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I've been following this cats evolution for quite some time, and like fine wine he's getting better with age.  Andrew Hagar's recently dropped a new single (with accompanying video) entitled "Red Light Appetite" and it fires on all cylinders.  It's got all the prerequisites one would expect from Hagar video including beautiful women, cowboys, and of course - vampires.  As a hat aficionado, I immediately caught Ryan McGrath's cameo (Trovador Customs) and all those bad ass custom brims he churns out.  Digging a bit further, one notices that many of the extras in "Red Light Appetite" were provided courtesy of the Amigos Motorcycle Club. Truly bad ass!  But what good would all that be without a kick-ass song that stands on its own two feet?  This one checks all the boxes and then some as a killer precursor to Limited Edition Psycho (his highly anticipated full-length album due out in 22'.) What I love about this song is that when I close my eyes and crank it up, I can easily image its killer sound filling up major arenas all across the country.  Andrew Hagar is special, and mark my words, will be a rock and roll force to be recokned with in the not so distant future.  

- Matthew Belter

Published in Video Picks

It's Halloween night and not a better way to spend it than with Twin Temple playing to a sold-out crowd at the Fonda Theater in Los Angeles. According to the band's bio, "Devout Satanists and meticulous preservers of rock ’n’ roll’s ancient, timeless spirit", this black-clad and effortlessly stylish duo (Alexandra and Zachary James) have created a sound that blends their Satanic ideology with the irresistible sass and melody of classic ‘50s and ‘60s rock ‘n ’roll."  Tonight, would promise to be a Spooktacular event and Hunnypot was there to cover it!

The fans started lining up early for this one. As soon as we arrived, the line was already around the corner full of fans some of which were fully dressed in Halloween costume. Twin Temple has quite the following and this was evident by the early lines of fans as well as a huge line for their merch stand. Many of the dedicated fans had mentioned they were in the merch line for close to an hour as tonight the band had special posters, vinyl, t-shirts and more!

The night got started with Louisiana Purchase, who is well known as one of the best drag performers out there. She performed a 30 minute set to some of her favorite songs including songs from The Cramps and Screamin' Jay Hawkins. A great way to get crowd ready for Twin Temple.

It was finally time for the Twin Temple Sextravaganza to begin! The sold-out crowd had been waiting for this show for quite some time. They had announced this show to their coven members months ago so the dedicated fans were ready. This would be their first and only headlining show of the year. They recently played the Psycho Las Vegas fest as well as some West Coast dates with Volbeat, but tonight they were headlining their own show in Los Angeles.

Tonight, Alexandra and Zachary, the twins of evil known as Twin Temple,  along with their talented band of musicians took the stage at 9:30 and went right into "In Lyx," an instrumental piece that sounds like it came straight out of Beelzebub's den. From there Alexandra paused and read from her black book as she had everyone in the crowd hail to the guest of honor, Satan. She speaks of promoting free will and individualism while the flames of hell help burn down sexism, racism, and ignorance. With this the band gave the sign of the devil horns with their right hands raised. "Hail Satan" the crowd repeated 3 times after Alex then suddenly the band went right into "Sex Magick." The fans immediately went wild and began to move and sing along with Alex. The band had a spooky 50's rock 'n roll vibe to them which their fans just seem to adore.

The night continued with other fan favorites like "Let's Hang Together," "I Know How to Hex You," "Lucifer, My Love," and "Satan's a Woman." At one point Alex and Zach invited two of their special guests & ritual participants, (actor) David Destmalchian and (actress and writer) Evelyn Leigh, to the stage. As part of the ritual, they were both sacrificed and marked on their foreheads with the blood of Satan. How unholy! The evening got even bloodier during the last song "In Nox" when Alex drank blood from a chalice and exchanged her blood-soaked lips with Zach. What a match made in hell.

The evening came to an end with the band doing two encores, "The Devil (Didn't Make Me Do It)" and "Femme Fatale." What a way to end Halloween night. Be sure to catch Twin Temple when they tour with Ghost in January 2022.

See full set-list and photos below.

In Lvx
Sex Magick
Let's Hang Together
I Know How to Hex You
Lucifer, My Love
Santa Muerte
I Am a Witch
Satan's a Woman
I'm Wicked
In Nox

Encore:

The Devil (Didn't Make Me Do It)
Femme Fatale

 

Published in Hunnypot Does

To say I was excited for this show was an understatement. I hadn’t been to an electronic show in quite some time and of all the ones I had the opportunity to experience and shoot, it’s Porter Robinson’s headlining tour with Jai Wolf and James Ivy. I was ready for all the lights and good vibes.

Starting off the show was James Ivy, a singer and song writer from New York City. I had never listened to his music before, and I was surprised to see that he was touring with such big acts like Porter and Jai. Nonetheless, he killed it. He had just released a new EP back at the end of October right before this show, so he played a lot of songs from it. He busted out the guitar for a few songs and it was all around a solid performance. I definitely hit the follow button on Spotify after that.

Next up was Jai Wolf, and this one was a super special set for me. I’m part of the same fraternal organization that Sajeeb is but different universities. So being able to take photos of someone that is not only one of your favorite electronic DJs, but also a brother, was a cool experience. He walked up to the standing table that his mixer was on and then started the show. His visuals were fantastic the entire time. Though I didn’t get much of his face lit up, he made for some cool silhouetted photos. He played some of his top songs like “Starlight”, “Lose My Mind”, and of course we couldn’t miss seeing “Indian Summer” live. Having been listening to Jai Wolf for years now, I can say he is still one of my top favorites in the electronic world.

And lastly, we had Porter Robinson up next. They were setting the stage and people were crowding in to wait for it all to start. Lights go dim, spotlight comes across his piano, and Porter walks out to say hi to the crowd. He had the biggest smile on his face. Without hesitation he jumps right into “Something Comforting” and the crows goes wild. Luckily for me, he played one of my favorite songs while I was still in the photo pit, “Shelter”. Man, getting to experience that up close was such a wonderful time. I couldn’t keep a smile off my face because of how amazing it was to be hearing probably my all-time favorite electronic artist live.

Something I thought was so cool, was the fact that Porter sings every word live. They had a live voice pitcher and he proved to us that it was live. So insane. I was impressed with how well it all sounded too. He went on to play so many great songs like “Sad Machine”, “Flicker”, “Divinity”, and so many more. At one point he stopped the music and told the crowd that his parents were in the crowd and thanked them for being the best mom and dad. He then dedicated “Mother” to them and played it next. I was lucky enough to capture a photo of them watching Porter perform and it was a beautiful Kodak moment. He closed out the set with an encore playing both “Get Your Wish” and “Goodbye to a World”.

This was one of the best shows I’ve ever been to. I can’t explain it other than you need to see all three of these guys next time they come to a city near you. Phenomenal.

 

 

Published in Hunnypot Does

In an era just before the rise of cable tv, my family was watching what must have been one of the first pay-per-view tv events in history.  It was 1981 and my dad was cool enough to pay an extra fee so we could watch the opening night of The Rolling Stones 1981 American Tour – all from the comfort of our home.  As a young kid eagerly watching this special music event, the opening act immediately grabs my attention. This unfamiliar young dude with a raspy voice, loud snarling guitar, swagger and attitude, is running all over the massive stage in front of 100,000 people kicking ass with a familiar but heavier sounding Chuck Berry early 50’s blues rock style. Pleased at what I was witnessing I shouted, “Who the hell is this guy?” It was George Thorogood and the Delaware Destroyers (GT&D), and I was all in! 

The following year Thorogood made his breakthrough with the release of his fifth studio album, Bad to the Bone,  and the rest is history.  Thorogood’s music became a widely popular staple of 80’s rock radio and remains popular today on classic rock stations and is frequently blasted over the PA to fire up crowds at sporting events.  With 15 million albums sold, including two platinum and six gold albums, and four decades of relentless touring, the legendary GT&D aren’t slowing down anytime soon.  They rock and rolled their way into San Diego this week on their 2021 “Good to Be Bad” tour.  In one of those surreal life moments, 40 years after I first saw Thorogood on pay-per-view and instantly became a fan, I now found myself just a few feet away taking photographs as George and the boys launched into their high-energy show at Humphreys by the Bay

With a sold-out crowd likely warmed up with help of friends Jack Daniels and partner Jim Beam, Thorogood took the stage and declared, “How sweet it is!” and got the night started with the appropriate tune “Rock Party” – and it sure was!  A smiling upbeat Thorogood enjoyed bantering throughout the night with his familiar bad boy humor; “We’re gonna do some nasty things tonight, some very bad things!”, he proclaimed laughing.  The GT&D show is just non-stop fun rock n’ roll at its best - “Who Do You Love”, “I Drink Alone”, “One Bourbon, One Scotch, One Beer”, “Gear Jammer” (my fav), “Move it on Over” and of course “Bad to the Bone”.  Go see this show!  Thorogood’s delivers a hit after hit foot tapping boogie-woogie blues rock dancing in the aisle good time!  

Rock on and be well!

Greg Vitalich

 

Published in Hunnypot Does

Moshpit XR LLC, a Los Angeles based 3D concert entertainment company releases a new hyper-realistic, daytime virtual festival concert with Sean The Star Emperor

The virtual/VR world is so cutting edge, who wouldn't want to break new earth with such an endeavor.”
— Sean

Moshpit reveals an entirely new approach in virtual concerts by presenting a daytime virtual concert Festival with huge intelligent AI fans and the ability for human avatars to join in as well. The show features popular Los Angeles based music artist Sean The Star Emperor.

We sat down with Sean for a Q&A regarding his artistry, performance in this virtual festival, and his outlook on virtual concerts:

Q: Sean, How was the experience shooting this show?

A: Filming the show was great. It was so easy and it was actually more comfortable to have just a crew and a green screen. Sometimes the audience gives me anxiety, and shooting this way made me feel like I was free to perform freely. So yes; I enjoyed the uniqueness of this new medium.

Q: What motivated you to choose to participate in this with the Moshpit team?

A: The virtual/VR/AR world is so cutting edge, who wouldn't want to break new earth with such an endeavor. Also the potential reach of viewers is far more than I could get at a concert of my own at this stage of my career, or during a pandemic.

Q: Has the company been pleasant to work with?

A: The courteous nature and full transparency of the Moshpit team are such valued traits in the Music Business and rare. I never felt abused, or disregarded , and I was always informed of updates. It is pleasing to have entertainment professionals making you feel treasured and valued and that's what Mosphit does. I feel like a valued asset around them, like a Picasso.

Q: What are your thoughts on the future of Virtual concerts and music experiences?

A: Yes, this is the future. We already have online concerts as seen through Fortnite and other examples. Also, organizations like "School Night" have partnered with Twitch and are doing great 'digicasts' like "School Night At Home." Society, culture, and technology, and social habits are forcing us even more toward this realm. The aforementioned shows us that companies are redefining themselves. One would be a fool to not follow suit. As an independent artist, I am highly invested in seeking ways to contend with artists signed to major labels with huge support. I can't compete with their dollars and their nexus. However, if I find the right platform to invest in, accompanied by a new technology, then I have hope. This is the beauty of Moshpit.

Moshpit will be showcasing its innovative virtual concert technology in coming months. If you're an artist and want to collaborate with Moshpit. You can reach out to them: info@moshpit.live - Darryl Swann

Published in Random Fun

Hunnypot Live #450 was such an NFTeam effort

Co-Host Jonathan Lane block chained our attention with a ledger of his music supervision history.

Jalaina turned us bored apes in to pop music lovers.

Honest Family Outlaws put us in a quantum realm of trap and country music simultaneously.

Ellee Duke pumped our stock with unique crypto pop hits.

And Hot Tub Johnnie dripped hits like a drum and coinBass hero all night long.

Recap: J. Gray  11/8/2021

 

jonathan lane 2021

 

JONATHAN LANE

Jonathan Lane is a music licensing executive and Music Supervisor with over 10 years of experience in the industry. Providing Music Supervision services to many top film marketing and advertising agencies since 2015, Jon is the founder of Clearly Music – A full scope Music Supervision company with a focus on film marketing, advertising content and podcasts. In addition to Clearly Music, Jon is the Senior Director of Synch & Licensing at 5 Alarm Music (an Anthem Entertainment company) where he is instrumental in developing and overseeing their overall licensing strategy, key partnerships, music supervisor relationships, and more.  

Jon currently serves on the Board of Directors for the California Copyright Conference (CCC) and is a Friend of the Guild of Music Supervisors.

FACEBOOK  TWITTER  INSTAGRAM  Clearly Music Services

 


 

JELAINA copy

JELAINA

JELAINA (Justina Shandler + Elaine Ryan) is a pop duo based in LA and SF. From roll-the-windows-down upbeat bangers to heartfelt acoustic vibes, JELAINA celebrates the girliness in all humans. Both Elaine and Justina are solo singer-songwriters, as well as activists and business partners. They co-founded Sync Music For a Change (syncmusicforachange.com), an initiative that hosts listening sessions with music supervisors in exchange for musician activism.

They also run up and coming boutique sync agency, Unicorn Sync (www.unicornsync.com). A singular intention fuels all three projects: the vision of a kinder, more inclusive world, beginning with a fierce devotion to self discovery and healing. JELAINA’s music reflects a commitment to community, connection and joy as part and parcel of dismantling oppressive systems. And best of all- it’s delivered to a tasty indie pop groove.

INSTAGRAM  FACEBOOK  SPOTIFY 

 


 

Honest Family Outlaws

HONEST FAMILY OUTLAWS

Formed in the Spring of 2021, Honest Family Outlaws is a trap country family band from Tujunga, California. Veterans of the stage, studio and music business, each member brings their own unique personality and skill set to the table forming a super-group with great crossover multi genre potential.

HFO's debut 5 song EP and video were recorded, mixed and mastered over a 2 month period in the foothills of Tujunga in May and June of 2021, and released on August 17th, 2021 in a grass roots marketing campaign achieving high acclaim and charting at #9 on the iTunes country chart.
 
HFO is currently back in the studio recording new material, and rehearsing their live show in preparation for world domination.

WEBSITE  FACEBOOK  INSTAGRAM  SPOTIFY

 


ELLEE DUKE
ELLEE DUKE

Ellee Duke is an American Artist/Songwriter. Born in Utah, she began writing songs at age 5. By the time she was 17, she had written hundreds of songs and began making trips to Nashville with big dreams of breaking into the music industry .During these Nashville trips, she came in contact with Big Machine Music and signed an artist/publishing deal. She graduated high school early, moved to Nashville shortly after, and began writing and recording with different writers and producers.

Shortly after Ellee moved to Nashville, she realized how much she loved pop music. In 2015, Ellee opened 11 west coast shows for LeAnn Rimes. During this tour, Ellee wrote in LA with some pop writers and producers and made some of her favorite music. She felt a strong sense that LA was where she wanted to be and moved there six months later. Later that year Ellee signed a new publishing deal with Big Yellow Dog Music. Then in 2018, after a long struggle of fighting to stay true to her self, she decided to step away and become an independent artist.

Since then, Ellee got her first Billboard #1 with a song she co-wrote called “Craving” that she collaborated on with Arty and Audien. She’s gotten cuts with J Lo, Charlotte Lawrence, Walk the Earth, Alexander Stewart, Ali Simpson, and has a lot more in the works.

Ellee opened for Rachel Platten in 2016 and has played shows all around the US since a very young age. She’s currently working on her next roll out of original music, and telling her story in a vulnerable and profound way.

WEBSITE  FACEBOOK  INSTAGRAM  SPOTIFY

Published in Hunnypot Live

Boy was I in for a wild ride knowing I was attending Knotfest Roadshow 2021. Back in 2020, I had every intention of going to Knotfest here in Dallas, but Covid decided it wanted to ruin that opportunity for me. I wasn’t sure when it was going to return and thankfully, I was able to catch the Roadshow when it rolled through. We had a stacked lineup for this show with obviously Slipknot headlining and Killswitch Engage, Fever 333, and Code Orange getting the stage warmed up. I was excited to finally get to experience these legends.

Starting things out was Code Orange. The pro to going to all these shows is seeing bands that I’ve never heard before. It opens my ears to new music and Code Orange was one of them They opened their 8-song set with “Swallowing the Rabbit Whole” and they did not hold back. I was super impressed with the female vocalist they had. She was insanely talented! They played some more of their top hits like “Bleeding in the Blur”, “Forever”, and then closed out their performance with “Underneath”. The most interesting part for me was noticing that their lead singer, Jami Morgan, resembled Tyler Joseph of Twenty One Pilots. I couldn’t unsee it!

Next act was a band that I was told to get mentally prepared for, Fever 333. I was told they put on one hell of a performance, and they were right. Their lead singer Jason Aalon was absolutely wild on stage. He did not hold back, and I was there for it. They started out the set with “BITE BACK” and the crowd went wild for it. I had listened to some of their songs prior to the show so I could prepare, and I heard some of my favorite tracks. “Made An America” being one of them, went so hard. Jason’s stage presence was one that you couldn’t forget. They went on to play some other top hits like “One Of Us” and their most streamed song, “Burn It”. Definitely an unforgettable performance.

Killswitch Engage was up and it was almost like nostalgia seeing them for the first time. I remember being a kid playing their songs on Guitar Hero and now I’m finally getting to experience them in real life. I was stoked. They opened their set with “Unleashed”, and it couldn’t have been a better start. Throughout the entire 14-songs, they had the crowd yelling and singing the songs the whole time. I knew it was only a matter of time before they played “My Curse”, and the moment I head the first note of the song, I knew it was happening. I felt alive in that moment. It took me back to some of my fondest memories with my friends in high school jamming this song in the car on our way to the local Sonic. Pure bliss. The moved into playing some more great songs like “This Fire”, “In Due Time”, and their infamous cover of “Holy Diver” by Dio. I loved everything about their performance.

And finally, the kings in Slipknot were about to go on. What I found interesting was the hour-long break between the two sets. I wasn’t sure why they needed so much time to get ready. I couldn’t have imagined what was happening behind the curtain until the lights go dim, and you hear a huge POP, then the screen covering the stage flies up. I couldn’t believe my eyes. It was one of the most immaculate stage setups that I had ever seen. I’m talking multiple levels and like 9 members on stage all contributing to the sound. They made it look like they were in a warehouse/sewer with fans spinning on the screens and fog in these tunnels. It was the wildest thing I’ve ever seen at a concert. Also, the bassist had a flame thrower on his guitar which was crazy to see. And lest we not forget to mention their stage presence, geez. It was all over the place and there was so much to pay attention to. All that being said, lets jump into the set.

They opened it up with “Unsainted” and it really didn’t take much at this point to get the crowd moving. Corey Taylor is one hell of a singer as well. Unmatched in my opinion. Some of my favorite songs from the set were “Before I Forget”, “Psychosocial”, “Wait and Bleed”, and “Duality” to just name a few. It was super intense the entire time, but Corey made time to slow down and talk to the crowd in between songs about being good to each other because we are all we got. They ended up encoring with “People = Shit”, “(sic)”, and lastly “Surfacing”. I was completely blown away by what I had just witnessed. This was an 11 out of 10 performance, and in my opinion one for the ages that I soon won't forget. Can’t wait to see Slipknot again - they are truly the new kings of metal!

(Photos Credit:  Jamie Ford)

Published in Hunnypot Does

Jadakiss, Styles P, & Sheek Louch. Back in 1994, these three high school kids from Yonkers, NY came together to form the trio now known as The LOX. Since then, they’ve consistently dropped a variety of projects from compilations to full length studio albums, been featured on a flurry of tracks from Jennifer Lopez’s Jenny From The Block (2002) to Kanye West’s 11 minute long Jesus Lord Part 2 (2021), and have all launched solo careers that are arguably bigger than The LOX itself. When I saw that the hardcore rap group turned super group decided to bless the west coast with a show at The Novo DTLA, I knew it wasn’t one to miss. 

The LOX held nothing back. Coming off their Verzuz’s battle against Dipset, they rocked this show in similar form. Hit after hit after hit after hit. Since all three of them have individual solo careers, they had a ton of content to perform with no filler. They hit the stage with high energy, flashy gold chains, and took us back to the heyday of raw hip hop in the late 1990s and early 2000s. Before the era of melodies, autotune, and over-the-top instrumentals, it was all about the lyricism – lyricism that took you on a journey of struggle, ambition, and success. For example – they didn’t rap about doing drugs. They rapped about selling them and hustling so they could make it out of the hood. It was a different mindset back then and The LOX has stayed true to that lane over the years.

My favorite stretch of the night was when they played their 1998 smash hit, “Money, Power, Respect” featuring their longtime friend DMX. Following DMX’s untimely and unexpected passing earlier this year in April 2021, I was expecting to see some ode to their Ruff Ryders comrade. We got exactly that. Following “Money Power Respect”, The LOX did covers of a slew of DMX’s singles – “Ruff Ryder’s Anthem”, “Get At Me Dog”, and “N**** Done Started Something”, just to name a few. In tradition, they followed up that portion of the set with a lighters/cells-in-the-air moment which brought a sense of calm/mourning over the crowd who had been pretty crowdy for most of the night. Some other great points throughout the night were when Jadakiss performed his rendition of Biggie’s “Who Shot Ya,” and when Styles P dropped his verses off of both Rick Ross’s “BMF” and Akon’s “Locked Up”.

All in all, 20+ years and The LOX hasn’t lost their touch. If anything, they’ve refined it. The amount of content they have amassed from the years of group efforts, solo careers, and features gives them so much ammo to put together a great show. I personally wasn’t too familiar with their music they released under The Lox moniker but found myself singing along with a large amount of their set. Go check them out when they’re in a city near you. Yonkers!

Published in Hunnypot Does

Zeus Rebel Waters is an American hip hop artist/songwriter, entrepreneur, single-dad, community leader and philanthropist. The St. Louis native brings a distinct sound and style to hip hop known simply as Gumbo - a gritty blend of all genres mixed with melodic cadence and eclectic rhymes.

The indie rapper brings raw energy to the stage and unleashes it to all his fellow "Rebels" making his live show an experience of high-intensity and positive vibes.

From humble beginnings to Hoo Bangin’ Records, Waters has become a major player throughout the bi-state region. Now, the deity rapper is setting his sights on the global market. With business ventures in fashion, film, and community development, Zeus’ imprint goes far beyond bars and tracks. Make no mistake, Zeus Rebel Waters is here!

Zeus has a hit with his latest single/video "LUV". Check it out here...

Hunnypot is proud to be Zeus Rebel Waters official sync representative, both Master & Publishing, ask us about LICENSING!

STREAM/DOWNLOAD (DISCO)

Published in Artists

On the home stretch of a 28-city tour to support their latest album, Horizons/East, Thrice brought their innovative rock act to San Diego Wednesday night at Observatory North Park.  Unlike many bands where I lean with a preference to earlier works (e.g., Aerosmith, Def Leppard, U2), Thrice is the exact opposite.  They have aged like a fine wine into one of the better post millennium rock bands around.

Debuting 20 years ago with a raw post hardcore punk screamo style (think Rise Against or Thursday), Thrice eventually gained critical acclaim (and more of my attention) by evolving into a refined mature deeply creative experimental alt/hard rock band.  Their uniqueness now is their strength but perhaps a weakness as far as achieving breakthrough commercial success. 

Thrice chose to open the show with “The Color of the Sky”, the first song off their new album.  It’s an interesting choice, beginning quietly stripped down with only a mellow electronic loop and lead singer/guitarist Dustin Kensrue’s emotional vocals.   As the second verse began, the powerful rhythm section of brothers Eddie (bass) and Riley Breckenridge (drums) bust in loudly to immediately raise the energy level.  Kensrue, the heart and soul of the band, croons with an immediately identifiable raspy clean voice:

“And as I made my plans, My head would spin and swiftly dance between the whys, Like why the roads were all dead ends, Why we'd no word to name the color of the sky”

Finally, guitarist Teppei Teranishi adds the final climatic sonic touches to move the song to peak momentum.   The second song was “Scavengers”, my favorite track off the new album, draws on the core band’s strength and “sound”.  It’s a slick atmospheric mid-tempo rock jam with layers of great guitar work while Kensrue’s soulful vocals are complimented nicely with harmonies by Teranishi. 

The band understandably played six songs off their new album.  Thankfully they played perhaps their strongest song, the eerily dark, dynamic and mesmerizing “Black Honey” (51 million streams on Spotify) off of their 2016 album, To Be Everywhere Is To Be Nowhere.   Hearing this song delivered so musically tight and with such emotional power was my personal highlight of the night. 

Thrice’s live performance is simple – they just play and rely on their musicianship and strong catalog of songs to win over and connect with the audience.  There are no radio hits, not much band interaction with crowd, no charismatic egotistic front man antics, no band members jumping around all over the place.  That just isn’t the Thrice style.  However, the packed Observatory North Park crowd, average age around 30 years old, was clearly and completely tuned in to the music digging what they were hearing.  Check out Thrice’s new album, Horizons/East,  and check your own horizon for a potential Thrice tour stop in your area.

Rock on and be well!

Greg Vitalich

Published in Hunnypot Does
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