The first time I got to see Myles Kennedy or Wolfgang Van Halen, both artists were filling the lineup as part of a legendary guitarist band. For Wolfgang Van Halen I was fortunate enough to see him twice playing bass alongside his father Eddie Van Halen during the Van Halen reunion tour in 2007 & the A Different Kind of Truth tour in 2012. Similarly, I have seen Myles Kennedy fronting Slash featuring Myles Kennedy & the Conspirators, as well as seeing him solo. It felt serendipitous that the Pawns & Kings Tour was announced to be featuring both Mammoth WVH and Alter Bridge. The bands that both artists have really been known for. Bringing Pistols at Dawn as the opener, it was time to head back to the House of Blues Anaheim with my best concert going buddy Brandon McCarthy to see these artists with their main bands.
As the lights dimmed, a single guitar could be heard coming over the loudspeakers. As the guitar riff turned into a full-on solo, out walked guitarist John William James Jr, Shredding and looking like Marty Friedman. The night has barely started, and we were already treated to an intense guitar solo. As vocalist Cris Hodges stepped onto the stage, James’s guitar solo slickly flowed into the opening song of the night “Gauntlet.” Hodges could not wait to be performing in Anaheim as he jumped around the stage like an excited puppy and had the facial expressions to match. Hodges energy was contagious as the crowd could not help but jump and rock out with him. Fellow guitarist Devin Thomas White balanced out the craziness of James & Hodges as he performed with a more stoic demeanor as he let his guitar playing speak for him. The bassist and drummer (who’s names I sadly could not locate), rounded off Pistols at Dawn’s sound and provided a solid low end to the screeching guitars. Playing songs like “Fly,” “Voices,” “The Truth,” and closing with “Under the Surface.” Pistols at Dawn brought the perfect blend of high energy and squeedly-dee guitar licks to start the night for the Pawns & King Tour.
Proving that he is more than just his name, Wolfgang Van Halen was ready to show his hometown just how much of a talented musician he is on his own. Mammoth WVH hit the stage with their opening song “Mammoth,” which started with Wolfie ripping out the opening guitar track. Not only does Wolfie handle lead and rhythm guitar duties through each song, but he is also stepping behind a keyboard from time to time. The man is a musical prodigy as he writes all instrumental parts and lyrics for the whole band. Wolfgang also lives by the philosophy that if a part of the song can’t be played live, he won’t add it to a song. Well Wolfie is just one man, writing music that needs to be played by a full band, and he found a stacked line up of musicians to play with him. Backing Wolfie on guitar is Frank Sidoris and Jon Jourdan, who get their chances to shine in the spot line with their own mastery of the instrument. Bassist Ronnie Ficarro and drummer Garret Whitlock might be further back on the stage, but they are non the less rocking complimenting every note played in the song. One of the most heartfelt moments during Mammoth WVH set is when they play the song “Distance.” Not only is this song beautiful, but it is Wolfie singing about losing his father. Something that many fans can related to, and I know my buddy Brandon McCarthy and myself couldn’t hold back the tears thinking about our dads who will never be forgotten. Rounding out their set with additional songs like “Mr. Ed,” “You’re to Blame,” “Epiphany,” “Another Celebration at the End of the World,” and closing with “Don’t Back Down.” I love seeing Wolfgang continue to grow and evolve Mammoth WVH as he continues to carve out his own legacy in the music industry.
Alter Bridge was always a band I heard Brandon talking so highly about, but at this point in their career they didn’t tour that much. So, it was a very rare occasion when they would come around to play Southern California. However, the band just put out their newest album Pawns & Kings, which meant it was the perfect time to hit the road again. I was ready to see why Brandon never stops bragging about this band. Opening the night with a song off the new album called “Silver Tongue,” the blending of Mark Tremonti’s opening guitar riffs, as vocalist Myles Kennedy let out a haunting cry, built tension in the crowd. Blasting into the verse, the lights shot up and the crowd erupted for Alter Bridge. Myles Kennedy’s knows how to control his voice with expertise, both layering it into the mix, so it blends with instrumental track, or belting and cutting through to make his presence known. Mark Tremonti stands out with his guitar skills. Managing to balance both the heavier metal type riffs in songs like “Addicted to the Pain,” and playing more melodic melodies for songs like “Blackbird.” Bassist Brian Marshall proves he’s a master of the five-string bass, as his fingers walk over strings with elegance. Drummer Scott Phillips knows how to push the melody when needed, and reigns back in to play the pocket and let the band go wild on their instruments. Alter Bridge played a thrilling hour and forty-five-minute set, consisting of 17 songs like “Ghost of Days Gone By,” “This is War,” “Broken Wings,” “Burn it Down,” “Cry of Achilles,” “In Loving Memory,” “Pawns & Kings,” “Isolation,” “Metallingus,” and coming back for a two song encore with “Open Your Eyes” & “Rise Today.” You can see how much the members of Alter Bridge enjoy playing together, and that joy is reciprocated from every fan in the crowd.
Seeing Wolfgang Van Halen and Myles Kennedy in their element with their main bands was a glorious sight to behold. Let alone on the same bill. This was a night of hard rock and heavy guitar riffs all started by Pistols at Dawn and created a through line as Mammoth WVH took the stage and ending with beauty that is Alter Bridge. I will passionately watch as Wolfie elevates himself in the music scene, as he continues to craft in the musical sandbox he has created. And I wait with bated breath for Alter Bridge to come back soon, as they like to take long breaks between tours. The Pawns & Kings Tour could not have been stacked better.
Hundreds of voices talk amongst themselves while the pre-show playlist attempts to drown them out. Within seconds, the chatter turns to cheers that have the ability to easily blow out an eardrum. That’s the effect that Michigander has on his audience.
Jason Singer, aka Michigander, is an indie rock artist who played the second show of his tour at The Echo in Los Angeles on April 1. His tour is 21 shows long and supports the release of his fourth EP, It Will Never Be The Same, which was released on March 31. Singer’s band consists of Aaron Senor on drums, Jake LeMond on guitar, and Connor Robertson on bass. Joining his tour is Abby Holliday and special guest BEL, who joined only for this LA show.
BEL took to the stage first with just her acoustic guitar. She was able to quickly win over the crowd with her charisma, relatable jokes, crowd involvement and detailed, honest music. She started off her set with “Jet Lag,” a song from her 2022 EP, Jet Lag. She also played her most recent single, “Woman on Fire,” which was released on March 31. She ended her set with “Are You Okay,” which came out in Feb, and was able to hype up the crowd by getting them to sing along with her in preparation for Abby Holliday.
After a brief intermission, Abby Holliday hit the stage with a powerful rendition of her song “when we’re far apart i fall apart,” from her 2021 debut album. Her heavily instrumented and electronic-esque music had a very different vibe to BEL’s music. Holliday’s raw and dramatic, yet energetic music set the tone for Michigander’s exciting setlist. She played all the songs from her sophomore EP, IDK WHAT I WANT, and ended her set with her 2021 single, “Better By Now,” which included crowd participation, leaving the audience wanting more.
Finally, Michigander and his band made their anticipated entrance while Elton John’s “I’m Still Standing” roared from the speakers (most likely related to Singer’s broken leg, which caused him to postpone the tour and delay the release of his EP). He kicked off his set with “Stay Out of It,” a single from his latest EP. This vibrant and optimistic song set the tone for the remainder of the show.
During “Cannonball,” the band walked off the stage before the last chorus and left Michigander on stage, alone, with his acoustic guitar, singing with and sharing a heartfelt moment with all of the audience members. After he finished the song, Michigander expressed his thanks to the audience.
“This is weird because for so long I’ve been in a van, traveling around the country and playing to nobody. Now, I’m really far from home and there’s people. The weird part about it is that I wrote most of these songs in my bedroom, and now I’m playing them here, hundreds, maybe thousands of miles away from home and having y’all sing and stand for this whole time is pretty cool,” Singer expressed.
During this time, he also announced the next song he was going to perform, which was “Nineties,” the first Michigander song ever released, and a surprise song that was not on the written setlist. The at-capacity venue was beautifully silent as the audience hung onto every word that Michigander sang, only accompanied by a small whisper as the audience sang quietly along, allowing Michigander’s voice to fill the space between the audience and the venue’s high ceilings. Towards the end of the song, the band joined Michigander on stage again to end the passionate song.
Michigander ended his set with “Superglue,” a song that while filming the music video for, caused him to break his leg in three places, ultimately postponing this tour and his latest EP release as he focused on rehabilitation. Ending his hour-long set with a song that must have caused him lots of physical pain (while filming the music video, at least) was an extreme power play and showed the audience how he is recovered, back better than ever, and ready to continue his tour and provide people across the country with a night that they won’t forget, just like he did in Los Angeles.
Overall, the night was a beautiful blend of indie artists that each had a clear tone and message with their music. The Echo’s intimate location mixed with Michigander’s unmatched energy made the night unforgettable and makes this tour one that no one will want to miss.
-Kate Kotlyar
It’s always a good time when I get the chance to head to Los Angeles to listen to good music with my buddy B-Mac. He’s been my gateway to so many amazing bands and musicians over the years. He knows how to let loose like no one else when rocking out at a concert. And there’s no one else I rather be at shows with than him. Sadly, life can get in the way and sometimes work and other personal responsibilities take priority and B-Mac has not been able to make as many shows with me as either of us would like. But when the Rock Resurrection Tour was announced with Theory of a Deadman, Skillet, and Saint Asonia. B-Mac and I knew we had to be at the last stop of the tour, at the historic Wiltern Theatre.
Opening the night was a band that has been on my radar for years, known as Saint Asonia. I am a huge Three Days Grace fan, and when Adam Gontier left the band, it was a shock to me. He went on to start a new project known as Saint Asonia and they have been bringing rock to the masses for nearly a decade now. This was also my first time seeing Adam perform, and you can tell he loves performing for a crowd. Opening the night with “Better Place,” Adam strapped with a guitar would not be stuck behind his mic. Constantly coming out from behind it to play right into the faces of the fans in the front row. Filling in on guitar this tour was Adelita’s Way shredder, Tavis Stanley, who complimented Adam’s guitar style perfectly. Bassist Cale Gontier and drummer Cody Watkins rounded off the band with a rhythm section that maintained the beat and let Adam & Tavis have the shinning moments on guitar. Saint Asonia decided to play some Three Days Grace classic in the set with two songs “Never Too Late” & “I Hate Everything About You.” As soon as these Three Day Grace classics came on, the audience lost their minds. Rounding out their set with Saint Asonia hits like “Above it All,” “The Hunted,” “Devastate,” and “Let Me Live My Life.” The wait to see Adam Gontier live and with Saint Asonia had finally happened, and hearing his vocals live was like coming home to a musician I’ve known for years.
Up next was a band I have been quite familiar with for some time now. I have been very fortunate to see Skillet for the fourth time now, and they continue to be one of the highest energy bands I have seen. Every member of the band is a true showman that understands that a live concert is a performance. They are not just there to play their instruments, but they are there to entertain the crowd. Singer and bassist John Cooper comes across as a fun loving himbo. While slappin’ his bass, he is constantly pumping up the crowd, pointing out screaming fans in the audience, and singing with the biggest smile on his face. You can tell he loves every second he gets to be on stage. Flanked by his wife Korey Cooper on rhythm guitar, who is an unstable ball of energy on stage. Jumping, headbanging, vibrating, she doesn’t slow down for a second while wailing on the guitar. On the other side of the stage is lead guitarist Seth Morrison, who brings a ferocity to his playing that drives Skillet’s sound. Never to be forgotten or ignored in the band, Jen Ledger is a beast behind the kit. Not only is she headbanging constantly throughout the set, but she also provides backing and co-lead vocals on songs. How she never sounds out of breath is a sign of a true professional. Skillet loaded their set with both classic hits and soon to be classics like “Feel Invincible,” “Rise,” “Surviving the Game,” “Awake and Alive,” “Hero,” “Whispers in the Dark,” “Psycho in My Head,” “Finish Line” performed with Adam Gontier, “Monster,” and ending their set with “The Resistance.” Skillet never fails to be one of the most fun live bands still touring in the rock scene.
The Rock Resurrection Tour has been in full swing, and the crowd was not ready to let the energy die down yet. Theory of a Deadman was about to take the stage, and you could feel the anticipation from the audience. Opening the night with the title song off their latest album “Dinosaur.” I have not heard this song before tonight yet, but as vocalist and guitarist Tyler Connelly hit the stage, this song sounded like a Theory of a Deadman song. It had the mix of post grunge, hard rock, and a bit of country twang that Theory fans have grown to love. Theory let the audience enjoy a sing a long with their next song “Bitch Came Back.” This song is great as the audience can really connect with the band, and just enjoy singing along, while dancing to Dean Back’s walking bassline throughout the song. Fellow guitarist Dave Brenner crafted the perfect hooks for each song that make Theory songs so memorable. While drummer Joey Dandeneau had to be the wildest man on stage in the band. Throwing his arms all around to hit his drum set, and yet never missing a fill or back beat. Theory of a Deadman brings a bit mellower of a energy to their set compared to Saint Asonia or Skillet, but none the less the crowd was grooving to every song they had to play that night like “Two of Us (Stuck),” “Not Meant to Be,” “Lowlife,” “History of Violence,” “Blow,” “Wicked Game,” “Ambulance,” “Friends in Low Places,” “Angel,” Hate My Life,” “Rx (Medicate),” and ending with the power house “Bad Girlfriend.”
It was a night of rock music. It was a night of hearing radio hits and classics. It was a night out with my metal brother B-Mac. And these three bands could not have brought a more solid night of music for us to jam out to. Saint Asonia was a bucket list band for me, and they lived up to the expectation I had set for them. Skillet will never be able to put on a bad show I feel, as they just care so much about bringing their music to life with their energy. Theory of a Deadman proves that rock does not need to be resurrected. It is still a live and thriving in the hearts of fans everywhere.
Last Tuesday, The Echo Lounge in Dallas, Texas hosted the Pitch Black Forever Part 2 tour, featuring a lineup of Hawthorne Heights, Armor For Sleep, and Spitalfield. As soon as I walked into the venue, I could feel the excitement and energy in the air. Fans of all ages and backgrounds had come together to experience an unforgettable night of music.
Spitalfield took the stage first, and they wasted no time getting the crowd fired up. Their blend of pop punk and emo had everyone singing and jumping along. Lead singer Mark Rose’s soaring vocals were the perfect match for their upbeat and energetic instrumentals. They played a mix of new songs and old favorites, including "Stolen From Some Great Writer" and "Texa$ With a Dollar Sign". Their set ended all too soon, leaving the audience wanting more.
Next up was Armor For Sleep, and they brought a different vibe to the stage. Their sound was more introspective and melancholic, but it resonated with the crowd just as strongly. Lead singer Ben Jorgensen’s haunting vocals were backed by a dynamic instrumental performance that created a sense of emotional depth and complexity. Their set included tracks like "The Truth About Heaven" and "Car Underwater", which had the audience swaying and singing along with their lighters in the air.
Finally, it was time for the headliner, Hawthorne Heights. As soon as they took the stage, the crowd erupted into cheers and applause. They kicked off their set with "Pens and Needles" from their OG If Only You Were Lonely album, and the energy in the room reached a fever pitch. Their performance was a masterclass in how to put on a great rock show. Lead singer JT Woodruff’s powerful vocals were complemented by the tight musicianship of the rest of the band, and their stage presence was magnetic.
One of the highlights of their set was their performance of "Ohio Is For Lovers", which had the crowd singing along at the top of their lungs. They also played some tracks from their new album, like "Constant Dread" and "Spray Paint It Black", which showed that they are still at the top of their game. Their set was a perfect mix of old and new, and they left the audience wanting more.
Overall, the Pitch Black Forever Part 2 Tour was an incredible night of music that showcased the best of the emo and pop punk genres. Each band brought their own unique sound and style to the stage, and the result was a dynamic and unforgettable experience. The Echo Lounge was the perfect venue for this show, with its intimate atmosphere and excellent sound quality. If you get the chance to catch any of these bands on tour, I highly recommend it.
After more than two years of reschedules, fans were finally able to line up at The Clyde Theater for this stacked tour package consisting of Static-X, Fear Factory, Dope, and Cultus Black. For a lot of fans, such as myself, this is more than two years of anticipation. After the shocking 2014 death of front man, Wayne Static, who would have known that Static-X would ever tour again?
First to take the stage was Cultus Black from Raleigh, North Carolina. Cultus Black formed in 2018 and consists of former members of the now defunct Motograter. From the moment they hit the stage, you can tell you were in for something very different. Frontman L had his face and torso covered in black and white ceremonious cult body paint and his counterparts, guitarists H and T, bassist M, drummer E, and percussionist Z were all cloaked with form fitting face masks complete with tattered clothing. Cultus Black released their debut self-titled album shortly before embarking on this extensive tour, so I will admit I was not super familiar with their music. They kicked off the night on a very ostentatious note, by opening with “Witch Hunt”. They continued playing their intense singles “Killing the Beautiful” and “Nevermine”. They also added in their 2020 single, a reimagining of Nirvana’s “Negative Creep”, which they put their unique industrialized sound to. Their music is unapologetically unique laced with hypnotic melodies to draw you in.
Hitting the stage next was, Dope. I haven’t seen Dope since 2017 at my old stomping grounds in NJ and I was thrilled to see them again – especially since they’re intro backing track was the opening song for The Sopranos (felt like home). If you have never seen Dope but are checking out this tour, their high-energy show accompanied with their industrial sound is something to not be missed. These NYC natives formed by lead singer Edsel Dope, have been going hard since their 2009 release Felons and Revolutionaries. The current touring lineup consists of founder Edsel Dope on lead vocals/guitar, bassist Acey Slade, guitarist Daniel Fox, and drummer Chrissy Warner. Dope opened with “Blood Money” from their 2016 release Blood Money Part One, with its counterpart prequel album Blood Money Part Zer0 which was released earlier this year. They continued grinding through their set with their expansive discography, including “Violence”, Bitch” and “Debonaire”. Naturally, Dope played their staple medley dubbed "Die, Boom, Bang, Burn, Fuck", which consists of segments from their biggest single “Die MF Die”, “I'm Back”, and “Sick”. This medley was released on their No Regrets album, however, on the album they ended the compilation with a cover of NWA’s “Fuck the Police”. On this run they ended the with a cover of what Edsel stated as “the dumbest song ever written” – “You Spin Me Round (Like a Record)” from 80s dance pop band Dead or Alive. Dope of course put their spin – no pun intended – on the song by adding in their signature sound. Dope released the song as a single in 2000 on the re-release of their 2009 album Felons and Revolutionaries.
Third up on the bill was Fear Factory. These long-time legends in the industrial-metal genre are no stranger to most and have been at it since ’89. Despite them having a new frontman, Milo “The Italian Stallion” Silvestro, they were just as tight as ever, and their energy got the sold-out crowd pumped. Having Pete Webber of Havok filling in for drummer Mike Heller was a treat as he didn’t miss a beat all set. The legendary Tony Campos along with founding member/guitarist Dino Cazares helps cement this new lineup. Tony is playing double duty every night of this tour, as bassist for Static-X as well. They kicked their set off with the devasting 808 bass drop of “Shock” followed by “Edgecrusher” both from Obsolete released in 1998. Sitting at the midpoint of the set was “Powershifter” from their 2010 album Mechanize and “What Will Become” from Digimortal released in 2001. SPOILER ALERT: Dino himself said he would never play the next song live, but this late setlist surprises was “Archetype” from the 2004 album of the same name. Long-time Fear Factory fans know Dino was not a part of that album and it has been somewhat controversial since its release. They rounded out their set with a blistering three-song throwback to probably their most recognizable album, 1995’s classic Demanufacture with the title song of the same name along with “Zero Signal” and “Replica”. Based off this performance, I see they’ve been reinvigorated, and I truly look forward to seeing what’s next for them.
Finally, the time has come – Static -X was about to hit the stage! I unfortunately never got to see them with Wayne, but I knew he was there in spirit. It was a privilege to see the OG lineup with Tony Campos, Koichi Fukuda, and Kenneth “Ken Jay” Lacey.
When this lineup was put together before the pandemic, there was much speculation as to who Xer0 was, with the rumors circulating that Edsel Dope was the man behind the mask. While at this point it’s safe to assume it is indeed Edsel (although he has humbly denied this) many can make the connection with Dope’s latest album from earlier this year titled Blood Money Part Zer0. Additionally, numerous articles have also shown similarities between the character Xer0 and Edsel, including the same neck tattoo adorning both. Regardless of who is behind the mask, it’s clear that they are keeping the focus about Wayne using Xer0 as a platform to bring evil disco to the next generation. When Xer0 was first revealed back in 2019, the mask was adapted to Wayne’s trademark look. The new look for Xer0 is now a fully decked out cyborg complete with glowing red eyes, cable-like hair reminiscent to Wayne’s iconic look, complete with robot-esque arms and hands.
Static-X opened with a four-song run from 2001’s Machine, which included “Permanence”, “This is Not”, “Structural Defect” and “Black and White”. Then, they went back in time to 1999 to their debut album Wisconsin Death Trip playing hits such as “Love Dump”, “Wisconsin Death Trip”, and “Bled for Days”. About midway through, a sea of lighters and cellphone lights illuminated the Clyde Theater as things were slowed down with “Just In Case” from their 2005 album Start a War. Static-X then revamped the energy in the room with one of my personal favorites “Get to the Gone” – that’s when the bodies really started to fly over heads. What really surprised me, was they included a Nine Inch Nails cover of “Terrible Lie” into their set.
Static-X’s encore was a pure love letter and homage to Wayne. A tribute to their late frontman lit up the screen behind them, I honestly don’t believe there was a dry eye in the house during this tribute; I know mine weren’t. Then the lights went blue, snow started ascending down on the audience, and they started to play “Cold” from their sophomore album Machine along with “I’m With Stupid” and “Push It” both Wisconsin Death Trip. During “I’m With Stupid”, the band's mascot from the music video (also seen in “Terminator Ocsilator”), a robot with a big “X” written on its head, joined the band on stage and during the lyrics “So I grabbed my shovel” the nameless character stalked the stage and threatened the audience with a shovel.
This tour continues running throughout the country until April 15 ending in Los Angeles. It is evident that evil disco is back, and Static-X is keeping Wayne’s memory alive. If this tour isn’t sold out yet in your area, I cannot recommend enough to get tickets ASAP as this is one tour you do not want to miss this year!
Since Yung Pinch dropped “Rock With Us’ back in 2016, I’ve been fascinated with his unique and colorful vibe. When the rap scene was devolving to drugs, guns, repetitive monotonous flows, and drill culture, Yung Pinch separated him from the pack with a colorful lighthearted melodic California beach vibe. Since then, he’s dropped a slew of bangers and collaborations with the likes of Blackbear, Lil Skies, NGHTMARE, and 03 Greedo showing his musical versatility adapting to different sounds but maintaining his signature melodic flow. His most recent solo effort did more of the same but flipped the switch on the aesthetic. Let’s hop into the video for “Take It Back” by Yung Pinch.
The first thing I noticed as the video started was the retro “Back To The Future” font on “Take It Back” in the opening scene. Immediately, Pinch adopted another darker tone similar to his “New Mercedes” video. This one was primarily set in the lower grand street underground in Los Angeles giving it a real gritty feel. In addition, Pinch is found pulled over rapping in alleyways and gas stations late at night. The overall edgy feel combined with his melodic flow is a total vibe. The visuals of Pinch and a model cruising through the city are ominous, cool, and dark. With the help of Nicholas Jandora on the edits, Pinch puts a bow on his visual for “Take It Back
Overall, “Take It Back” perfectly captured those late-night street vibes of Los Angeles. With Pinch being an Orange County native, I found it interesting for him to flip the script and film this one in the underbelly of Los Angeles. It shows how Pinch embodies not only that beachy soulful vibe of Orange County but also adapts well to those darker undertones of city life in California. Yung Pinch and Nicholas Jandora knocked this out of the park. Check this one out!
- Kris Kuganathan
One day in 2017, I had the chance to cover this up and coming band playing their first Los Angeles show at the historic Viper Room. This venue only holds 250 people, and it was not a sold out show. This was only six years ago, and we went through a Pandemic where everything stopped functioning like normal for a full year. And yet, this band is now selling out arenas worldwide! That band is Greta Van Fleet. Who has been bringing the sound of 70s classic rock with blistering guitar solo’s and instrumental jam sessions back to the younger generation. Selling out the Honda Center in Anaheim, CA on their Dreams in Gold Tour, and bringing with them Rival Sons. Greta Van Fleet brought the flower power movement back to Southern California.
Opening the night was blues rock baddies known as Rival Sons. I had heard a lot of good things about these guys and was looking forward to finally getting to experience what they were about. Opening their set with “Do Your Worst,” lead singer Jay Buchanan stepped onto stage wearing a three piece suit with no dress shirt, oozing charisma. Guitarist Scott Holiday looked like a snake oil salesman down in the bayou, but the way he handled the guitar and fuzzed up his tone was genuine. Drummer Mike Miley may have been positioned in the back, but he was nothing but personality behind the kit, with bassist Dave Beste maintained the low end with finesse and style all his own. With songs like “Nobody Wants to Die,” “Rapture,” “Where I’ve Been,” “Too Bad,” “Shooting Stars,” and ending with “Secret,” Rival Sons blues rock sound permeated the Honda Center, and the crowd couldn’t stop eating it up.
Then it was time for the one of the fastest rising bands in the rock music scene. Greta Van Fleet built the tension in their audience perfectly, as a scrim blocked the view of the stage as a voice over spoke to the audience. Once the scrim dropped and the boys hit the stage, for a moment you could not hear the band coming through the speakers over the sound of the crowd screaming in anticipated ecstasy. Opening the night with “Built by Nations” vocalist Josh Kiszka was dressed in a pearlescent sparkling white body suit with a gold trimmed robe. Josh was framed by his brother’s guitarist Jake Kiszka, in an all black two piece suit adorn by dragon embroidery pieces. And bassist Sam Kiszka wearing an all white two piece suit with translucent wings. It was as if three royal princes came down from their castle to grace the fans with their presence. Drummer Danny Wagner is not forgotten in the background, as he dresses with his silk ensemble and accented make up.
Greta Van Fleet has been evolving their stage show with every new tour, and every larger venue they can play in. With this arena tour, they brought along massive pyrotechnics with them. Blasting flames all around the stage and setting the Honda Center on metaphorical fire. Something that Greta Van Fleet Is bringing back that most modern day rock bands don’t do, is drum solos and jam sessions. Danny Wagner got a drum solo as the fourth song in the set, that let him show off just how skilled his beats and grooves are behind the kit. Then the whole band gets into a vibe while jamming out during “The Weight of Dreams.” Taking the Honda Center and its patrons back to the 60s when the artists would break off from the song to just flow with the essence and vibe of the tune. The Honda Center was even privileged to a brand new unreleased song called “Meeting the Master.” Greta played a two hour set with songs like “Black Smoke Rising,” “Safari Song,” “Caravel,” “Heat Above,” “Light My Love,” “Age of Machine,” and coming out for a three song encore with “Age of Man,” “That’s All Right,” and ending with “Highway Tune.” We were truly transported back to the essence of the 70s.
Something that has really caught my eye about Greta Van Fleet. It’s not just that every member of the band is a top notch skilled musician. But it’s the type of crowd that they bring into their shows. Normally when you think of a band playing classic hard rock and blues rock sounding music, you would think an older male audience. But Greta Van Fleet is able to pack these arena’s with screaming girls thriving to relive the days of flower power. I love seeing Greta Van Fleet continue to flourish and grow in popularity, and If Greta Van Fleet is the band that can bring classic rock sounding music back to the masses, I feel this would be a huge win for rock music.
OHH WHAT A NIGHT!!!
Hunnypot Live Show #483, another night of musical diversity with co-host Eric Zeigler. headliners The London Loves (Electro/Pop duo), FENCER (alt-rock trio), and Zeus Rebel Waters (The King of St. Louis Hood Pop). Afterparty short and sweet, surprise performances by Ill Bleed Millz, YerrtyG, Law Musiq, TK The Grate, Ayara Senoj and Fliparachee. Come out where music lovers go to play as we get closer to celebrating show #500!
Eric Ziegler is a Full Sail University graduate with a Bachelor's of Science in Music Business and an Associate's in Music from Frederick Community College. He is currently a Committee Coordinator for the Guild of Music Supervisors, as well as a Music Licensing Assistant for HBO Max.
Versed in multiple instruments, it was clear from an early age that Eric wanted to be involved in the music industry. It was after high school that Eric decided to get his Associate’s degree in Music and also get into the local music scene. During this time, he headlined and performed at many major venues across the east coast. Here, he learned about marketing, merchandising, tour management, artist management, sponsorship deals, and branding. After years of performing shows, Eric discovered Music Supervision while attending Full Sail University. The ability to merge music and media, and to help hone the vision of the director and producer, really spoke to Eric. It was then that he knew he had to pursue this craft. And so, he started doing freelance Sync Licensing, Music Assistance and Music Coordination for a variety of companies such as System 76, Moontown, Music 4 Scenes, 2 Sense Music, Panfurware, and more. Now, armed with knowledge and passion, he is determined to aid in the betterment and future of Music Supervision.
The London Loves are an American Indie Electro/Pop duo that create fresh modern music steeped in retro echoes and Lo Fi feel good vibes.
Lesley Goldberg’s signature vocals are layered in multidimensional harmonies that create a sound all her own. She gives an audio cocktail of dreamy confidence that oozes cool.
Brian Steckler’s vibrant productions and musical landscapes suck you in instantly, catapulting you into new worlds of sound. There is something wildly familiar, yet super innovative that you just can’t put your finger on.
The London Loves are the dream in your coffee, one cup and you’re hooked.
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Fencer, the self-defined garage opera band, is leading a new era of rock music with their own undeniably, dynamic sound. The Los Angeles-based trio consists of vocalist and guitarist Field Cate, bassist Scott Sauve, and drummer Cameron Sauve. Only two years after their inception, they became fan-favorite openers for notable acts such as Badflower, The Wrecks, and Dead Poet Society.
Tackling the stigma surrounding mental health and its struggles, Field’s emotive and frenetic vulnerability resonates with listeners to further solidify the band’s electric presence. The trio have racked up an impressive 2 million listens across all streaming platforms, despite having not even released their debut album. Field’s synesthesia (seeing music in color), Scott’s vigorous bass-lines, and Cameron’s expertise in self-producing flow together to create an eccentric style that is certain to become rock’s newest novelty.
Zeus Rebel Waters is an American hip hop artist/songwriter, entrepreneur, single-dad, community leader and philanthropist. The St. Louis native brings a distinct sound and style to hip hop known simply as Gumbo - a gritty blend of all genres mixed with melodic cadence and eclectic rhymes.
The indie rapper brings raw energy to the stage and unleashes it to all his fellow "Rebels" making his live show an experience of high-intensity and positive vibes.
From humble beginnings to Hoo Bangin’ Records, Waters has become a major player throughout the bi-state region. Now, the deity rapper is setting his sights on the global market. With business ventures in fashion, film, and community development, Zeus’ imprint goes far beyond bars and tracks. Make no mistake, Zeus Rebel Waters is here!
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Rapper Kenric Truitt known as ILL Bleed Millz an up and coming rap star is originally from Saint Louis. Being in the music industry for over 20 plus years now signing to a major label deal with Boi Bentley Enterprises located in Sacramento California.
Yerrty G is an American artist out of North St. Louis with intricate wordplay. On top of his “one of a kind” style of music, he’s known as the underground hip hop boogeyman.
LawMuziq, aka Bullet is a Ghanaian Afro Beat Artist/Producer. He developed his love for music at a very young age, which he later as a teenager went on to open his first recording studio ‘5th Project Studio’. LawMuziq was the co-founder of ‘5th Project Studio’, where he recorded and nurtured the likes of artist(s) Ruff & Smooth, Akwaboah, Gasmilla, Friction, Iwan, 0Fosu, Mob, Kwabena Kwabena, , Eazzy, just to mention a few with his colleagues Cedee and Richard(cedi). He produced some of the best music records between 2004 to 2008.
After while, he decided to master his engineering skills and further his education by attending Principia College in the United States of America. He graduated in Mass Communication and was the first student to bring audio engineering to Principia College.
A few years later he decided to head out west to Los Angeles. His time spend in LA is when he transitioned into becoming an Afro-Beats Artist and switched to the name Law Muziq. In 2019 he released his first single "Fire Dance" which went on to be a success in multiple countries. Shortly after he released several other single titled "Ganja", "Lonely", "Feel Alright".
Now, in the beginning of 2023 Law Muziq is set to release an EP titled "Blind Love". The EP blind love is a journey into the highs and lows of falling in love.
TK The Grate was born in August of 1995 and has been taking the city Indianapolis by storm ever since. TK was born of young parents who were not prepared to take on the responsibility of raising America’s next great sensation. Fortunately his loving grandmother took him in as an infant and raised him as her own. For the rest of his young life, TK grew accustomed to the older generations of musical stylings. Greats like Luther Vandross, James Brown, Gladys Knight and Anita Baker sparked his initial love for music and lyrical drama.
It was at the ripe young age of 12 years old that TK started writing his own songs and honing his skills as an artist. He used those skills not only in the musical world but also to excel as a poet and make a name for himself on the Spoken Word scene. With a flair for theatrics and the talent to match it is no surprise that TK affectionately names his greatest Hip Hop influence as none other than the late Tupac Shakur. At age 15 he used that influence and took his chance to be one of the greats. It was then that he wrote, recorded and released his first single album.
Over the following years TK continued to develop as one of the greatest wordsmiths his city has ever seen. In 2014 he outgrew his small hometown of Indianapolis and won the National Spoken Word Championship. It was this feat that solidified his credit as a true man of lyrical excellence not only in his city, but in all of America! Nearly 10 years later TK has developed an arsenal of musical and lyrical weapons that little Indianapolis just can’t contain anymore. America, steady yourself; TK the Grate may be from Nap Town, but his trajectory is nothing to sleep on.
Weirdo Gang Presents Lavonte “Fliparachee” Daniels. Fliparachee’s love of music grew naturally in his hometown of Gary, Indiana. By his teenage years he had migrated to Indianapolis, Indiana. Lavonte was given the name “Fliparachee” because of his fearless tumbling skills. By high school Fliparachee knew music was his passion and he was ready to take it seriously. He began writing, then rapping. Next thing you know he is laying tracks in a studio with his best friend, Hashtag So Weird (#SoWeird). Together they recorded their first original music. Fliparachee had to watch his best friend battle with depression until it took his life. Immensely hurt, Fliparachee vowed to bring more awareness to depression. The birth of Weirdo Gang and the mission began. His goal is first to bring awareness of depression, (especially in African American men), as well as encourage self-acceptance. Many refer to themselves as weird as a defense mechanism against not being accepted, but in Weirdo Gang you can be exactly who you are and if that is weird you will always be understood. Fliparachee has shared the stage with many well-known artists such as Pleasure P, Paul Wall, Wiz Khalifa and Twista. His energy on stage is unmeasurable as he puts his all into every performance. His love for performing has allowed him to travel the country sharing his message and music.
He has started a concert series, “Most Popular Unpopular Concert,” bringing local artists to the stage. The series is based in Indy and has created a platform for all kinds of artists to showcase their talent. Fliparachee is using his platform to create a doorway for other artists.
Indianapolis native Ayara Senoj is a versatile artist who combines creative melodies with her in your face rap style to produce songs that make you feel good. Whether it’s a motivational piece or a turn up, you’ll have a good time.
One of the hottest Heavy Metal tours in 2023 hit Anaheim, CA on Sunday night March 19 as Queensrÿche along with special guest Marty Friedman and thrash metal veterans Trauma opening the night took over House of Blues to deliver a night of metal madness. Queensrÿche have been out on the road quite a bit lately as they spent much of 2022 opening for Judas Priest on their 50 Heavy Metal Years tour while Marty Friedman recently made headlines around the world as he joined Megadeth onstage at Tokyo’ Budakon, playing a few songs with his former band for the first time in 23 years.
This triple bill of metal music kicked off at 8:00pm as veteran rockers Trauma hit the stage for a short memorable set of heavy music. The band most known for being Metallica bassist’s Cliff Burton’s (RIP) original band now only features a single original member (well almost original, since 1982) – drummer Kris Gustofson but along with vocalist Brian Allen, bassist Michael Spencer and the twin axe attack of Steve Robello and Casey Trask, the band delivered an energetic set of metal that mostly focused on their 2022 release, Awakening. The venue was packed early and the fans certainly were into each song Trauma delivered. Trauma is the perfect fit to open this show as they provided that perfect Sunday night spark to ignite House of Blues in preparation for Marty Friedman.
Marty Friedman is the quintessential guitar maestro and a huge international star not only in music but television as well. Friedman re-located to Japan 20 years ago and has become one of the country’s biggest stars. While he did release a few solo albums while he was a member of Megadeth he has released over a dozen since leaving the band in 2000 and has toured as a solo artist since. Out supporting his 2021 release, Tokyo Jukebox 3, this is the first time Friedman has toured the USA since 2019. The fans started a “Marty, Marty, Marty” chant as the lights dimmed and Friedman took the stage with his band, and they all huddled around the drumkit for a pre-show ritual and kicked off the night with the upbeat rocker “Stigmata Addiction” from 2006’s Loudspeaker. This kicked off a seven-song set that mesmerized Anaheim as he delivered some killer guitar tone resulting from his truly unique picking style on his new signature Jackson Purple fractured Mirror guitar.
Friedman’s live show is all instrumental, so the focus is 100% on his guitar playing but his band also displays some extreme talent most notably from his long-time drummer Chargeeeeee who is one of the most energetic, hard hitting drummers on the planet. This guy delivers a show within a show as he is constantly standing and sitting and pointing at the crowd – just an amazing spectacle behind the kit. Left-handed bassist Wakazaemon is a petite Japanese girl that delivers a fat sound from her 5-string bass while guitarist Naoki Morioka is a young shredder who complimented Marty Friedman’s playing perfectly.
Friedman addressed the crowd a few times, professing his love for the fans. He comes off as a very genuine human being and the “Marty, Marty, Marty” chants would startup in between each song. One of the highlights of the show was the brief part of Megadeth’s “Tornado of Souls”, one of Friedman’s most masterful songs while in Megadeth, that song certainly received one of the loudest cheers from the crowd. Additional songs played included “Paradise Express” and “Dragon Mistress” then Friedman invited someone from the audience up on stage to play with him and that someone turned out to be Frankie Lindia who is the guitar player for the World’s Greatest Van Halen Tribute band, The Atomic Punks. Friedman handed Lindia one of his guitars and the two traded off licks and jammed together onstage for about 10 minutes ending with a big hug. Friedman then ended the night with the upbeat “Kaze Ga Fuiteiru”. 45 minutes of truly mesmerizing guitar mastery – the USA needs more of Marty Friedman on its stages!!
Queensrÿche have been around for 40 years now having carved their own path in the progressive metal world. The band is currently headlining their 30 date Digital Alliance Tour supporting their 2022 release, Digital Noise Alliance. Yes, some members have changed in Queensrÿche, but the band remains a force to be reckoned with led by the amazing Todd La Torre on vocals. Opening the night with the driving force of “Behind the Walls”, a rocking up-tempo song from Digital Noise Alliance, the band changed up their setlist for this headline tour and have removed many of “the hits” and have focused their set on several deep classics such as “Child of Fire” and “EnForce” while also playing seven songs from their recent albums with La Torre on vocals. Kudos to the band for putting more emphasis on the current version of the band as the music they are releasing in recent years deserves to be heard live.
While guitarist Michael Wilton and bass player Eddie Jackson remain the two original members, the band continues to deliver in top form. Wilton with his iconic skull painted ESP guitar continues to be the driving force of the band. La Torre’s voice is a shrieking masterpiece as he nails every with extreme precision, it is beyond magical to hear and watch him perform. Previous guitarist Mike Stone is back on second guitar and holds his own with Wilton while Casey Grillo is a dynamic hard-hitting drummer that hammers out a huge sound from his kit. Queensrÿche in 2023 sounds better than ever and delivers a kick-ass show with each member having a high degree of technical proficiency on their respective instruments and Todd La Torre remains the perfect fit for this band with his piercing vocals.
The band ended the night with two additional masterpiece cuts from their epic 1984 debut album The Warning with “Deliverance” and “Roads to Madness”. The Digital Alliance Tour runs through mid-April as Queensrÿche crosses the country ending in St. Petersburgh FL taking the band back to the state of Florida where the tour started.
Memphis artist YNC Crashout just released his new single "Steady Knockin." This is an uptempo street record about money and Memphis politics. He has a cult following in the Mid South. It is unheard of for a kid to take over a whole market and he has done it!