This video pick throws back to 2011 with Doyle and Debbie’s “When You’re Screwin’ Other Women (Think of Me).” Bruce Arntson and Jenny Littleton comprise this parody pair. Think of your favorite parody band, and splice that with an old school country duo, and you’ve got Doyle and Debbie. The hilarious lyrics with Arntson and Littleton’s impeccable acting create a show that leaves audiences laughing themselves sick. The comedy doesn’t mask the pair’s talent, either. Littleton’s voice possesses range and control, perfectly executing the songs in the style needed.
The Doyle and Debbie show first premiered at the Bongo Java Coffee House in Nashville, Tennessee, and have since moved to the Station Inn for regular performances, at which they are currently in the middle of a run of shows. They have played all over the country and on November 10th will be gracing the stage at The Mint here in Los Angeles.
Check out just a few of their commendations:
"...a gloriously tacky send-up of a washed-up country duo." - The New York Times
"Brilliant". "The last time I laughed anywhere close to this hard was at "The Book of Mormon." "...hilarious. Drop-dead funny." - Chris Jones, Chicago Tribune
"90 minutes of goofy perfection — clever, hilarious, wacky and brilliantly performed..."Chicago Sun-Times
"Bruce Arntson and Jenny Littleton are nothing short of fabulous" - Chicago Reader
"...hilarious piece of low-brow inspiration turned into high entertainment." - Nashville Scene
Elizabeth Cook is no stranger to spinning struggle into success. Her two most recent studio albums, each with immense emotion and story behind them, have placed within the top 50 on US country charts. Florida born-and-raised Cook has appeared on The Late Show with David Letterman multiple times since 2012, and has performed at the Grand Ole Opry stage more than 300 times. She has also been nominated for awards four times for her music, twice for her Sirius XM radio show, “Elizabeth Cook’s Apron Strings,” and once for Ameripolitan Music Awards’ “Outlaw Female,” which she won in 2014.
Cook’s storied past takes a hard left with her June 2016 release, Exodus of Venus. She says, “I’m not trying to be the good girl anymore, and that brought some joy to all of it. I almost care more – or different. These songs are more poignant. They’re honest, and all about compassion or grace. For myself, and from a place of experience. Not that any of it was wrong, but I look back and have pride for all that happened and what I’ve survived.” Check out her video for “Slow Pain” now, a smoldering track with vocals that are mysteriously enchanting and slightly reminiscent of Stevie Nicks. Elizabeth Cook is currently in the middle of a Fall US tour.
Nashville rock band Kings of Leon is back again with their seventh studio album, WALLS. Set to release on October 14th, 2016, their second single from the album, the titular track, "WALLS" now has a video out. Featuring lead singer Caleb Followill, this gentle ballad speaks to vulnerability and heartbreak. The literal closeup with Followill is an intimate metaphor as he croons his way out of the walls around him onto a dusk highway ride.
After getting their start in 1999 with southern rock, blues, and country influences, Kings of Leon has evolved to include an alternative rock sound in their music. After their boom of commercial success with Because of the Times and Only by the Night, the band took home a total of three Grammy awards out of 7 nominations. KOL have been Hunnypot favorites since the beginning!
Death Grips might be one of the most polarizing bands I listen to. You either hate them or you absolutely love them. When I show someone who doesn’t know them for the first time, they are always shocked. The band is labeled an experimental hip-hop group, made up of rapper Stefan Burnett (MC Ride), Drummer and Producer Zach Hill, and co-producer Andy Morin. However the musical combination they create is somewhere in between electronic, hip-hop, and scream-o, with metal-esque drums over distorted bass-heavy beats and a rapper that yells more than he speaks. I, for one, have loved the group since I started listening to them this time last year. However their concert was, in a word, disappointing.
Perhaps I didn’t quite know what I was in for. When my friends and I were on the train, they all were talking about how aggressive the mosh pit was going to be. I assumed that I would easily be able to handle what ensued, somewhat taking the lead and telling my friends how to take care of themselves if they ended up having a hard time. However I, the moment the show started, pushed my way out of the general admission pit as if my life depended on it. I was cowering in the first non-moshing tier of general admission before the first song was even over. Amongst the events I witnessed from my new birds-eye view included a girl getting knocked-out by a flipping stage-divers Doc Martin boot and three separate people vomiting as soon as they got to the clearing at the base of the stairs. It was terrifying.
But beyond my own crowd-created fears, the general presentation of the show was disappointing as well. There were absolutely no visuals (come on, their music videos would have been GREAT material), and only incredibly minimal lights that altered between two colors. Yes, they say that they design their shows to be deliberately minimal (like in their interview with Pitchfork). But this production wasn’t minimalist, it was just boring. The sound was muddled and overwhelmingly loud, to the point where it was hard for me to distinguish what song was playing. I like Death Grips because of the delicate balance they display between artistic quality and brutal intensity. However in their live performance, they lost that element all together.
What did make the show worthwhile, however, was the talent of the individual performers themselves. MC Ride could have not been a more charismatic frontman, convulsing and fist-pumping with so much energy that I am shocked he didn’t faint. Drummer Zach Hill plays faster, more precisely, and with more rock-star intensity than anybody I’ve seen before (my mind was blown). And the on-stage producer Andy Morin, although possibly given the most difficult performance material, kept up with the rest. They could not have possibly given more in their performance, and the crowd without a doubt fed off that energy.
Overall, the quality of the performers themselves kept the show running, but I don’t know if I would purchase tickets to see them live again. If you’re a huge fan or maybe going to Camp Flognaw and have them on your festival lineup this year, they’re worth seeing. I am glad that I got seeing them live out of my system. But if you’re going to sacrifice $65 for a ticket like I did, your money is better spent somewhere else.
-Veronica Irwin (Hunnypot Editor at Large)
@vronirwin
“JackEL”, has been turning heads with his music since the very young of age of 14. JackEL began his DJ career early, spinning in his home town of Edmonton in Alberta, Canada. He soon began performing in different cities internationally to build his brand, including “The March Madness Festival” in Atlanta GA; “The Knitting Factory” in Boise, ID; “Tao Beach Club” in Busan, South Korea; “The Revolution Lounge”, “Dirty Blondes”, “Club 21”, “Three Kings Hookah Lounge”, “Tao Beach” and “Ultra Violet” in Las Vegas, NV; “Eccles Conference Center” in Ogden, UT; “The Epicenter” in San Diego, CA; “Club Red” in Tempe, AZ and “Club Congress” in Tuscon, AZ.
As a Producer, he collaborated with well-known Rapper MIMS at the age of 15 on the track “Too Young To Die”, and continues to collaborate with MIMS, who is known for the hit singles “This Is Why I’m Hot” and “Move If You Wanna”. As a DJ he performed in Las Vegas at “Dirty Blondes” in Planet Hollywood. At 16 JackEL moved to Vegas to pursue his musical career. He soon met Macklemore and Ryan Lewis, and because of his Producer and DJ skills, was invited to be the opening act for them at the “March Madness Festival” in Atlanta, Georgia. Soon after, JackEL began an another high profile collaboration with Three Six Mafia member DJ Paul and the two artists have been working on the completion of DJ Paul’s upcoming EDM album.
JackEL has also performed international gigs, playing for two standing room only crowds at “Tao Beach Club” & “Club Kudeta” in Busan, South Korea. After finishing his Canadian Tour of Edmonton, AB and Vancouver, BC, JackEL began working with DJ Fame, voted ‘The Best Nightclub DJ of Las Vegas 2014’ by the Las Vegas Review Journal and the resident DJ for Hip Hop artist Dizzy Wright, who JackEL also produces original music for. 2015 JackEL Headlined at Las Vegas Hemp Festival along side “Chanel West Coast, Tommy Chong, Afroman & also Dizzy Wright”. Meanwhile traveling back and forth to Jamaica to finish his Smooth Jazz EP titled “Breathe Easy”, featuring Grammy Award Recipient Skip Martin. In 2016 JackEL headlined at “The Joint” inside the Hard Rock Hotel in Las Vegas. Also established his Record Label/Artist Collective “FVYDID” who’s members continuously tour internationally.
With so much already accomplished at such a young age, JackELs future is very bright, and contains much more anticipated high quality art.
There are few bands with the same level of high-functioning absurdity, creativity, and audacity as Die Antwoord. Though being described as “campy” and cartoonish in Pitchfork’s review of their latest album, to “racist” and “problematic” by the Guardian, they are still consistently well-received by audiences around the world. Their anarchical, crude, and hypocritically childlike image is so fun it simply can’t be ignored, and their fast techno beats are just too hard to hate. Thus, however politically-correct I may proclaim myself to be, I bought tickets for their tour in support of “Mount Ninji and the Nice Time Kid” the moment they went on sale. The excitement had been building ever sense.
I wasn’t alone in feeling this way. As I wandered San Francisco trying to find Bill Graham Auditorium, I was able to guide myself by following a group of what one might call ‘Zef’ girls: a group of young women dressed in outfits either literally copying or drawing inspiration from Die Antwoord’s lead female rapper Yolandi and the rap-rave group’s manufactured ‘Zef’ image. The closer I got to the venue, the more similarly dressed people I found—the general admission floor was filled with fans in elaborate outfits, face paint, and neon or bleached wigs. Energy was high.
The opener, who I admittedly only caught half of, was Crystal Castles—another highly-anticipated group on the-night’s lineup. Although I was not particularly familiar with them (I only recognized a few songs, but I don’t listen to a lot of electronic music), their performance was weird, unnerving, and totally awesome. The band’s new lead singer Edith Frances was entirely mesmorizing, convulsing and swaying to the beat in such a way that when backed by almost-excessive strobe lights and earth-shaking bass seemed all at once ethereal and ghoulish. At various points she would dump water on herself, and I saw multiple audience members do the same. Needless to say, the entering crowd could not help to dance along.
However, energies doubled almost immediately when the lights began flashing and the intense orchestral music played that signaled Die Antwoord’s entrance. Throughout the crowd people began chanting the members names, and I began to jump around with anticipation. It was a moment of energy the group couldn’t quite live up to—but oh, man, the show that ensued was still incredible.
The three members, God, Ninja, and Yolandi started the show in bright orange oversized sweat suits a la Yolandi’s boy toy in the “Baby’s On Fire” music video. This would be the first of possibly ten music video-inspired costume changes. In fact, the members (Yolandi most of all) changed every song into outfits ranging from Ugly Boy’s red metallic shorts-and-t-shirt combo to bloodied, pink, bear onesies. The two backup dancers never showed their faces, and were rather clothed in coordinating full body pajamas or at the very least, skin-tight face-covering bodysuits. The visuals mostly consisted of spliced together clips of the groups internet-famous music videos, and the crowd never got tired of it. Every time a video would start the audience would scream the title of the song, and get excited like it was the beginning of the concert all over again. Spliced between video clips were child-like images, like brightly colored moving print of bananas for “Banana Brain.” A somewhat friendlier-than-expected Ninja toyed with the audience the whole show, with theatrical facial expressions and occasional crowd surfing. Smiles and shrieks abounded.
Overall, the crude dance party simply never stopped. The crowd’s excitement was something I rarely see matched, and really speaks to the groups cult-like appeal. The hour-long set (Spoiler Alert!) culminated in their most famous song, “Enter the Ninja,” to which I myself even shed a tear. I left feeling like I had just ran a marathon, but also like my own bad-ass-ery had multiplied tenfold. If anyone reading this ever gets a chance to see them, it’s definitely worth your while.
-Veronica Irwin (Hunnypot Editor at Large)
@vronirwin
Capyac is a self-proclaimed “dance music act with style” and “surreal dance band.” These descriptions prove to be apt in their succinct way. There’s no better summation for them than that, and their video for “Speedracer.” With an aesthetic that looks like a high-fashion editorial had a lovechild with Lady Gaga’s “Bad Romance” music video, “Speedracer” ranks high on the list of videos that will stick in the front of your mind for days to come.
Directed by HELMUT studio and assistant director Jinni J, the video’s shiny black morphsuit-clad dancers (choreographed by Billie Secular) are fun to watch interact with Capyac and frame the video’s lyrics and instrumentals, which combine to form a gentle song of desire. Watch the video above and let Capyac take you to the motorway!
Unlike Brangelina Hunnypot Live! would never break up with you in the tabloids. Monday night we filed for separation from a droll life and brought entertainment to the masses
Camryn took custody of our ears and hearts (she also wore a cool Queen shirt), Ediblehead fed our faces with a mediation of disco punk, Pega5u5 took flight and took alimony from listeners, Jackel and guests were reconcilable to the audience and Hot Tub Johnnie presided over the whole night with sick beats. 9-19-16
Fueled by the rush of adrenaline that comes from performing live, 17-year-old singer/songwriter Camryn showcases her siren-like voice and straight-talking lyrics with a spunky blend of guitar-driven rock and pop. She began putting her songs on YouTube in 2010 and released a series of independent singles, including 2013's "Lovesick," which earned Camryn the distinction of becoming the youngest indie act to chart a song in the Billboard Top 40 since LeAnn Rimes in 1997. She developed a loyal fan base while performing in front of hundreds of thousands of people during her extensive worldwide touring, including solo shows and opening European and U.S. tours for the likes of One Direction and Cody Simpson.
Now, Camryn returns with a new 5-song EP entitled, New Dynasty. Full of in-your-face vocals, crunchy guitars and epic choruses, the EP co-written by Camryn showcases her evolution into an artist that has not only found her voice, but her power. As the title suggests, there is a new generation poised to break out into the world and Camryn's ready to make her own bold statement.
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The mind-bending, soulfully electro, punk-house-pop of Ediblehead is the culmination of a transformative journey for two musicians: the critically acclaimed Los Angeleno artist Robby Rockit, and the prodigiously multi-talented chanteuse Eva Zeva. The winding path to forming Ediblehead helped both musicians connect to the wellspring of their creativity. The result is infectiously catchy debut album, Animal Lick Stick.
Robby Rockit was the founding member of the lauded space rock band West Indian Girl, which was signed to tastemaking electronic and dance label Astralwerks (Primal Scream, Chemical Brothers, Hot Chip). Eva Zeva was a lifelong singer who kept her vocal talents tucked behind a veil of shyness while she explored fashion and the fine arts. They met at a private party gig West Indian Girl was playing in L.A., and Rockit felt an immediate karmic connection with Eva. The two found themselves reinventing West Indian Girl for that group's third and final album Shangri-La.
Ediblehead was formed to bring music that is bright, vivacious, and playfully dynamic. "There is a childlike energy that informs what we do, it's about letting go and having fun, "describes Eva Zeva. She and Rockit lead us through the twelve tracks on Animal Lick Stick as zany toastmasters with a multitude of techno genres, crazy pop hooks, and guitars meshed with electronica. The album was engineered, produced, and mixed by mastermind Robby at his home studio in Los Angeles, with additional work done at the West Hollywood studio of esteemed producer Matt Sorum (Guns and Roses, Velvet Revolver, The Cult), assisted by producer/engineer Francis O' Reilly.
Ediblehead performs as a five-piece band with full visual effects and original, out-or-this world costuming to mesmerize fans. "Ediblehead is like a beat-infused candy-colored rainbow with a message of self-belief," says Robby Rockit. "If you let go of fear and doubt, all doors will open up."
With their respective careers, the two brothers, Mr. Rogers and Pharroh had already established a dedicated fanbase. Mr. Rogers over the past few years became a staple in California's electronic music scene, playing festivals (such as headlining slots at Lucidity, Stilldream, and Raindance) all around the area. On the other side of the spectrum is Pharroh, who has made his roundabouts in the underground hip-hop circuit. He's shared the stage with GZA and has gone on to score the soundtrack for the Afro Samurai video game and collaborate with TalibKweli. Eager to connect with a larger audience, they came together and fused their fanbases to deliver PEGA5U5. Their freshman LP The Flock, which featured collaborations with The Fungineers, Joanna, Cellojoe, and more, established a unique sound that left listeners craving new releases. With their hiatus coming to an end, make sure to follow them on their social media links below to keep up with the duo.
“JackEL”, has been turning heads with his music since the very young of age of 14. JackEL began his DJ career early, spinning in his home town of Edmonton in Alberta, Canada. He soon began performing in different cities internationally to build his brand, including “The March Madness Festival” in Atlanta GA; “The Knitting Factory” in Boise, ID; “Tao Beach Club” in Busan, South Korea; “The Revolution Lounge”, “Dirty Blondes”, “Club 21”, “Three Kings Hookah Lounge”, “Tao Beach” and “Ultra Violet” in Las Vegas, NV; “Eccles Conference Center” in Ogden, UT; “The Epicenter” in San Diego, CA; “Club Red” in Tempe, AZ and “Club Congress” in Tuscon, AZ.
As a Producer, he collaborated with well-known Rapper MIMS at the age of 15 on the track “Too Young To Die”, and continues to collaborate with MIMS, who is known for the hit singles “This Is Why I’m Hot” and “Move If You Wanna”. As a DJ he performed in Las Vegas at “Dirty Blondes” in Planet Hollywood. At 16 JackEL moved to Vegas to pursue his musical career. He soon met Macklemore and Ryan Lewis, and because of his Producer and DJ skills, was invited to be the opening act for them at the “March Madness Festival” in Atlanta, Georgia. Soon after, JackEL began an another high profile collaboration with Three Six Mafia member DJ Paul and the two artists have been working on the completion of DJ Paul’s upcoming EDM album.
JackEL has also performed international gigs, playing for two standing room only crowds at “Tao Beach Club” & “Club Kudeta” in Busan, South Korea. After finishing his Canadian Tour of Edmonton, AB and Vancouver, BC, JackEL began working with DJ Fame, voted ‘The Best Nightclub DJ of Las Vegas 2014’ by the Las Vegas Review Journal and the resident DJ for Hip Hop artist Dizzy Wright, who JackEL also produces original music for. 2015 JackEL Headlined at Las Vegas Hemp Festival along side “Chanel West Coast, Tommy Chong, Afroman & also Dizzy Wright”. Meanwhile traveling back and forth to Jamaica to finish his Smooth Jazz EP titled “Breathe Easy”, featuring Grammy Award Recipient Skip Martin. In 2016 JackEL headlined at “The Joint” inside the Hard Rock Hotel in Las Vegas. Also established his Record Label/Artist Collective “FVYDID” who’s members continuously tour internationally.
With so much already accomplished at such a young age, JackELs future is very bright, and contains much more anticipated high quality art.
Website Facebook Twitter Instagram Soundcloud
ZaZa has been active in the music industry since the age of 14 and has headlined and hosted numerous shows around the U.S., including her own west coast House of Blues tour. She has written and released many songs both as a solo artist and as half of the former rap/pop duo Cash and ZaZa. Her passion for songwriting and music doesn’t stop at her own performing. In addition to writing for herself, ZaZa has written successful songs for many reality tv personalities including Asia Monet Ray from Lifetime’s Raising Asia and Toddlers and Tiaras star Eden Wood.
She has also made her way into the commercial modeling world, having been a spokesmodel for Epilator Central, Trailer Girlz TV, and more. Recently, she started hosting her own entertainment and music talk show on WCOBM network Las Vegas.
JackEL and ZaZa will perform the new single "Just Fine".
Our latest video pick is “Trouble” by Moonshine Man. This new video with Robbins Entertainment appeals not just to the Southerner, but the “Country Boy/Girl” in all of us, from anywhere. It’s a lighthearted, fun three minutes full of horses, campfire hangouts, a good old acoustic guitar, and plenty of shenanigans. Even for the self-professed country music haters, Moonshine Man’s jaunty “Trouble” can get the leg bouncing and head bobbing along to the catchy beat and relatable lyrics. Watch and see if Moonshine Man can get out of trouble!
If you dig this track, let us know, we can help license it.
Our next video pick is “Big Dick” by Russian rave band Little Big. Off their second full-length release since their 2013 inception, Funeral Rave, “Big Dick” is chock full of bright, 80s-inspired clothes coupled with both tongue-in-cheek erotic innuendos and blurred out insinuations of, well, big dicks. The bright colors and humorous imagery create an overall unforgettable video that pairs well with the song’s lyrics and catchy rave accompaniment. Regardless of whether or not you have a dick, you’ll be singing or humming this song all day.
Directed by Alina Pasok and Ilya Prusikin and produced by Alina Pasok and Denis Glazin, the video from earlier this year joins Little Big’s already-full catalog of videos (as well as their most recent, “Hateful Love”). After only three years, Little Big is already making international headway. Currently, the band is on tour in Eastern Europe and Russia.
