Formed at a party in 2009, heavy metal singer Max and DJ Wawashi fuse their seemingly incompatible styles to make the disco duo Hard Ton. The mix of Sylvester-styled falsettos and contemporary beats make for music that reminds the listener of the past while moving them to dance in the present. The video features an epic battle between Karl Lagerfeld and a multi-eyed monster, fought with lasers, fireballs, and perfume. Check it out and tell us what you think!
Formed in New York City in 2010, Parquet Courts is our favorite quirky to rock band to spin during our Hunnypot DJ Sets! With their new album Human Performance, the band takes on a slightly more mature sound, mixing their iconic eccentricities and feedback with elevated lyricism and implied political nuances that may originate from their time in the DIY punk scene. Sensitive and odd, their new video features a puppet party that makes the viewer uncomfortable enough to think. Check it out and tell us what you think!
Rah Rah Ree, Kick 'em in the knee! Rah Rah Rass, kick 'em in the other knee! Lets give it up for another homecoming game quality Hunnypot Live! Show.
Ryan Taalbi started the event with his smooth on air introduction and commentary. John Anderson quarterbacked from the start and threw pass after glorious pass of musical touchdowns. Our guest DJ Marko Desantis brought his special teams skills and gave us a 100 yard sprint of his rich musical history and tastes.
Bronson Wisconsin delivered #1 draft pick level Americana music and performance, Denmantau brought us unique futbol style all the way from Germany, Groove Martini played a halftime show worthy dance music set, Swerve played killer defense and scored with the audience and Veronica Loren victory danced and sang in the end zone and nearly got flagged. Bri & Jaz got drafted to provide their DJ stylings between sets and rocked the dance party late in to the night. 7-11-16
Marko DeSantis is a music professional best known as the lead guitarist and co-founder of modern rock n roll band Sugarcult, with whom he has toured worldwide and sold over a million records since launching out of Santa Barbara, CA in 2001. Sugarcult released three studio records which spawned hit singles such as; "Bouncing Off the Walls", "Pretty Girl (The Way)", “Do It Alone” and "Memory". They’ve also released a documentary DVD, a live album, a “best of”/concert-DVD.
Twitter LinkedIn Spotify Instagram
Bronson Wisconsin is a tasteful collaboration of Alt-Country, Indie-Rock, and everything in between. Growing up as one of 9 kids in a musically diverse home, brothers Bronson and Preston was exposed to all the music they could handle and more than enough instruments needed to express themselves. Spending the long, cold Wisconsin winters the same way they spent the hot and beautiful summers, practicing their craft.
After achieving success as the globally recognized latin duo, Taalbi Brothers, Bronson went on expressing a different side of himself as a singer and as a songwriter. What started out as a "one day one song" demoing session, quickly turned into "3 days, 6 songs" and before they realized it, the brothers had themselves their first EP as Bronson Wisconsin.
"That Damn Piano" is releasing on Friday, June 10th in Bronson Wisconsin's hometown of Madison, WI.
Facebook Instagram Wordpress Spotify Bandcamp
This five-piece German band has developed a unique genre that is now known as Bohemian/Dance Rock. Their new sound combines many different genres like folk, funk, jazz, rock, and many others. With the sound of a trumpet, acoustic/electric-guitar, keys, bass, and drums, the combo grooves together with sharp lyrics, expressive melodies and theatrical appearance. Their unique sound is centered around the trumpet, sealing the deal of a modern rock 'n' roll experience.
Starting their world tour from Australia/New Zealand over to Europe and all the way to California, they choose Los Angeles as their new home base. Having self-produced their first ("Mess of Melodies") and second ("Street Pulse") EP in a professional recording studio, DenManTau released their most recent EP ("Busker's Philosophy) in 2013. They are ready to take on their conquest not only spreading their music across the world but also being the first band on the moon!
Website Facebook Twitter Instagram Soundcloud Spotify Youtube
Website Facebook Instagram Twitter Youtube
Swerve is a four-piece indie rock band based in Los Angeles, CA. Crafting melodic, guitar-driven tunes, singer-songwriter Gregory Mahdesian leads the band with a vision of staying true to the foundations of alt-rock. Together with local musicians Casey Baird on drums, Ryan Berti on guitar and Brandon Duncan on bass, Swerve creates songs reminiscent of the Britpop and Grunge movements with a modern sensibility and a healthy dose of their Californian personalities. Swerve made their official debut last fall with a self-titled EP release which lent to rave reviews; "the band has quickly created a memorable sound," describes PureVolume. Swerve is currently performing locally while recording a second EP, expected for release by the end of this year.
Website Facebook Twitter Instagram Soundcloud Spotify
Star Five Thirteen actor and model, Veronica Loren, returns to the Hot Tub to again dazzle us with her musical prowess. I'm sure there will be a costume change or two and her band includes a full horn section, it's sexy time!
Michete, a transfeminine non-gender-pronoun-abiding rapper hailing from Spokane Valley, WA, violates dolls and minds in his new video "Come Get It, Daddy." The song showcases Michete diss-rapping about a cycle of seduction and repudiation over the synthy techno beats of DJ Reverend Dollars in a fashion that not only makes you dance, but also makes you think. Michete was previously identified as having one of the "Best 50 Hip Hop Albums of 2015" by Spin, a magazine which also picked "Come Get It, Daddy" as one of "The Best 66 Songs of 2016" last Sunday. Check out Michete's video, Don't miss Michete's return to Hunnypot Live at The Mint 10/2/17!
In 2014, singer/songwriter Georgia and producer DWhiz collaborated to create the duo LiiNKS. Hailing from Canada, they combine Georgia’s haunting vocals with DWhiz’s cinematic beats. This electronic-pop sound is exemplified in their new music video for the song “This Feeling”. When asked about inspiration for the song, Georgia stated, “all our songs come from personal experience and this tune is about falling in love with an understanding that nothing lasts forever. Nothing stays easy and we just wanted to write about those love-at -first-site feelings and wanting to hold on to them forever.”
Recently LiiNKS was featured on several high profile electronic viral hits with artists Datsik, Mord Fustang and Ephwurd which combined have had over 3 million plays online. Their most recent collaboration was with Datsik and Blink 182’s Travis Barker on the song Dark Star that LiiNKS co-wrote and features Georgia on vocals. LiiNKS is currently writing and recording in LA and working on their debut EP set for release in late 2016.
LiiNKS will be performing at the Hunnypot Live show on August 8 at The Mint. This event is open to all ages and is free.
Paris Jones, aka PJ, is an R&B/Soul singer raised between North Carolina and Georgia. Currently based in Los Angeles, she combines her infectious voice, with upbeat, fun lyrics. Her new music video for her song “Gangster” highlights her fun spirit by showing an alter ego of herself as “the type that don’t take shit from no one” as described in the song.
PJ has songwriting credits on songs from artists such as G-Eazy, Charlie Puth, Kevin Gates, and Ty Dolla $ign. She is currently signed to Atlantic Records and her new project “Rare” arrives July 15.
PJ will be performing at Hunnypot Live on September 5 at The Mint. The event is open to all ages, and is free.
Based in Glasgow, Scotland DBFC is composed of Dombrance, David Shaw, Antoine Reininger and Guillaume Rossel and together they are a fusion of Disco, House, Techno, Indie, Post Punk, New Wave and most things in between! In their own words "DBFC has no strategy, DBFC is not interested in any political lies or promises, DBFC is inspired by the spontaneous combustion of the sixties and the endless possibilities of dance music, DBFC is not afraid to be accused of being schizophrenic nor longing to be praised for its diversity, DBFC refuses to choose between making dance records or rock records" The song Autonomic in particular is very reminiscent of an 80s sound with a New Disco vibe and a throwback style of 4:3 aspect ratio with a lower resolution opposed to the traditional widescreen almost all videos are shot in today. I don't think this is unintentional it clearly is meant to fit the vibe of the song and the stock footage while seemingly random chromatically fits the song as it progresses through the video.
From Los Angeles, CA Jasmine Jordan explores the different facets of love coming from a strong, confident, yet still imperfect person, to create rich stories that are heartfelt and empowering. Incorporating the soulfulness of Groove Theory, the sweetness of early Mariah Carey, and the sexiness and edge of Aaliyah, Jasmine stands out in the trending alternative pool with her timeless lyrics and sound. Jordan just released her 'Things Change' EP this year and followed it with a tour around California. Her Single 'Man Down' is a raw emotion felt vocal with crying guitar in the bridge. The song evokes the pain of loss but also conveys that the pain is only temporary and you must move on.
CC Dust is a new synth-pop duo consisting of Mary Jane Dunphe of Olympia, Washington's Vexx and Laurent Dagnicour. Their debut single, "Never Going To Die" showcases the duo's love of both dancing and electronic beats. Although Dunphe is known for her punk influence as a frontwoman, she clearly lets loose in this new project. In the video, she triumphantly dances near water as cosmic synths bump in the background. This is the kind of airy, dreamy, synth music you would want to be dancing to all night.
The North American antelope's esophagus is shaped in such a manner that it is impossible for it to pronounce the word "lasagna". If that antelope had joined Hunnypot Live! for show #344, it would have forgotten all about the inability to order pasta.
Hot Tub Johnnie primed the warm water jets and kept the bubbles popping with new hot cuts by Those Who Burn, Die Antwoord, and Dr. Packer etc. Our guest DJ Garrett McElver ruled the decks on the 1's & blink-182's with a set of his current indie-rock favorites including Modern Baseball, Joyce Manor and Tacocat. Lovey James gave us ballads AND backup dancers. Bombay Beach Revival brought desert heat and salt watered emotion. Sara Sangfelt flew in from Sweden just to serenade us with her rock/dance amalgam. Jemuhni gave us quirky rock & pop and ZachG rapped us right in to the world famous Hunnypot dance party. 6-27-16
GARRETT McELVER (SUPERMUSICVISION INTERVIEW/DJ SET)Garrett McElver works with music supervisor Thomas Golubi? and the team at SuperMusicVision as a music coordinator working on television shows such as AMCs Breaking Bad, Better Call Saul, The Walking Dead & Halt and Catch Fire. Additionally he's worked on the upcoming Cinemax series ‘Outcast’, the second seasons of Netflix’s ‘Love’ and ‘Grace and Frankie’, and the Rob Reiner film ‘Being Charlie’. Previously, Garrett was the Creative Department Director for the entertainment law firm Winogradsky/Sobel. There he managed and developed independent one-stop catalogs and worked with their administration, publishing, and consulting clients. Garrett is a member of the Education Committee for the Guild of Music Supervisors, and played a large role in the development of the first annual Guild of Music Supervisors ‘State of Music In Media' Conference in 2015. They’re currently planning year two. Garrett has also recently begun teaching Music Supervision and Music Licensing at the Los Angeles College of Music in Pasadena, Calif.
Fresh off of being a Top 20 Contestant on FOX’s American Idol, Lovey James continues to shine as one of America’s premier young performers. At a very early age of 6 years old, she was already performing for audiences in her hometown, Portland, OR, and all over the U.S. Now at 18 years old, Lovey continues to command the stage with her contagious upbeat energy and powerhouse vocals.
She currently wrapped up her first self-titled album with reputable music producer, Steve Sundhom who has worked with many A-list talent artists like Carrie Underwood and Hall & Oats. Her album launched this upcoming April and she is beyond excited to share it with friends and family alike. It bridges classic dance pop with vibrant soul. “This album has given me the ability to speak my mind freely and express myself artistically. I have given it my all and I am ready for what the future holds.”
Website Instagram Youtube Spotify Twitter
BOMBAY BEACH REVIVAL is a soul trio from Los Angeles, conceived by producer and guitarist, Daniel deBlanke.
Sara Sangfelt is a talented, 20 year old singer from Stockholm, Sweden. Her music is a unique blend of indie pop, retro soul, and epic rock, topped with Sara’s unique, deep and heartfelt voice. Her musical influences are found among artists such as Amy Winehouse, Adele, Landa Del Rey and Tove Lo. Sara gained popularity in Sweden as a contestant and finalist on the hit TV show Swedish Idol in 2013. After Idol she toured Sweden, both acoustically and together with bands, building a solid fan base.
Sara’s recently released debut-EP ”Tattoo” consists of four songs expressing real life events. Her latest single “Love Me” is scheduled for release on May 27th. In addition, she is currently writing and recording songs for her debut album scheduled for release later this year.
Website Facebook Twitter Youtube Spotify
Jemuhni was Recently featured in Music Connection Magazine's July 2015 issue for his debut album ‘This Is Worth It.’ And then again in their December 2015 issue under ‘Top 25 New Albums of the Year’ Edgy, dark and cinematic, this artist’s songs leave us marveling at his originality. Not only does he bring a daring vision to his Alt-Pop Hip-Hop style but he succeeds in a way that is as accessible as it is ahead of the curve. Whether it’s the dynamic, dramatic Chinese gong that’s matched with heavy rock riffage on the sexy song “Red Dragon,” or the epic, humming, buzzing synthesizer stokes in the percussive, hip-hop infused “Don’t Back Down,” or the more orthodox yet no less original “Learn to Fly” (where he shows his vocal dynamics with an effective falsetto) Jemuhni never forgets the value of a catchy hook. He avoids predictability as gamely as so many other artists cling to formulas.Jemuhni plays all the instruments on his tracks and produces everything himself.
(All songs referenced are from Jemuhni’s debut album ‘This Is Worth It’…New EP dropping this Fall!!)
Website Youtube Instagram Facebook Twitter Soundcloud
In 2000 I didn’t start rapping because people liked rap music. There weren’t people around me making rap music, it wasn’t cheap to get the gear, it wasn’t easy to make rap music, and it wasn’t easy to share your music with billions of people. I started rapping because hip hop was the most powerful thing I had ever encountered. More powerful than skateboarding, and skateboarding was supercharged electricity to me. In my personal quest to make my livelihood and my art indistinguishable nothing was impossible. Hip hop may not have taught me that, but hip hop made it tangible and possible for me. I left loved ones behind; I moved from Weston to New York to, LA, to Arcata, to Oakland, to Mendocino, to San Francisco, to New York, to Las Vegas, to LA; I wrote for the Mishka blog for 3 years and helped to define the internet rap era; I made Hyperbolic Chamber Music 1 & 2 with 27 and 35 rappers respectively; I endured homelessness for a year and got hit by a car in the middle of it; I survived off food stamps, trimming and selling weed, occasional freelance work, and eventually a steady job as a community manager for a tech company. For 5 years I did whatever it took to ensure that I’d be able to keep making music on my terms for the rest of my life. I didn’t do anything to get more popular, I didn’t do anything to make money off my music, I just kept making music, kept turning down the wrong opportunities, and kept ensuring that I’d be making music tomorrow, and dealt with whatever life threw at me. I got fucked over a lot, and it made me work harder. People look at me and think I’m a nerdy privileged white guy, but that has more to do with their eyes than my life. I’m a person who came from the outside with nothing, and made a lane for himself. My life was defined in large part by my father’s job. He is a criminal defense attorney to some of the world’s biggest accused narcotics entrepreneurs, murderers, Mafiosos, and various bad guys who make up the fabric of hip hop signification today. Grisleda Blanco was the lady who was gonna kill my whole family long before she was a hip signifier. That's what I came from, but I don't wear it on my sleeve. I know who I am, and I stay in my lane. People don’t get that my music is about selling drugs, breaking the law, smoking lots of weed, not letting anyone stop you from reaching your goals, pervert sex, dealing with the isolation that comes with relentlessly pursuing your personal idea of success, and remaining positive. That’s okay, I don’t expect everyone to get it, in fact I design it that way. My music is designed for people who listen.
I’m an artist who earned an MA so that I could always have the last word on my art, and no critic or scholar would ever be able to hold anything over me. I’m the Jew who went to Catholic high school and got voted funniest in the senior superlatives. I’m the journalist who the artists respect, and I’m the artist who the journalists hate. I’m the rapper who has always made his own beats, mixed his own records, done his own art, and shot his own videos. I’m the musician who releases music on his own label. I’m a pervert and a feminist. Who I am is the result of a lot of disparate elements coming together and working on me being a rapper. I’m almost 35 and I never blew up, and that’s fine with me, because I just wanna keep making the music I love. If the world ever comes around I'll be here, and if not I'll still be here all the same.