There should be an Emergency Alert sent to all phones around the world to warn people that Hunnypot Live! is about to broadcast. Those that joined us for show #401 could have prepared themselves. Hot Tub started with a DJ set of tremors to maximum Richter rock and dance music. Scott Reifman put on his best typhoon wear and jumped in the tub with us. We talked about his musical journey through life and he popped in a playlist to please. The Living Street brought us life with a tornado avenue lined with acoustic pop gems. Grace Blue returned to Hunnypot with their dark oozing lava, upbeat electro sounds. Bizou only came out at night with a flood of organic instrument future rock and Jessica Foxx was like a hurricane with a pop storm in her voice and eyes. 10/01/2018
Talent Buyer at The Satellite, Founder at Odds On Agency and Talent Buyer at The Mint LA
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The Living Street is an indie-folk duo consisting of Nick Guckert (Guitar/Vocals) and Edward J. Angelo (Bass/Vocals) formed in July 2017 in Pittsburgh, PA. Guckert and Angelo grew up in Lower Burrell, a small town just outside of the city and less than a mile down the road from one another. Both developed a love for music early on in life, but it wasn’t until the two met in school sports that they recognized a shared passion, burgers.
The official beginning of their friendship as they recall was over a handful of burgers nearly a decade ago (so, really, if there is any one person to truly thank for bringing The Living Street together, it’s Dave Thomas). From there, they started jamming out original ideas together as much as their parents could handle it, often escaping to the empty baseball field dugout right behind Angelo’s childhood home. It was in those moments Guckert and Angelo realized they shared a special collaborative bond bringing only the best out of each other artistically. There was only one option at this point.
In their freshman year of high school, Guckert encouraged Angelo to come along with him to practice with the band he was in at the time. After one successful jam, it didn’t take long for Guckert to convince the other members to make Angelo an official member of My Friday Slacks.
Guckert and Angelo remained primary songwriters taking collaborative approaches with every member of the band thus creating a unique sound differing from the original vision. Eventually, Guckert and Angelo started a new side project where they could have full control of musical direction, The Artless. As The Artless, they allowed their artistry to truly blossom and were able to play in support of several national acts including: The Front Bottoms, GEOGRAPHER, Chairlift, Lissie and The Boxer Rebellion.
After graduating from the Indiana University of Pennsylvania with a marketing degree, Angelo decided to move to Pittsburgh in the Lawrenceville neighborhood to join Guckert and begin working on a new writing project that didn't even have a name, but they shared a common goal — play music together for life. Playing and writing music and entertaining an audience are Guckert and Angelo's favorite things to do, and it has not wavered since the early days in the dugout behind Angelo’s house. The two are dedicated to their careers as artists and performers.
After a decade of writing together on and off, they brought it back to the basics: just the two of them and an acoustic guitar writing honest songs through observation and self-reflection. They released their first single "Can't Steal My Love" on September 20th, 2017. The Living Street left for a tour of the east coast after the release of their debut self-titled album The Living Street on January 5th, 2018. They returned home in April of 2018 to get back in the studio and prepare for a west coast tour in the fall.
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Based out of Los Angeles, CA, Grace Blue is a duo comprised of vocalist Grace Mogz and keyboardist Joseph Arazi who had the pleasure of meeting each other in their hometown in Israel. Grace Blue's first video for their current single "Our Eyes" has garnered over 100,000 views on YouTube alongside rave reviews. Their next video/single "Nowhere To Go" will be released this spring. We're proud to welcome Grace Blue to the Hunnypot Family. Check out their full 5 song EP at the link below. All songs are Represented by Hunnypot, Master and Publishing.
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Former members of The Smashing Pumpkins, Light FM, Wax Idols and Tennis System serve up cotton candy at a beach bonfire for Goth kids.
Mina Prietto (vocals) Nicole Fiorentino (bass, backing vocals) Josiah Mazzaschi (guitar, programming) Nicki Nevlin (Guitar) and Erin Tidwell (Drums) have individually had much success in bands in Los Angeles the last decade. Having played and backed such bands as Smashing Pumpkins, Veruca Salt, Tennis System, Wax Idols, Jennie Vee, and Light FM.
Over the years, through the music scene, they become great friends and realized, more than anything, they wanted to play in a band with each other. From this, Bizou was born. Bizou dishes haunting and honest vocals, backed by the melodic and hard-hitting guitar, bass, and drums reminiscent of the synth-pop, post-punk, new wave the music scene so desperately needs. Some might say, they're serving up cotton candy at a beach bonfire for goth kids. And, hey, goth kids need love too.
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Humbly raised in a small farm town in Connecticut, growing up Jessica Foxx had not so small dreams for herself. She started dancing and performing at the young age of 3 and began taking voice and acting classes shortly there after. In 2014 she decided to take the leap and move to Los Angeles to pursue her passion to be an artist. She enrolled in the Vocal Performance program at the well renowned Musicians Institute in Hollywood, CA and started to release her original music in 2016.
A perfect cocktail of electro pop and dark pop, Foxx is paving a new and edgier path in the world of pop music. With or without modern pop production, her voice is unbelievably refreshing. Tongue-in-cheek, gutsy songwriting is what puts Jessica Foxx in the ranks of the new pop generation.
Completely independent, Foxx has made some great connections over the years. Her debut single “Heartbreak Tastes Like Summer” was co-written with the upcoming songwriter/artist Leland who has since written for acts like Selena Gomez, Troye Sivan and Sabrina Carpenter. She co-wrote her most recent single “Cake” with BMG songwriter Jeremy Thurber (Meghan Trainor, Trisha Paytas) and was mastered by Randy Merrill (Lady Gaga, Taylor Swift, Katy Perry) at Sterling Sound in New York City. Her self-funded music video for “Cake” debuted on May 3, 2018 on YouTube and racked up 3.2k views in under a month.
While she is confidently vulnerable with every song, her main focus is to connect with her fans and build a genuine community around her music. She may be on the road to Billboard success but she refuses to let that distract her from what’s most important, her fans. Through her social media, you can tell Foxx is very interactive with her fan base, the "Foxx Mafia" and devotes time to connect with them on a daily basis.
Erthlings are an indie pop band from Sydney, Australia, formed by a group of 16-year-old high school girls (Issy, Taylor, Jess and Lissa). They signed with label and management for their super exciting debut single, Bridges. The band originally formed when the girls were 8 years old at music school. Their debut single Bridges is one of Earthlings’ more powerful songs. The song is based around the idea of moving on, and feeling dragged down enhanced with a beautiful melody. Check it out, we're ready to hear more about what these young girls have to say!
The 131ers was founded in 2012, the band has grown from a two-piece blue-veined American folk project to a full scale quadraphonic tour de force. The solid foundation of friendship between founding members Kaleb Davies (vox/guitar) and Ryan Dawson (drums) permeates every note, eventually shepherding fellow members Chris Graue (bass) and Greg Wilmot (guitar) into the fold. The 131ers have claimed their own unique genre-bending sound by successfully infusing rock n’ roll with funk, edge, passion and soul.
The 131ers are from Torrance, California and play indie-folk-rock that frequently draws comparisons to "classic Americana." The band records all their music in their home built studio and produces their own music videos. A little bit of their blood, sweat, and tears can be found in everything they produce. But not literally, because that would be gross.
Check out 131ers' music video Crazy, don't you feel a little hungry after watching this?
Make sure to come out to our Hunnypot Live at the Mint Party on November 12th, The 131ers will be joining us and perform live!
Pershanoush is a Electro-pop music with orchestral influenced project that will take you into a wide, feminine, sensible and sensual atmosphere. The project is founded by Vanessa Giangrade, she started her music journey since she was in a young age. She’s also passionate in video editing, she was involved in many movie trailers, short films and fashion films. She returns to music through composition for the image. Check out her latest release Fallin’ Over the second extract of Pershanoush first EP.
The video homages to such classic cult films like Barbarella, Flash Gordon and Clash of the Titans Hunnypot approved.
Sheck Wes, is an American rapper, songwriter, and model. Wes is known widely for "Mo Bamba", his 2017 song that went viral in 2018. Wes is jointly signed to Travis Scott's Cactus Jack Records and Kanye West's GOOD Music record labels, under the aegis of Interscope Records and Polydor Records.
Check out Sheck Wes’s latest single Chippi Chippi, and feel the groove of this popping rapper killing the game!
Hunnypot was the runner-up to fly to the moon with Space-X but that square Elon wouldn't share his weed with us so we bounced. Our 400th show got our minds off of that trip. What a show! Hot Tub Johnnie launched the night with hot hits towards distance stars. Kii Arens returned from Mars (or other) to drop new music from his band Jinx, new stories (and old) and to spin some out of this world tunes. Jason Hawk Harris kept us grounded in classic country music, Kemo the Blaxican came baxican to the hot tub with rock steady California beats and bars, Nigel Stargate opened a portal of funk and rap and even brought some extra special friends through including Hip Hop Legend Dana Dane and we finished off the night with another famous Hunnypot Dance party that lit up the night sky. Recap: J. Gray / Photos: J. Gray, R. Taalbi, J. Born 09/17/2018
Kii Monroe Arens was born in St. Paul, Minnesota to parents Robert and LaVae Arens. He has two brothers and one sister. From an early age, Arens had an affinity for morning cartoons, notably Sid and Marty Krofft. The show, coupled with his interest in fonts, colors, spacing and layout, set in motion a growing fascination with art and design. His early passion for music was also strong, augmented by growing up in a musically inclined family. By the mid to late 1980s, Arens was DJ’ing around the Twin Cities, and had a brief stint in Rap music, under the alias ‘2 Percent’, opening for Gang Starr, EPMD, DJ Quik, amongst others.
Arens’ early immersion in the Twin Cities music scene exposed him to many elements of what would become important features of his graphic art, including: album art work, package layout, photography, poster design, creative direction, music video direction, merchandise design/creation and music production. Although Arens created artwork continuously growing up, his career as an artist was substantively set in motion with a design gig for the Woodstock ’94 festival. Originally brought on as a hotel coordinator, he was invited to attend meetings about the festival’s design direction, and raised concerns with what he saw as an overly nostalgic festival look (one that recalled too closely the Woodstock ’69 festival).
After returning to the Twin Cities, he started working for Niceman Merchandising. Arens’ album design/layout career continues to this day, and has featured many projects, including: Dolly Parton’s Backwoods Barbie and latest, Blue Smoke,Eagles of Death Metal’s Heart On, Ziggy Marley’s Wild and Free , Glen Campbell’s Ghost on the Canvas, Pete Yorn’s Back and Forth, and, most recently, LA musician/producer Jonathan Wilson’s Fanfare.
In 1994, Arens joined his brother, Brynn Arens (Obsession/Fun House/Oddfathers), in the rock band Flipp, active from 1994–2003. He assumed guitar and backup vocal duties. The band had a penchant for cartoonish stage presentations and costuming, and embraced the Glam-rock genre reminiscent of the early 1970s, even amidst its decline as a result of bands such as Nirvana and Kurt Cobain. Their Hollywood Records debut, Flipp (1997), saw them opening for bands such as Oasis, The Ramones and Cheap Trick. They released two follow-up albums, Blow it out your Ass (2000) and Volume (2002). Although Flipp has never officially disbanded, they have not performed live since 2003.
A visit to Los Angeles in 2003 prompted Arens’ move to his current location on Santa Monica Boulevard in Hollywood, California. As his work in album art and band merchandising continued, he began creating unique, non-music associated art pieces. His pieces soon appeared in many galleries around Los Angeles, notably: M Modern, Subliminal Projects, Gallery 1988, and his own gallery, La-La Land Gallery, which opened in 2004.
Arens has exhibited in many shows, notably: Happy War… It’s the bomb, the first official show at La-La Land, which featured the work of Arens and many local pop-artists, including: Shepard Fairey, Chris Reccardi, Gary Baseman, Niagara, and many others. Art in the Dark, another show, was an exhibition of Arens’ own pieces, images created using black light reactive paints and lighting rigs, which concealed hidden content that could be revealed upon the flip of a switch. In 2005, he traveled back to the Twin Cities, to exhibit a gallery show at Ox-Op gallery. The show was based around Spin-o-Paint/Paint-by-numbers/Oil paint. Later that year, lalalandgallery.com was created, an online venue for a series of customized lightboxes created by Arens. The lightboxes were also exhibited at La-La Land, and featured in a story by the Los Angeles Times. His “Hot Lunch Artshow” followed in Oct. 2005, and featured classic tin lunch boxes customized with local Pop art. By 2008, Arens found himself as curator of an art show based on the concerts at the Hollywood Bowl. It included pieces for artists such as Liza Minnelli, Grace Jones, and Femi Kuti. His first major concert poster was completed that year as well, for a Beck/Spoon/MGMT show at the Hollywood Bowl.
This has spurred a career in concert print creation that continues to present, with over 250 pieces created for artists such as Radiohead, Queens of the Stone Age, Dolly Parton, Stevie Wonder, The Weeknd, Sonic Youth, The Who, Queens of the Stone Age, Devo, Diana Ross, Divine Fits, The Pixies, Tony Bennett,Glen Campbell, Bruno Mars, Tame Impala, The Beach Boys and many others. He also created posters for various All Tomorrow’s Parties events, as well as Goldenvoice’s Coachella. In 2010, Arens created a print for Radiohead’s Haiti benefit concert in Los Aangeles. Two editions of 250 prints were sold, and helped add to a grand total of $572,754 raised by the band during the event.
Arens’ co-direction of the music video, What We Do, for the band Devo (2011), began to broaden his creative endeavors. The video centers the viewer in a full 360-degree scene, allowing them to choose to participate in many different interactive visual aspects.
In November 2011, his second co-directed video, Ghost on the Canvas, was done for country musician Glen Campbell. It features Paul Westerberg of the Replacements, who also penned the track. Arens’ admiration for Campbell lead him to co-direct two more videos for the artist. A Better Place (2012), featuring Josh Homme of Queens of the Stone Age,and Hey Little One (2013), a tribute to Glen’s wife, Kimberly “Kim” Woollen, who helped Campbell in his battle with Alzheimer’s. Most recently, Arens co-directed the video for Vampyre of Time and Memory, a track from Queens of the Stone Age’s sixth album, …Like Clockwork (2013). The video featured three separate rooms that the viewer can navigate, creating a unique viewing experience.
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Years before developing his own brand of confessional, cathartic country music — a sound he describes as "meta-apocalyptic country/Americana grief-grass" — Jason Hawk Harris chased a different muse as a classically-trained composer.
He was rooted in the orchestral influence of modern classical music from the 20th and 21st centuries. He loved the theory behind the genre. The atonal arrangements, too. It all started with a fondness for Queen, whose albums accounted for some of the most frequently-heard records in Harris' Houston household. The band sounded progressive, mixing the punch of rock & roll with the complexity of symphonic music. From there, Harris discovered Debussy and Mozart. He eventually enrolled in music school and graduated with a degree in composition, which he immediately began putting to use.
After writing thousands of measures of classical music, though, Harris found himself drawn back to the country, folk, and rock music that had soundtracked his early childhood. He'd grown up listening to classic crooners like Hank Williams, Roy Orbison, Jim Croce, Patsy Cline, and Elvis. That music had laid a sort of musical bedrock that couldn't be ignored. Later, after hearing bluegrass musician Michael Daves playing a stirring guitar solo, Harris knew he needed to somehow incorporate his country-loving childhood into his songs.
"Hearing Michael Daves tackle that solo really woke me up," he remembers. "There was something wild about the way he played. He played with abandon. Something sparked in me again — the same spark I'd heard when I first discovered Brian May's guitar solo on 'It's Too Late' — and everything changed."
Harris began cutting his non-classical teeth with the Show Ponies, an Americana group based in L.A. He played guitar for the band and produced most of their albums, racking up several million Spotify streams along the way. Meanwhile, problems arose in his personal life — including a family history of addiction, which ultimately resulted in the early death of his mother — and began fueling Harris' need to write his own music.
Released in November 2017, the five-song Formaldehyde, Tobacco and Tulips marks Harris' debut as a solo artist. It's an emotional EP about joy, pain, sorrow, and grief, tied together with autobiographical lyrics and sharp, detail-rich songwriting. The record also paves the way for Harris' full-length album, which draws a distinct bridge between his country and classical roots.
"I love country music because it's built upon a collision of the sad and specific," says the songwriter, whose music evokes comparisons to imaginative Americana frontmen like Daniel Romano and Robert Ellis. "I want to treat it like an art form. I want to show people how seriously devastating it can really be."
Although performed with traditional country instrumentation — including acoustic and electric guitar, pedal steel, bass, strings, piano, and the occasional harmonium — Harris' LP reaches far beyond the genre's rootsy influence. There are complex chords, acrobatic arrangements, and unexpected intervals. There are cathartic songs about love and addiction. A classically trained composer turned country singer, Jason Hawk Harris proudly operates within his own lane, proving that there's something stirring and compelling about musical culture clashes.
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Five Delinquent Habits albums, three solo albums and countless tours around the globe including the UK, Europe, Japan, South America, Mexico and Taiwan - Kemo the Blaxican? of ?Delinquent Habits? ?is releasing his first "Trifecta" a 3 song EP titled Ugly At Times ?featuring GODFORBID? of ?That Handsome Devil?. These one-of-a-kind projects is something Kemo chose to name Trifectas. For this first release, this duo packs a dynamic punch on the three piece trifecta. West Coast swagger fused with East Coast swank. Ugly At Times? is a collaboration of two prominent veteran hip hop artists with undeniable chemistry saturated with ambitious vision that beautifully defines the art of hip hop. The EP brings together two potent MCs to deliver a brutally honest impression of hard lives lived, question intention, and convey a deep powerful message about love. With production duties handled by Dr. Quandary & Louis Mackey, Ugly At Times ?packs enough musical and lyrical punch to satisfy even the most fever pitched Hip-Hop addicts. Ugly At Times ?is slated for release nationally Friday August 17, 2018 on Dead Silence Records.
Kemo the Blaxican? hails from the Lower East Side of Los Angeles and is an original member of Los Angeles based Hip-Hop group Delinquent Habits?.He’s equipped with a soulful style bilingual rhymes and profound lyrical content. You hear the smooth-yet-powerful baritone vocals delivered with a distinctive tone. You recognize the voice as it commands attention with provocative lyrics over flavorful tracks. This MC shifts the rhyme from English to Spanish, and then back to English again seamlessly. Your head nods the whole way through. Godforbid,? a distinguished veteran of the East Coast underground: he cut his teeth in the 90s & early Oughts, as part of the rap group Alaskan Fishermen, with the legendary Thirstin Howl 3rd. For the last decade, "?Godforbid"? ?has been the frontman of the nationally-lauded gypsy rock band That Handsome Devil?, but always keeping his hip hop roots close.
Kemo the Blaxican's? latest release Upside of Struggle? on Dead Silence Records is series of hip hop tracks inspired by his roots; specifically southern California culture and the music that influenced his youth—from west coast funk, soul, and classic hip hop, to traditional Latin music. The album also features guest appearances by Sen Dog? (Cypress Hill) and Tetsuya Weeping Willow? Nakamura (formerly of War) on the track“Just What You Feelin,” as well as contributions by Sick Jacken? (Psycho Realm) on the album. ?Upside of Struggle? is Kemo’s third solo album on Dead Silence Records. The 12-track incarnation bursts with musical styles and compelling arrangements. Kemo’s lyrical skills stretch back and forth between L.A. street slang and barrio Spanish. He moves the listener through moods, harmoniously encapsulating contradiction, antagonism and the co-existence of good, even during bad times, all with mind bending ease.
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A Stargate is a universe that allows practical, rapid travel between two distant locations and the Megastar Nigel Stargate embodies this sentiment in his music. The alter-ego of Rapper/Producer Caviar, Nigel Stargate comes from the “Hills” of Compton, California. A magical place where hip hop music meets posh royalty, two distant locations. Stamped by the renown Dana Dane, Nigel Stargate is produced by Caviar and has recorded a vault of eclectic posh hip hop music at Caviar’s The Vault Studios in Hollywood.
Nigel Stargate’s treasury of music contains songs with artists like Marsha Ambrosius, Cee Lo Green, Macy Gray, Trinidad James, Big Gipp, Kokane, Keith Robinson as well as the legendary MC, Dana Dane. “When You’re Rich” one of the tracks recorded at The Vault, was Nigel Stargate’s breakthrough song featuring Cee Lo Green. Nigel worked with Music Video Director, Mike Marasco, to visually capture the life of Nigel Stargate who receives the traditional Hollywood perks when he is transformed from a homeless person to a rich man in the “When You’re Rich” video. Nigel loves everything visual and his desire to tell his stories pictorially resulted in a collection of music videos for all of his songs.
Nigel is fresh and creative and his craving to fill the void in the music business brings originality back, an element that has been absent in hip hop for a long time. Imaginative lyrics, fresh hooks and new beats took their proper places on Nigel Stargate’s songs in lieu of lifeless lyrics, humdrum hooks and boring beats. The Greek Philosopher Plato said that “Music is moral law. It gives soul to the universe” and Nigel Stargate is the portal.
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Attention Marijuana enthusiasts: In celebration of our 400th Live Event stream Hunnypot is again offering a very special private Cannabis tasting event.
This Tasting Session is sponsored by the fine folks at White Buffalo,
Our event is located in the Green Room directly behind The Mint. Their will be surprises and give-aways throughout the night, bring a friend or two!
+21, 7-11PM
Green Room (behind The Mint)
6010 W. Pico Blvd.
LA, CA 90035
On their absurd and hilarious new single, the Stockholm garage punk band Viagra Boys parody a particularly American brand of masculinity. The song is, after all, called “Sports,” and a good bulk of the lyrics involve naming different types of balls: Baseballs, basketballs, and beach balls all bounce around the song, emphasized with relish in a comically low voice by frontman Sebastian Murphy. Meanwhile, a hefty mid-tempo drumbeat and a meaty bassline keeps things moving along, joined by a scuzzy three-note guitar riff.
The beach party described in the lyrics gets more and more surreal and lurid as the song unfolds: Somehow, everyone’s both naked and wearing short shorts. People ski through the surf, smoke cigarettes and dope, and eat wiener dogs. Suggestive imagery abounds, and as the music grows in tension, the vocals become more and more deranged. Murphy screams “SPORTS!” at the climax in unhinged exasperation, stuttering and spitting out the word like he needed to defend his manhood at all costs. The song is a perfect indictment of the sort of sweaty, brittle masculinity that tends toward overcompensation. What do you do when your identity is on the fritz—when the real, abject experience of being human catches up to you despite your attempts to dude it away? Smoke a joint, eat some meat, scream the name of every single sport you can think of.
Hunnypot Live! is the Woodward & Bernstein of music discovery. We also have a reading level of at least an 8th grader. We opened the watergates and flooded Monday night with amazing interviews, playlists, live music and dancing. So much dancing. Hot Tub wrote a forward with bangin' beats to start the night. John Alexander graced us with his presence in the hot tub to share his music industry journey from hit rock artist to hit A&R man. John brought along some great music he was involved with and even brought a friend, Mark Hudson, to vouch for him. Elwell key'd up a synthesized pop performance, Kisspanic didn't even flinch at delivering a smorgasbord rock sound, The Clumsy "tripped" us all out with high energy rock n' roll. h2the returned with beats and besties Novi, Woolf, R.E.L. and Kendal Lake to shake and bake our blues and we closed another show chapter with a crazy all out dance party. 09/03/2018
John Alexander began his music career playing in bands while in High School growing up in Ottawa Canada. He enjoyed success fronting the band Octavian who signed with MCA Records and had a few top 10 singles at that time. After the band disbanded he started managing groups including The Teddy Bears, Sheriff who had a #1 Billboard hit with "When I'm With You" and Luba. In 1984 John became the head of A&R for MCA Records Canada, he was responsible for signing artists to the MCA Canada label and writers to MCA Music Publishing rosters, while there John signed a young Alanis Morissette to her 1st record deal and publishing deal resulting in the 30 times-platinum album Jagged Little Pill and 5 Grammy's for Alanis.
In 1997 John became the Senior Vice President of membership for a A.S.C.A.P. and served the songwriter/publisher community for 12 years.
John has been active in the careers of Avril Lavigne, Ringo Starr, Justin Timberlake, LeAnn Rimes, Celine Dion, Taylor Hawkins (Foo Fighters), Johnny Resnick, Daniel Lanois, Ryan Cabrera, Ashlee Simpson, Tal Bachmann, Sarah Kelley, to name a few.
John is currently managing the band Boulevard who are signed to MCA with an album getting great response throughout the world.
Elwell is a Los Angeles by way of Minneapolis based musician/songwriter/producer. (Andy)
Elwell released his debut LP Let The Rain Come In in 2016. "Claps" & "Dark" singles came out in 2017. This year saw the release of 2 new singles "Find Me" and "Weary".
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Kisspanic is a Modern Rock trio from Los Angeles CA. The band is formed by Rudi Meibergen, Thomas Rojo and Fer Fuentes. They are about to launch their first album with Darryl Swann in Hollywood
RUDI MEIBERGEN, (creator) - Rudi is a chilean music composer. He has worked on the music of several Hollywood productions including shows for Netflix, Fox and HBO (*). But Rudi's passion extends beyond scores and orchestral music to his first love, rock, the reason why he was the frontman of the band Weiza for more than ten years to then create Kisspanic.
THOMAS ROJO, (bass player) - Producer, and Owner of Pattern Recording Studios in Culver City, Los Angeles, CA. Rudi met Thomas in music production classes. They became friends, then co workers for several productions, and finally decided to start working on the pre production of the album together.
FER FUENTES, (drummer) - She played and recorded with the Latin Grammy and MTV Award-nominated band MammaSoul, and toured through Europe and South America with La Banda en Flor. Has performed with artists like Debbie Gibson, Abraham Laboriel and Oscar Hernandez. Fer had worked as a sessionist with Rudi back in Chile for several music projects. When they knew they were both living in LA, they decided to start working together again on this new production.
KISSPANIC - The band is finishing producing their first album with Darryl Swann, triple platinum producer known for working with artists such as John Frusciante, Rock Rubin, Macy Grey, Stevie Wonder, Mos Def, Erykah Badu, and the Black Eyed Peas, among many others. Darryl was Rudi´s teacher at UCLA. One class Rudi showed some mockups of what he had in mind for his album and Darryl believed in the project and became his producer. The album was recorded at Clear Lake Recording Studios (No Doubt, Jimmy Eat World, Anthrax, Back Street Boys, and Ringo Starr...). At the same time is also recording a sinngle for a music compilation that supports the refugees over the world in 4th Street Recording Studios (Incubus, Muse, System of a Down, Nelly Furtado and the Beach Boys...).
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“Brilliantly blending 80’s synths with an new cutting edge sampling style, rising hip hop/experimental producer h2the released his debut single titled “Taste Of The“, a teaser/cut-up off his new beat tape exclusively available on cassette!” – UGHH
URB Magazine wrote that “[h2the] is something else…in a profound kind of way,” calling his sound titillating and “juicy for the ears,” while The Village Voice described his productions as “adventurous and banging.”
2DOPEBOYZ and Vibe Magazine’s allhiphop.com have also noted h2the’s rap flips of 80?s inspired sonics. It’s the producer as auteur as every track takes you through the emotional space of the artist, like Kanye or Godard. Erez will feature LA based Future Folk artist Woolf, Woolf (Facebook) Woolf (Instagram) Woolf (Twitter)
WOLVES is a trio from Los Angeles consisting of Marc Avery, Sean Carney and Rockwell Sands. The band combines pop sensibilities with bold rock’n’roll and gritty urban beats created their unique sound.
The band was named after the characteristics of wolves. These majestic animals which are bonded by an innate sense of the pack, move in harmony as one unit towards common goals. “I can’t think of a better way to describe us. The three of us are all about the good of the group; every day we try to embody that philosophy in our music and beyond.” remarks Avery.
Check out WOLVES’s single ‘Freaky’, it’s an anthem to inspire others to be brave and embrace who you are, to share your inner-most desires with the world and live life to fullest. Trippy keyboard fx and groovy drum beats with catchy vocals makes you wanna dance to it.
Make sure to come through to our Hunnypot Live At The Mint party on October 15th, WOLVES will be performing live!