You've heard the Buzz, Hunnypot will Feed you the absolute truth when it comes to fantastic entertainment. We collude with the best industry players and music makers and we'd testify without any embellishment, to any body of government. Show #408 ignited with a Hot Tub DJ set filled with bangers and mashups. Shelita Burke sat down to talk about her humanitarian platinum hit songs and got on stage to help us get in touch with ourselves or to penetrate others. Grand Canyon returned like an echo to Hunnypot for a really rockin, rootsy set of American music Blame Candy also got down in the hot tub and were as sweet as can be. They hit the stage afterwards to perform a guitartastic, bombastic, glitter and heels rock n' roll revue. Binx made an African Bee-Line back to Hunnypot for another amazing bug eyed pop and dance extravaganza. Jude Rose performed a tender explosion of sweet melodies and subdued tones and the night finished with a world famous Hunnypot Dance Party. 01/21/2019
Shelita Burke is a Pop-Electronic artist and writer based in Los Angeles and Paris, France. She is known for her engaging, collaborative, and spontaneous live performance style. Originally from Seattle, Shelita independently toured the world with over 150 shows across Europe, Asia, and Africa as well as a myriad of performances throughout the U.S. Her ability to connect with audiences and engage her expansive network of over 175,000 twitter superfans has resulted in a devoted global audience and prompting media interest from NPR, The Village Voice, Billboard, MTV, and many music industry taste makers.
Her latest songs are a departure from her earlier acoustic releases and transports the rising star into the pop world as a result of her collaboration with hit producer Marcus “Bellringer” Bell. The response has been infectious, with the most resent single “Penetrate” rising to #14 on Billboard’s Next Big Sound, a viral response amongst streaming services, and social media impressions reaching over 40 million people. Added attention was generated from her first single “Belong” which achieved over 2.7 million Spotify plays. Her forthcoming EP is planned for release later this year.
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In an era of computer-made, beat-driven music, Grand Canyon is the antithesis of modern pop music. However, focusing on classic sounds and arrangements and drawing on the inspiration of 70s musicianship and timeless songwriting, it is the kind of music that will be wafting through the canyons for a long time.
The Los Angeles based rock and roll band, fronted by Casey Shea (guitar/vocals) and Amy Wilcox (vocals), and driven by Joe Guese (guitar), Darice Bailey (keys, vocals), Jon Cornell (bass), and Fitz Harris (drums) has self-recorded a debut album that is out now on Bodan Kuma Recordings.
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BLAME CANDYShield your eyes, mortals - Blame Candy has landed. The extraterrestrial, FUTUREGLAMROCK quartet has descended upon Planet Earth with a guitar-heavy rock and roll mythos guaranteed to twist human nature on its head and thrust it into the outskirts of the stratosphere. Whether they’re dazzling concert-goers with lightning-speed instrumental virtuosity, gyrating in flawless synchronicity, or subverting social norms with gender-bending sartorial irreverence, Blame Candy leaves a glittery trail of destruction wherever they roam.
The band’s bedrock is built upon its dynamic and flamboyant live performance, which ringmaster Chris Greatti describes as a “reckless and animalistic release of primal energy. Dressed to impress!” The rambunctious opener “Sweet Tooth” muses on addiction to “rock and roll symphonies” amidst winding, neoclassical guitar flurries, while the choreographed “Pathetic” dutifully illustrates the bands knack for earworm melodies and penchant for onstage theatrics. Citing classic influences like Van Halen, Queen and Prince, as well as modern kinfolk Radiohead and Tame Impala, Blame Candy’s entity is undoubtedly eccentric and eclectic, and its live show is a must-see hard rock phenomenon unlike any before. In Greatti’s words, “Blame Candy’s music is music for the 2020’s and beyond. The future of rock and roll is staring you in the face in matching red vestments. Take my hand and join us.”
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Meet BINX, South Africa's beautiful "African Bee" with a sting ready to swell up pop music.
The New Yorker quotes "with a voice like Gaga's, she's partial to yellow-and-black clothes and arena choruses." This Avant-Garde pop musician/model is based in Los Angeles where she has performed at the US Open, The New York Marathon (two years in a row) Webster Hall, Soho House (NY) and The South African Traditional Music Awards. She has had a No.1 song in South Africa and is helping to save the bees with her latest album, "Buzzed."
BINX recently performed at the NAMM Grand Finale and Grammy Showcase Party 2018 in Los Angeles. She signed with Lip Sync Music in early 2018.
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JUDE ROSEJude Rose is a singer and music producer based out of Chicago. His music is a unique brand of R&B that pulls you in and lingers in your consciousness even moments after its end. The 27-year old multi-instrumentalist produced a record layered with dark, moody sounds, pulsating synth, heartfelt melodies, and lyrics about personal experiences. In that regard, his artistry is comparable to recording artists such as Joji and Blackbear. With a sensual essence and captivating stage presence, Jude Rose has already begun to garner the attention of major record labels.
The emotional scars of the young songwriter’s past have provided a vivid backdrop for his sentimental subject matter and his introspective lyrical content. That notion is the very foundation that Rose used to create his upcoming single, Lose . “ Someone that I love had depression and anxiety. It got really bad to the point where she had thoughts of hurting herself or committing suicide. I was anxious and I didn’t know how to process it, ” said Jude Rose. “So (Lose) was just me being able to process it. The song is my promise to her. I will lose my mind and my touch before I ever lose her.”
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This Friday night at Mint LA will be a fire! Check out the lineup: Sonamo’, Dagnasterpus, LALA Brass Band, & Walk Talk. As if it's not enough, Hot Tub Johnnie will be spinning in between and after the artists! Dance party guaranteed!
DAGNASTERPUS is a groove machine that fell out of the mind of road warrior/composer, Tree Adams, former frontman of the New York City jam band, THE HATTERS, recently known for his work scoring film n tv projects such as THE 100, CALIFORNICATION, LEGENDS & NCIS NOLA.
DAGNASTERPUS features nimble horns, grimy beats and soulful vocals. Tree’s lyrics are imaginative and evocative, weaving observations of the everyday life with tales of secret agents, disreputable characters and a healthy pinch of who gives a fuck.
The Dag squad is an amorphous organism comprised of trumpeter, Jordan Katz (DeLa Soul, Method Man & Lucinda Williams), saxophonist, David Ralicke (Beck, Ziggy Marley & Macy Gray) and trombonist Shaunte Palmer (Earth, Wind & Fire & Kamasi Washington). Bassist, Ethan Phillips (DeLaSoul, Ghostface Killah & Raekwon). Drummers: Yayo Morales (Rita Marley) and Michael Jerome (Blind Boys of Alabama, Me’shell Ndgeocehllo) along with James Brack (background vocals, keyboards and percussion). Joey Massari (keyboards) and Andy Schuyler (guitar).
Come through and have a great time with us this Friday! All ages, 420 friendly, $12. cover at the door or buy advance tickets here.
Glowie's new single "Body" is making an impression. A self-confessed ADHD loner with a lot of emotions, Glowie was bullied at school, which resulted in an unhealthy relationship with her body. Today however, Glowie displays makeup-free selfies on Instagram and t-shirts proclaiming, “a woman’s body is her own fucking business!”
Knowing the importance of taking care of yourself both physically and mentally, proud feminist Glowie is conscious of spreading not just body positivity, but pure honesty both on social media and with her music. “Art is not supposed to look nice, it’s supposed to make you feel something. I’m tired of trying to look nice for other people and being a certain way to make people like me. This year I am not going to be flawless, I’m going to be me, happy, emotional. I will paint, sing, dance and work my ass off.”
The track, which was written by Julia Michaels along with Justin Tranter, Mattias Larsson and Robin Fredriksson, is available now at all digital retail providers via Sony Music U.K./RCA Records.
Lupa is a UK based Electronic Rock Music (ERM) 4-Piece band with a sound best described as the angry rock-obsessed lovechild of Paramore and Chase & Status. Lupa is fronted by a charismatic firecracker vocalist, Livvy M, and backed by Timothy Jack (guitar & synths), Anderson (bass guitar) and Craig (drums).
Lupa's latest single, "Breaking Out", will set you freeeee!
Live life loud!
New Year, who's with? Oh, the things we've seen in 2019. Our first Hunnypot Live of the year, #407, dropped serious balls. Hot Tub launched a no-baloney DJ set tp start everyone off. Emmy nominated music supervisor Jen Malone returned to the tub to fill us in on what she's been up to in film and TV and "Ghost'd" us with an award winner of a DJ set. Jesse Palter Old Lang Sang her heart out for us with pop and soul panache. Baby Fuzz put rock, pop and pomp hairs on our chests and bandleader/songwriter Sterling Fox got a few minutes of soak time to bring us up to speed on the band. The Songery was the Baby Nuke Year and irradiated us with song and dance. Rae Khalil "repped, spit and chilled" with mindful music and Hot Tub Johnnie closed the first night of many this year with another historic dance party set. 01/07/2019
Jen Malone is an Emmy Nominated Music Supervisor based in West Hollywood.
Credits include: Creed II, Atlanta, Baskets, Step Up: High Water, The Resident, Are You The One?, Lady Dynamite, Shelter, Noisey, Vice Guide To Everything, Video Game High School and many more.
Jen Malone started her career in the music industry as a publicist at Formula PR, working for Nine Inch Nails, Portishead, Chemical Brothers, Crystal Method, Marilyn Manson, Prodigy and many more. While living in Boston she formed the boutique publicity agency, Black & White and represented several artists and labels including The Hellacopters, The Hives, Backyard Babies, The Wildhearts, Gearhead Records and Hydrahead Records to name a few.
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By the time she officially signed to Artistry Music and began honing the setlist for the release of her debut EP The Paper Trail, Jesse Palter had written an astounding number of songs. Every time she sidles up to the piano to pen a new one, the Detroit born and bred, Los Angeles based singer/songwriter commits herself to the discipline of perfecting her craft. Strengthening her creative muscles and figuring out what melodies, lyrics and chord changes work best, she allows herself to be vulnerable, brave and brutally honest at the same time. .
Helping Jesse develop her sound and overall vision is producer Doug Petty, who came into her life as a fan of her vocals and songwriting before she had signed her record deal with Artistry Music. Petty, also a veteran keyboardist who has worked with the likes of Nick Lachey, Celine Dion, Audra McDonald, Britney Spears, Lisa Loeb and Shawn Colvin, agreed to produce her material whether she had a label or not. What Jesse calls his “meticulous, mad scientist approach to production” allowed her to keep the integrity of her songs from demo through the many layers and textures he brought forth. Testament to Jesse’s artistry is the caliber of studio musicians who were invited to play on the project – including bassists Tim Lefebvre and Alex Al and drummers Matt Chamberlain and Aaron Sterling.
Jesse grew up a multi-instrumentalist (piano, trumpet, etc.) with parents whose passion for an eclectic array of music inspired her to deeply respect the art of great songs and songwriters, from Carole King and Joni Mitchell to Prince, Michael Jackson, Stevie Wonder, Smokey Robinson and The Beatles. Her multitude of talents as a vocalist and songwriter of strength and depth are showcased powerfully on the five tracks of The Paper Trail EP.
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Baby FuzZ, the latest project from songwriter Sterling Fox, is an alt rock/glam pop band with a rotating cast of contributors, band members, and characters. Baby FuzZ's music fuses a number of styles from emo to rock and roll to strange ballads, while the live show is theatrical and absurd.
Described as “one of the most slept on acts in music” by Hillydilly, Baby FuzZ has released a litany of singles and bizarrely brilliant videos in 2018 and is dropping a full length album Plastic Paradise at the end of January. In the past, Fox, the frontman of the group, produced “Video Games” by Lana Del Rey and has written songs for the likes of Madonna, Britney Spears, and Avicii.
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Writing songs that deal with every color and nuance of life, The Songery aims to push mental boundaries through genre-bending pop and theatrics. The concepts, ideas, and messages behind the songs are more important than the songs themselves and every move, every sound, every visual is developed with care and intent in a final attempt to peel back the mask that humanity can so easily wear.
When asked why one person would decide to call herself “The Songery” she replies, “The Songery is more than a persona. It is a call to arms, a spearhead signaling for spiritual awakening, symbolic of an ideology that the world seems to be lacking severely and yet constantly surrounds us. For this reason, my project is grounded in story-line, integrity, concept, and character. I feel very secondary- as if I am the one driving the car, and it’s my car… but I am not the car. The Songery is a name I feel very intertwined with, I feel it so perfectly encapsulates the whimsical world I strive to show people. I’m not quite there yet. I’m still developing, completely on my own, so it is a process… but I’ll get there.”
-I also feel the name gives me freedom to play with all these abstracts and to adopt such a wide range of tones and subject matter. Some very light, some very dark, ranging substantially in color yet all unified within this world. I have been writing songs and performing since I was a little girl, and never really had the belief that I could or should be trying to make a career out of it… until The Songery came along. It sparked a purpose within me. I believe in The Songery with such passion that I want to keep fighting until I see it realized. The Songery comes with power to me. It is more than me. It is bigger than me. If I forfeited the name, the music would not feel the same. Nothing would feel the same. It would not be the same.
The Songery loves Jonsi, Sigur Ros, Regina Spektor, Danny Elfman, Queen, Nick Cave and Warren Ellis, Beethoven, all the random hits of the 80s, and pretty much any film score.
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Rae Khalil a singer/rapper from Torrance, California is setting a new trend. The young rapper just released singles “BELIEVE” and “NOT GOING Back” on all platforms. Her beautiful raspy voice, combined with her ability to play with words and melodic bliss makes her hip/hop soul sound so captivating.
Fans are listening to Rae’s unique flow and the valuable messages she shares in her music. She often speaks on her duty to speak and impact the youth and her community, which is refreshing to hear from a female rapper/singer in today's music scene. Rae has a presence when she sings on her euphoric hip/hop soul beats and we are listening.
Hot Tub Johnnie is celebrating NEW YEAR'S EVE at The Mint with a get-down at Monday Dec. 31st. Hot Tub Johnnie is supplying the good-time dance party action for the night.
The evening features performances by The Higgs and Mestizo Beat. It'll be a super-fun night not to be missed. Get your tickets to the show here. We'll be starting at 8:00pm sharp!
$25 advance / $35 day of show
This event is 21 and over
Melting faces. Blowing minds. Cerebral jams for the masses. Through their incessant playing and enthusiastic fan base, they've become one of the fastest-growing, original jam bands in California today. Named after
the elusive Higgs-Boson particle - which provides for "mass" of all things in the Universe and helps to unify the different forces; The Higgs blur musical boundaries and unify the different sounds of jam rock, prog, alt-rock, reggae and blues into an awesome musical fusion. The four members include John Lovero (Guitar/Vocals), Garrett
Morris (Drums), David Barsky (Bass/Vocals), and Jesse August Jennings (Keys/Organ/Synth). They have tremendous stage presence and truly enjoy interacting with their audiences - and it shows up in their sound, which is known for being tight & infectious. Come check out why The Higgs are one of the fastest-growing bands in the scene today!!
Pardison Fontaine and Cardi B's new single has everyone "Backin it Up". Their energy is contagious and people can't stop dancing to this hot new single. The song was released in late September and has been making us move since. Aliya Janell's choreography is hot, sexy, and will make you want to drop whatever your doing and join her dancers in backin it up. Their fierce dance moves combined with Pardi and Cardi's fiery voices will force you to take on their attitudes and let lose.
The two rappers have been friends for awhile, and Cardi showed her appreciation for him in a throwback Instagram Post, "Pardi has helped me a lot with my growth and development as a recording artist," she wrote, "I’m really happy to be joining him on his next single Backin' It Up."
The two had worked together previously, as Fontaine co-wrote Cardi's chart-topper "Bodak Yellow." He also co-wrote 12 tracks on Cardi B's debut album, Invasion of Privacy, in addition to tracks on Kanye's album,Ye, and G-Eazy's hit "No Limit."
Hunnypot Aprroved!
The motto at Hunnypot Live is "Smock 'em if you got 'em". We sure did that on Monday night. Show #406 was our winter holiday party and last show of the year and we did celebrate. Our true love, Hot Tub Johnnie, gave to us an opening set of good tidings music. (Christmas) Tree Adams hung and stocked us with care with an interview about his career as a band guy and a film and television composer. Then he jumped right down the chimney with his band Dagnasterpus and funked the audience right in their faces. Trishes brought us to musical ecstasy with multiple....personalities electronic pop/ Everyone got Heather Cole in their stockings and it was an amazing pop music gift. Mt. Vrnon rose just like an empress above the mid city and h2the fueled the dance party with a set that could have lasted for 8 days. 12/10/2018
Recap: J. Gray Photos: J. Gray, R. Taalbi, Juice
Tree Adams approaches the sound of a wooden spoon mashing potatoes, church bells tolling in Corsica, or air pushing through a tube mic pre with equal interest. Any of these could inspire a fresh way to tell a story with music, which is what he does. Equally at home conducting a large orchestra, programming beats in the studio, cranking out loud guitar solos in an amphitheater or arranging vocal parts with a gospel choir, Tree lives to create original and unique work for his every project.
Over the past 20 years, Tree’s adventures in film and television have given him the opportunity to collaborate with great talent in diverse styles. Current projects include an epic scifi score for Jason Rothenberg’s The 100 (CW), which is rife with dark soundscape, Middle Eastern colors and orchestral themes. Warner Bros/Water Tower has released 3 soundtracks of Tree’s score for The 100. For NCIS: New Orleans, Tree layers contemporary high energy procedural pulses and textures with New Orleans inflected blues/jazz ensemble elements and voodoo. The Freshman series‘Lethal Weapon called for him to score hip-hop-driven car chases, comedic cop banter and tender moments underscoring a range of relationships. Ken Biller’s international espionage thriller, Legends (TNT) featured a more minimalist approach combining solo celo and electronic soundscapes. For the John Hertzfeld’s redemption film Reach Me (Millenium Films), a traditional orchestral score. A gritty rock score for Californication (Showtime), an urgent cerebral score for the crime drama, Perception (TNT) a high energy electronica score for action/thriller Run (Millenium Films.) A dusty western score for Swelter and gritty hip hop grooves for Denis Leary and Bob Fisher’s comedy Sirens (USA).
Tree was somewhat reluctantly immersed in classical piano training at an early age. When he was around 10 years old, he heard Hendrix, at which point he picked up the guitar and found his love o’ the sport. He spent most of the ‘90s on the road as the frontman for a rock band called The Hatters, who released several records on Atlantic. They were road warrioirs, touring with bands like The Allman Brothers, Tribe Called Quest, King Sunny Ade and Jimmy Cliff. While in the studio recording the band’s last album, Tree had the opportunity to produce an end title song for a studio feature film and he had his first taste of music as an applied art. He found the process of working to picture exciting and intriguing and when his band dissolved later that year, Tree set out on a new course as a composer.
Since then, Tree has enjoyed collaborating with filmmakers to craft music with storytelling, where he employs an expansive musical palette in his adventures in film and television.
A true raconteur, Tree unveiled the first of his six issue graphic novel series DUSKRIDERS in spring 2017. The story chronicles the perils and pursuits of a three-man renegade army fighting to save a dying Earth and avenge the murder of protagonist Dublyn Stinson’s father. The comic was released digitally, along with a self-titled soundtrack, and is available at DuskridersComic.com.
Born in Berkeley, raised in New York City, Tree lives on the east side of Los Angeles with his wife and kids.
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DAGNASTERPUS is a groove machine that fell out of the mind of road warrior/composer, Tree Adams, former frontman of the New York City jam band, THE HATTERS, recently known for his work scoring film n tv projects such as THE 100, CALIFORNICATION, LEGENDS & NCIS NOLA.
DAGNASTERPUS features nimble horns, grimy beats and soulful vocals. Tree’s lyrics are imaginative and evocative, weaving observations of the everyday life with tales of secret agents, disreputable characters and a healthy pinch of who gives a fuck.
The Dag squad is an amorphous organism comprised of trumpeter, Jordan Katz (DeLa Soul, Method Man & Lucinda Williams), saxophonist, David Ralicke (Beck, Ziggy Marley & Macy Gray) and trombonist Shaunte Palmer (Earth, Wind & Fire & Kamasi Washington). Bassist, Ethan Phillips (DeLaSoul, Ghostface Killah & Raekwon). Drummers: Yayo Morales (Rita Marley) and Michael Jerome (Blind Boys of Alabama, Me’shell Ndgeocehllo) along with James Brack (background vocals, keyboards and percussion). Joey Massari (keyboards) and Andy Schuyler (guitar).
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Trishes is a project by Trinidadian native Trish Hosein, created to express Freud's constructs of self (the primal, conscious and spiritual) through spoken word, live looping and vocal effects. Her undeniably original songwriting, fleshed out by hip-hop beats and pop hooks, examines human struggle through an anthropological lens.
Hosein began touring the U.S. and abroad after graduating from the Berklee College of Music, and has opened for acts like Damian Marley, Vic Mensa, K. Flay, Neon Hitch and Gavin Turek. Her dynamic live show awes audiences as Hosein takes them into her museum-like mind and creates a sonic blanket with her unique sound. After seeing Hosein perform Marie Claire, Allure and Cosmopolitan writer Shyema Azam called it "Enchanting," continuing, "It wasn't hard to see that this one woman show was super talented, making her own music and expertly layering her voice over catchy tunes as she went along."
Hosein's upcoming album "Ego" focuses on the entities that define humanity while addressing the current cultural and political climate. Each focus track on the album will be aided by art collections and personal essays. When not working on music, Hosein helps resettle refugees in the Los Angeles area, volunteers with Rock n Roll Camp for Girls, and is on the board of the Elder Entertainment Organization. She is also a brand ambassador for American Express and Discover LA.
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Emerging pop artist, Heather Cole teams a compelling vocal talent with heart, passion, and ability to connect and move a room full of music listeners. Heather explains, " What I love most about music is how it connects people through shared experiences. Making and sharing music is like a group therapy session. Sometimes it's just letting loose and dancing, and sometimes its admitting a mistake, sometimes its declaring to choose yourself over a relationship. No matter what it is, we all have personal experiences we want to share. The best way for me to do that is through my music."
The Los Angeles based Alaska native is influenced by powerhouse pop artists, such as Katy Perry. Justin Timberlake, and Demi Lovato, Cole's music portrays her ability to balance a soft and vulnerable side with sultry confidence.
In 2015, Cole released her first co-written track a song called "Not that Smart", which is a duet with fellow Belmont classmate and former American Idol finalist, Rayvon Owen. Soon after she released "Hearts Will Break" to radio. Gaining attention from iHeart Radio's "Most Requested Live with Romeo," Cole visited Top 40 stations across the country, being touted for her engaging and authentic personality, along with her ability to capture an audience. Cat Thomas, VP of Top 40 at Cumulus, bragged, "[Heather Cole] is a real artist. When you meet her, you know she has the 'IT' factor.
Earlier this year, Heather released her debut EP entitled "One of Our Hearts," which is also a visual project. Cole tells the story of one relationship, beginning to end through music and film. Cole created the concept, wrote the script, co-choreographed the dancing, and was the overall creative director for this video project.
"Everyday Lover" is the first single from her new project. "When I wrote this song with Abe Stewart and Rhett Fisher, I was happily in a relationship I wanted to hang out with everyday."
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Mt. Vrnon is an indie folk project born in Los Angeles, CA. Their music blends layered harmonies, retro synths and acoustic sounding programmed beats, to create a sound that transcends genres. The sound and songs have a dreamlike quality disguising ardent, introspective lyrics in trans-formative textures and expansive reverb.
“Brilliantly blending 80’s synths with an new cutting edge sampling style, rising hip hop/experimental producer h2the released his debut single titled “Taste Of The“, a teaser/cut-up off his new beat tape exclusively available on cassette!” – UGHH
URB Magazine wrote that “[h2the] is something else…in a profound kind of way,” calling his sound titillating and “juicy for the ears,” while The Village Voice described his productions as “adventurous and banging.”
2DOPEBOYZ and Vibe Magazine’s allhiphop.com have also noted h2the’s rap flips of 80?s inspired sonics. It’s the producer as auteur as every track takes you through the emotional space of the artist, like Kanye or Godard.
Laroussi’s vocals are beautifully rich and well produced. I’m not really sure what is supposed to be attached to her beautiful face. Is it a face sucker from the movie Alien? Its eye catching whatever it may be and for that reason perhaps makes it the focal talking point of the music video which has a visual similarity to Adele’s “Send My Love (To Your New Lover).” The slow motion shattered glass at the end is certainly a metaphor for the psyche. The lyrics repeatedly stressing the fact that she gets lost sometimes and perhaps we are left with the feeling that with this explosion she is finally becoming free from any of her inhibitions. Lost somehow manages to be reminiscent of late 90s introspections like Alanis Morisette’s "Thank U" and Madonna’s “Ray Of Light.” The video ends with what sounds like a child talking about bullying which within the context of the video makes the whole song a possible look at the inner child that just wants to be loved. Lyrically the song seems to deal with themes of loneliness in the face of personal challenges. In the end I think it is a good anthem for being brave in spite of fears and perhaps the mask on Laroussi’s face is just hiding her vulnerability and protecting a joyous smile beneath.
by Brooke Trout
Our guts (not our brains) tell us we only have about 100 years till the end of this planet and only 1 more Hunnypot Live show before the end of this year. Our 2nd to last show of the year, #405, might have made it all worth it.
Hot Tub Johnnie cooked the atmosphere early with "green" house gasses & party jams. In a not so change of climate, industry professional Kristen Agee (411 Music Group), jumped in the (fire) water with us. Kristen got an A+ on her interview where we learned about her career as a professional musician and copyright keeper. She also brought an awesome diverse playlist of music she shared with us.
The Living Strange gave us that curious life music filled with riff rock and catchy melodies, Velvet Starlings weren't nearly as soft as their moniker while they performed high energy rock n roll music, SILVERSAGE straddled that pop/rock/dance music line as tight as ever, Franklin Manor returned to perform melodic rock hits, and Hot Tub closed the night with a scorched earth dance party. 11/26/2018
Kristen Agee is the CEO and Founder of 411 Music Group. 411 provides synchronization licensing, publishing, administration, artist development and digital distribution for music rights holders. Three years after starting 411, the head of global music marketing at The Coca-Cola Company featured Agee in a Q&A centered on ‘the life of a music startup’ about becoming a musical entrepreneur. Agee secures global partnerships for 411 and oversees creative and strategic business development. She is a classically trained violinist, bassist, composer and sound engineer who resides in Los Angeles.
Agee has spoken on panels and hosted workshops across the world. She grew up in Oklahoma as a Classical violinist and started writing, recording and playing multiple instruments when she moved to Los Angeles at 18. After a stint at the LA Recording School, she built and opened a studio in Silver Lake and recorded Punk bands and developed writing partnerships. She started touring with multiple indie acts as a violinist and bassist before transitioning to full-time writing. After writing for publishers in the sync world, Agee crossed over to the business side of music and started 411 Music Group. As a music business owner, Agee has a fundamental understanding of the creative process across multiple musical genres and provides insight to the inner-workings of sync deals, publishing and TV, film and interactive music models. At 411 Music Group, she negotiates worldwide partnerships with artists, catalogs, publishers, TV networks and brands, as well as videogame, digital and production companies. In April 2017, Agee was called to run the music department at All3Media America where she was the Executive In Charge of Music from April 2017 to August 2018. Agee currently composes music for Chrisley Knows Best, Undercover Boss, 24 Hours to Hell and Back, Shark Week and Breaking Homicide.
The Living Strange is an alternative rock band based in Brooklyn, NY that is the brainchild of 19 year old songwriter, Elijah Sokolow. Sokolow wanted to form a band that could combine heavy guitar driven riffs of Tom Morello with a more modern electronic atmosphere in the vein of Annie Clarke of St. Vincent. On the new debut album “Gunk”, nearly all instruments are performed by Sokolow other than drums, which are performed by Ben Shafrir. As a live act, The Living Strange consists of Sokolow (vocals, guitar), Ben Shafrir (drums), Nico Sleator (synth), and Miles Blue Spruce (bass). The band has toured throughout the U.S and recently did the Vans Warped Tour.
Currently the band is looking for Film & TV licensing opportunities and playing shows to support their new album release “Gunk”
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Velvet Starlings is fronted by Christian Gisborne a 15 year old indie rock singer, songwriter, producer and multi instrumentalist based in Los Angeles. He is known for a powerful 60s era Eric Burdon (The Animals) influenced vocal style combined with a commanding stage presence. Velvet Starling's unique performance style has invited media and industry insider comparisons to Jack White and Ty Segal. Gisborne's early musical influences included British Invasion staples, such as The Beatles, The Who and the Rolling Stones. Already making a name for himself at such a young age, Velvet Starlings has garnered attention from Los Angeles powerhouse KROQ as well as Sirius XM. His fusion of gritty garage blues coupled with Brit inspired rock has led to high profile festival bookings including SXSW/MEcon and Summerfest Milwaukee. Velvet Starlings’ long awaited self-titled EP on Sound x 3 Records / Rock N Rolla Records is set for release late 2018 which was a collaboration with producer songwriter Roger Gisborne (leader of 90s Brit Rock band “Plastiscene”), mastered by Brian Lucey (Arctic Monkeys, Beck, Black Keys). The seven track EP kicks off with leading single and video, “If Life Ain’t Getting You High”. The single features vintage guitar sounds, driving drums and hard hitting rock vocals. With introspective lyricism detailing living in the moment, "If Life Ain't Getting You High” is an anthem for the youth of today. The band wear their influences proudly on their sleeves with second single, “Borrowed Time”, a clear tribute to the sixties British Invasion era, which has been receiving considerable airplay & review. "Sold Down The River”, the latest single, showcases Dylan-esque lyrics, soulful Hammond B3 organ, gritty guitars and raw blues inspired vocals.
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Emerging as one of the top alternative bands based out of Las Vegas, SILVERSAGE has created a buzz since its inception late 2013 by regularly filling top Vegas venues such as; House of Blues, Brooklyn Bowl Las Vegas, The Sayers Club, Double Barrel Roadhouse, and Vinyl at Hard Rock.
The band has also become a mainstay act on the Las Vegas strip performing under Caesars Entertainment. Along with local Vegas residencies, Silversage has also toured parts of the western U.S.
SILVERSAGE has opened for national acts Lukas Graham, LANY, Blues Traveler, and Steve Winwood, to name a few, along with showcasing at SXSW 2017 for Paradigm Talent Agency and Caesars Entertainment. Locally, SILVERSAGE has been featured on The Morning Blend and FOX 5 Gibson Showroom, and they have also received radio airplay from X107.5, MIX 94.1, and KOMP 92.3.
SILVERSAGE draws influences from One Republic, Muse, Imagine Dragons, and Fall Out Boy among others. ?
SILVERSAGE is currently working with producers Jim Kaufman (Atlas Genius, Night Riots) and Tall Animals (Plain White T's) preparing their debut album.
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Franklin Manor’s newly released EP “Time and Space” captures a cutting edge electro rock sound similar to Twenty One Pilots and Muse. Kevin Kelpin, highly innovate front man and founder of the project, brings forth a unique blend of piano, synth, and heavy guitar.
The 4 piece was established in 2015 included vocal/keyboard Kevin Kelpin, drummer Jeff Galland, bassist Nick Diiorio, Guitarist Eddie Lucero, with the release of their first album Motive quickly followed by their international tour in Japan, and first distribution deal with Tower Records.