrible Mistake,” “Fully Alive,” “Wonderful,” “All Around Me,” and ending with “Forever.” It was truly a passionate set to get to experience.

Finally, it was time for our headliner, Emery. The band took a poll asking how many people in the crowd was this their first time seeing the band. They’ve been around for over two decades, and I was one of the people to raise my hand. Seeing all the new faces with their hands raised in the crowd, just encouraged Emery to truly send it and give us a kick ass show to start off our year. Co-clean vocalist Toby Morrell skillfully blended more soulful singing and melodies along with in your face screams when the song called for it. Fellow co-clean vocalist and bassist Devin Shelton helped to harmonize and create a unique dichotomy of clean singing with each song. But a lot of the ferocity came from keyboardist and unclean singer Josh Head who would step out from behind his keys to roar at the crowd. Near the end of the show, even jumping into the crowd to crowd surf while still tearing it up on vocals. Guitarist Matt Carter and Chris Keene were heating the stage up with their licks that fans have come to love. While drummer Dave Powell was in his own world at the back of the stage, getting lost in the rhythm of his playing. This was a special show as the band was celebrating their album The Weak’s End by playing it in its entirety, along with other fan favorites like “The Ponytail Parades,” “Disguising Mistakes With Goodbyes,” “The Note From Which a Chord is Built,” “By All Accounts (Today Was a Disaster),” “I Don’t Know You at All,” “Fractions,” “Studying Politics,” “The Party Song,” “Under Serious Attack,” “Edge of the World,” “As Your Voice Fades,” “The Secrets,” and ending with “Walls.”

For my first concert of 2025, this was a great way to kick off the year. Surrounded by other people jonesing for a fix of live music straight to the veins. 7D7D was a groove machine, and a great way to warm up the crowd. While Bad Luck brought in some hard rock pop punk vibes that every elder emo appreciated. Lacey Sturm had the most passionate set I’ve seen in a long time and created that special human connection with the crowd. While Emery created a space where everyone got to let loose for the first time in 2025. Emery set the bar high, and now that I got my first official fix of the year, I can’t wait to see what other bands are going to bring it in 2025.