The Shocker is an American punk rock band, featuring L7 bassist Jennifer Finch (aka Jennifer Precious Finch) performing vocals. The band also includes lead and rhythm guitarists, drums, and bass.
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The first official cannabis cafe in the United States opened up in West Hollywood this week. Hunnypot isn't the type to wait around for permissions. It was just another new year last night and we celebrate HIGH holidays every other week. Last night we did like we always have. Hot Tub Johnnie keefed it real and lit up the night with a starting DJ set. Adèle Ho jumped in the hot tub for her origin story interview and ripped a playlist of party tunes. Sarah Rogo returned with her loaded blues and rhythm voodoo. Peter More performed dank melodies and harmonies. Sugi Dakks left everyone satisfied with high energy raucous funk, pop & rock. The Singularity brought us higher conscience electro rock and Hot Tub blazed a dance party set for a new wave of fans. 09/30/2019
Recently Adèle Ho has joined the team at Supergroup Sonic Branding, a full music supervision company based in Toronto and LA working in film, TV, ads and branding. Adèle relocated to Los Angeles from her native Canada to pursue music supervision. She completed the Music Business program at UCLA Extension and then began her music supervision career by interning at Neophonic, Inc. before spending the last few years working with Joel C. High at creative control.
Prior to music supervision, Adèle worked in politics with stints on Parliament Hill in Canada, Washington, D.C. and Asia. She then decided to pursue her dream of working in music and worked on the programming and production for major festivals in Canada working with artists like Broken Social Scene, Bon Iver, Frank Turner, Calexico, Ramblin' Jack Elliott, Timber Timbre and a Tribe Called Red to name a few.
Credits Include: Yellow Rose, JT LeRoy, G-Funk, Tyler Perry's Acrimony, 1999- Wish You Were Here, Honey: Rise Up And Dance, Dean and more.
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SARAH ROGOSarah Rogo has been refining her craft and leaving a long-lasting impression on audiences of all ages and musical backgrounds with her energetic and soulful performances. Claiming the title as 'Soulful Roots,' she blends old blues, soul, and folk styles with a youthful twist. Sarah captivates audiences with her haunting slide guitar work and unique genre-defying style. Authentic and soulful, she paints vivid pictures through sound and song. A captivating dance between grit, beauty, and skill.
Sarah Rogo is a young, and gifted artist and it’s all reflected in her infectious live performances, where her energy is contagious. Steeped in the eclectic mixes of traditional music like blues, jazz, ragtime, klezmer, and classical, Rogo finds new ways to express timeless emotions and feels.
Rogo's full studio album with co-writes and production by notable producer David Ricketts (David and David, Toni Childs, Sheryl Crow, Meredith Brooks) is slated to be released in 2020.
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Over the years, Peter More and his bandmates have called many places home. Originally from Fort Worth, Texas, More joined forces with Spanish flamenco guitarist José Juan Poyatos, Mexican bassist Diego Noyola, and French-American drummer Adrien Faunce in San Miguel de Allende, the colonial arts haven three hours north of Mexico City. There, the band began to record with prolific drummer Rick Shlosser (who played on many Van Morrison and James Taylor classics, among hundreds of other credits).
A chance encounter with Steely Dan's Donald Fagen, who happened to be visiting San Miguel, led to Fagen producing More's debut album, "Beautiful Disrepair," and his follow-up EP entitled "Shoulder." Best described by Donald Fagen as music with "a smart savvy edge...its an American dish served with hot sauce." More's layered stories naturally have evolved with the band’s continual movement through recording sessions beyond San Miguel that took place in Fort Worth, New York City, and Woodstock.
Wanderlust underscores More's music, weaving the many influences and intersections from the songwriter's unconventional journey. The road just seems to strengthen the bond between the band-mates and the power of More's heartfelt songs.
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Sugi Dakks is the brainchild of LA based Kyle Donald, a Jazz Piano Performance major, his dual interests in poetry and music merged into the pop/soul/jazz/hip hop sound that is Sugi Dakks. His blend of rap, singing, jazz piano is largely self-produced and draws inspiration from Kendrick Lamar, Anderson Paak, Stevie Wonder and Miles Davis.
As a writer/producer he has upcoming cuts with Wale, DWY and Raina Rich. His early artist singles have reached over millions of plays, #1 on Hype Machine, spun on BBC Radio and supported widely by tastemakers. In 2018 his debut mixtape ‘The Business’ was recognized widely by key industry figures followed by a much touted debut EP – ‘Black Coffee’.
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What if Bowie, Prince and the Cure had a baby?
Blog and radio attention has been universal using lots of superlatives like: “Genius, Massive, Perfection, Brilliant, Great, Outstanding, Exquisite, Remarkable, Pure Beauty, Excellent, Impressive, Inspiring” and seem to feature the words “I Love” a lot. The most important people are the fans. They are lovely people who genuinely seem to love it!
Like a swarm of locusts converging to feed, a horde of blackened shirts and tattered denim emerged from the darkness and congregated to Hawthorne Theatre in Southeast Portland for an unforgettable night of cosmic destruction.
A new state, a new city and a journey across an ocean led me to witness two of the most forward-thinking, prominent names in Progressive Metal. Revocation, present-day, virtuosic heroes of modern Death Metal, co-headlined the night alongside long-time Canadian legends, Voivod.
The night began with a marathon of opening bands. Armed for Apocalypse got the show off to a energetic start with a no-nonsense, ferocity as only this hardened sludge-metal crossover could do. The impressive, genre-bending, UK-based quartet, Conjurer kept the energy at an all time high. Skeletal Remains created an atmosphere of old school death metal and performed in a amorphous reddish haze. And to top it all off, Australian technical death metal band, Psycroptic got everyone's neck warmed up for what was to come.
An eerie dissonance consumed the stage and the walls began to reverberate as Voivod’s bassist, Dominic “Rocky” Laroche, launched the band into their first song with a crawling bass riff off their EP, Post Society. Denis “Snake” Bélanger, Voivod’s dynamic frontman in his spike-emblazoned battle jacket snatched the mic and wailed with that gritty vocal aggression that sets him above all others.
Throughout the show, guitarist Daniel “Chewy” Mongrain and founding drummer, Michel “Away” Langevin established the dissonant landscape that Voivod has always been known for. They played songs from their iconic albums of the late 90’s, Dimension Hatröss & NothingFace and circled back to the present with “Obsolete Beings,” a song off their latest release, The Wake. Before introducing the new song “The End of Dormancy,” Snake told us all to imagine this song as a soundtrack to an epic movie that we could create ourselves.
Towards the end of their set, Voivod asked us to raise our voices and sing Happy Birthday in remembrance of their late guitarist and founding member, Denis “Piggy” D’Amour who would’ve turned 60 years to the day before breaking into their namesake, the self-titled, “Voivod” off their inaugural release, War and Pain. Throughout the night, the Canadian metal veterans lead us through a Voivod-ian mythos of winding, dystopic wastelands and catapulted us into the cosmos as only they can.
After a brief intermission, the silence was broken by a roaring orchestra and Gustav Holst’s epic, "Planets: Mars, The Bringer of War" played on the speakers overhead. The Boston metal ensemble, Revocation emerged on stage and joined in with their own instruments as a symbolic prelude to the odyssey we were about to begin. They would be playing their latest Lovecraft inspired offering, The Outer Ones, in its entirety.
The Outer Ones is a journey into the fathomless beyond, infusing pummeling death metal riffs, complex textures and a brooding atmosphere that if it wasn’t for Hawthorne Theatre’s impressive light show, I imagine would have swallowed the venue whole. Seamlessly flowing from one song to the next, the band played as if they were making a demonic offering to The Crawling Chaos, itself. Dave Davidson, Revocation’s Jackson-wielding frontman and vocalist, lead an impressive sonic assault with needle-sharp precision with every note and even shared vocals duties with guitarist, Dan Gargiulo.
This tour was certainly conceived in a starless darkness, a place void of light with only the sound of dissonance to comfort you. And with band’s from both sides of the cosmic spectrum as your guide, Revocation & Voivod is a combination you do not want to miss.
Classic. Merriam Webster defines the word as: Serving as a standard of excellence, of recognized value. Or traditional, authentic. I can think of a goodly number of things that are deserving of this distinction. The classic suit and tie, burger and fries, the black dress, apple pie, or even Classic Coke. Mostly though when one thinks of all things classic today, the first two that come to mind are Classic Rock and Classic Cars. Both came together in Ontario California last weekend at the Route 66 Cruisin’ Reunion.
The annual Classic Car show is a massive 2-day event which boasts some of the most beautiful cars from all decades from the 20’s to the 70’s. Convertibles, cruisers, pick-ups, and of course hot rods of all varieties graced the streets of downtown Ontario, CA leading all in attendance to reminisce about the glory days. On Saturday evening, the focus shifted from cars to music. Foghat, the boogie-woogie, blues-rock band known for their prominent slide-guitar, took the stage at the Ontario Town square. This one was going to be special.
Since their inception in 1971, this multi-platinum selling band has been pumping out the grooves in workman-like fashion to audiences all over the world. Saturday night was no exception. Founding member Roger Earl (drums), Charlie Huhn (vocals, guitar), Bryan Bassett (lead guitar, slide guitar master) and Rodney O’Quinn (bass) jumped into their set with the appropriate “Driving Wheel” and “Road Fever”. The receptive crowd of all ages seemingly all got caught up in the moment and spontaneously began dancing as if on cue. The band then ripped into “Stone Blue” and “Chateau Lafitte '59 Boogie”, and by this time the lawn chairs and beach towels had no chance. The place turned into one of the largest dance parties you’ll ever see, and it didn’t stop here. Foghat executed their iconic “Fool for the City”, “I Just Want to Make Love to You” and of course “Slow Ride” to keep the folks movin’ and groovin’. It truly was something to behold.
Although there have been some personnel changes over the years, the current lineup has been together for many years themselves. Earl and O’Quinn can keep the beat going all night if need be, and Huhn brought his years of experience with Ted Nugent, Humble Pie, and Gary Moore with him and navigated through the set with precision and poise. Bassett, most well-known for his work in Molly Hatchet, and his hit “Play that Funky Music” with Wild Cherry way back when, was just in another world. His hypnotic slide guitar skills were on point as he expertly played the Foghat staples to dropped jaws all over the beautifully manicured amphitheater.
On this day, the combination of perfect Southern California weather, miles and miles of the coolest cars you’ll ever see, and a high-octane performance by one of the most enduring blues-rock bands of all time could only be described in one way.
Classic.
Dearly Beloved,
I invite you to join me in a viewing of a rather non-traditional burial. Whom (or what), you might ask, is the dearly departed?
Love.
That sweet tasting, bad for your health type of love. That blinding, ecstatic, act-a-fool type of love. To that type of toxic, all-consuming fantasy, Little Coyote bids a not-so-fond farewell.
Intimate relationships are an infinitely complex whirlwind of euphoric highs and sickening lows. To quote “Dig Up My Grave”, the newest single/music video from Little Coyote, such relationships can often plague us with this compulsion to “give [our] last breath—give…all that [we] have left.” Lead singer/songwriter Teagan Johnston goes on to punctuate this sobering contemplation with a rhetorical, tongue-in-cheek follow-up: “…because that’s what love is—isn’t it?”
So much subtext to unpack, but first, a bit about the song.
Dig Up Your Grave is an aesthetically minimalist, yet emotionally visceral, visual expression of the struggle to find peace and empowerment amongst the throws of loss and heartbreak. The feeling of momentum that pervades the entire journey of the song is dizzying—dizzying in precisely the same way as the trials and heartache that comprise the lyrical content.
This emotional rollercoaster is only heightened by the visual accompaniment, arranged and choreographed by Aria Evans and Teagan herself. When asked about the underlying narrative behind this heavily symbolic piece, Teagan elaborates by stating that,
“[the] bareness of the setting…is meant to allow the focus to be on the movement of the dancers and the dirt. The dirt was used as a [grave-related] prop for something that…we could use as an outlet to express ourselves. The choices each dancer is making in their movement were chosen by them as ways [they] could represent emotions they could connect with [in regard to] moving on from a relationship.”
The intentionally independent choreography of the dancers does a superb job of reflecting the vast expanse—the chaotic territory that is extreme emotions expressed through the filters of passion, aggression, and rejection. When it comes to vulnerability within the context of romantic—hell, ALL relationships, those feelings can come and go like bolts of lightning in a desert. Such is the same for the visual movement within the video—lightning fast, and sky-high to dirt-low.
The subtext? Don't let such things "bury [you] alive." Instead, confront them. Own them. Choose to use them for your will and you will thrive.
For all these facets, I was happy to have the opportunity to give my thoughts on this video. Life is not always a party. Life has peaks and life has valleys. Embrace both with open arms, and you will know the joy of experiencing a life fully lived.
SYNCHRONIZATION LICENSING (Composition and Sound Recording) AVAILABLE FROM HUNNYPOT PUBLISHING.
Our new video pick is “ Calling It” by an all-girl band called Automatic. Automatic is Izzy Glaudini (synths, vocals), Lola Dompé (drums, vocals) and Halle Saxon (bass, vocals). The band first met while immersed in L.A.’s DIY music scene and started jamming together in 2017. Over the past year, they have become a mainstay on the L.A. club circuit. They recently got signed by Stones Throw Records.
The video shows the girls working at a place that would be more suitable for men, harsh environment and tiresome type of vibe. Working in a factory and showing massive amounts of physical labor, for example, shows their strength - girls can work hard, too, physically. Also, the factory isn't just any factory but it is an airplane factory which suggests that the girls are highly intellectual. Even though all the band members are also vocalists, the song itself uses a very minimalist approach when it comes to vocals. There is a lot of machinery and in the end, we see a shiny man figure in a sink looking gift box. There is definitely a lot of symbolism that one can draw out of this video and make their own interpretations. The electronic sound of the song is definitely complimentary to the overall industrial feel of the video. Check it out!
“It can hardly be a coincidence that no language on Earth has ever produced the phrase, 'as pretty as an airport.' Airports are ugly. Some are very ugly. Some attain a degree of ugliness that can only be the result of a special effort.” ― Douglas Adams, The Long Dark Tea-Time of the Soul In a world of free Monday shows, Hunnypot Live is the Changi Airport of them all. Show #425 departed with Hot Tub Johnnie on party music autopilot. World famous musician, Chuck Wright, made a layover in the tub and regaled us with his musical origins and achievements. Mr. Max landed raw rock n roll. Lenachka, exploited first class leg room with stripped down versions of her dance tunes. Plastic Otters was the musical chaos of lost luggage and the relief of reuniting with it. Al3Androva slayed the piano and turntables with jet engine propulsion and Hot Tub boarded last and took us on a return flight to dance town. (9/16/19)
Chuck Wright is an American bass guitar musician, graphic designer and show producer, best known as a member of multi-platinum heavy metal band Quiet Riot.
Wright's career in mainstream rock first took off when he joined Giuffria in 1984. Their debut album Giuffria peaked at #26 on the Billboard album charts on March 2, 1985. The album spawned two hit singles, "Call to the Heart" (Hot 100 #15) and "Lonely In Love" (Hot 100 #57). After sold-out arena tours with Deep Purple and Foreigner, Wright left Giuffria to re-join Quiet Riot in 1986, replacing Rudy Sarzo, recording and writing songs for their QRIII release and supporting world tour.
His reputation as one of the most sought-after bass players has landed him gigs with such music icons as Alice Cooper, Slash, Gregg Allman, Carmine Appice, Ronnie Montrose, John Waite, and Pat Travers. Wright has appeared on over 90 worldwide record releases, playing bass and producing albums of various styles, including ambient trance, reggae, rap, country and rock. He has toured all over the world, performing in North America, Europe, Russia and the Far East.
He was also directly involved in seven film scores, most notably being the Universal Studios film release Kull the Conqueror, where he was joined by Guns N' Roses drummer Matt Sorum and the London Philharmonic Orchestra. Over the years, Wright also worked with House Of Lords, Bad Moon Rising, Blackthorne, Christian Tolle Project, Doro, Impellitteri, Kuni, MSG, Magdalen, Murderer's Row, Pata, Stephen Pearcy, Adler's Appetite, Love/Hate, Ken Tamplin, Shane Gibson from Korn, and has recorded various tribute albums with many other luminaries. Wright has headed up “Ultimate Jam Night,” a long-running live music show since January 2015 at the Whisky A Go Go in Hollywood. Now a popular Sunset Strip fixture, “Ultimate Jam Night” features up to 60 pro musicians each week.
Wright still tours with Quiet Riot, remains an in-demand session player, and performs live with various rock acts, as well as his Los Angeles eclectic local group Acoustic Saints. He is endorsed by Ampeg, Godin Guitars, CAD
Wright is featured in the documentary Quiet Riot - Well Now You're Here, directed and produced by Regina Russell. It premiered at the Newport Beach Film Festival on April 29, 2014, was seen at the Cannes Film Festival, and has aired on the Showtime Network.
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Mr. Max is the brainchild of Los Angeles based multi-instrumentalist Max Cohen. Mr. Max would like to think of his music as punk rock, but he can’t help but incorporate influences from the funk, psych, and indie rock worlds. Mr. Max is currently recording and recently released his new single “Let’s Get Cucked Up” (produced by Rob Schnapf- Beck, FIDLAR, Elliot Smith) with a ridiculous music video to accompany it.
You can catch Mr. Max performing with his band around the Los Angeles area.
In the first quarter of 2012, producer Charlie Peacock (The Civil Wars, Chris Cornell, The Lone Bellow) set a Google alert for the song “Safe & Sound” by Taylor Swift and The Civil Wars. Every morning he would listen to the dozen or more cover versions young artists had created overnight. On April 4th of that year he heard 18 year old Helene Immel’s artful version and immediately sent her this note: “Heard your cover of Safe & Sound. Good job. Really like the sound of your voice. Just wanted to let you know my door is open to you to send songs as you create them.” And so she did. The producer and artist struck up a musical friendship that quickly became a partnership.
Together they began recording, first in Los Angeles where Helene lived, and later at Charlie’s studio in Nashville. The goal? Make beautiful pop music the whole world will sing. They soon after released an EP that hit 6th on the singer songwriter itunes charts and got a lot of support on Spotify.
Born in Germany, Helene is the oldest daughter of Russian-German immigrants to the US she was 8 when she arrived in California. Her mother gave her with the nickname Lenachka, a very common name of endearment. After nearly two years of making music together, Lenachka and Charlie released a self titled EP September of 2014. Since her first sessions in Los Angeles with engineer Eric Robinson and John Mayer’s band, Lenachka has co-written with a great cast of talented songwriters and producers, including Nathan Chapman, Mike Elizondo, Winston Marshall (Mumford & Sons), Eric Robinson, Taylor York (Paramore), Kris Allen, Matthew Perryman Jones, Kelsey Kopecky, Jason Reeves, Mat Kearney, Tom Douglas, Sam Ashworth, Nolan Sipe and Ryan Peterson.
Twenty-five year old Lenachka is currently living in Los Angeles where she is playing shows and continuing to write and record new music.
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Plastic Otters is a straight edge concept art band born out of the concrete and desert of the suburbs outside Los Angeles. Stylistically we play music that isn't boring to us: drone rock, evil jazz, lucky otter pop, anti-psych funk, acoustic logger, ambient, and big band post rock. We're most inspired by the concrete jungle that surrounds us, as well as how sea otters can crack open shellfish on their belly. That's fucking cool.
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Al3xAndrovA, born Rositsa Aleksandrova, is a musician and actress based in Los Angeles, CA. Born in Bulgaria and spending her childhood in Russia, Al3xAndrovA developed her raw talent from a young age. After moving to Florida she decided to pursue her dreams and follow her passion in life.
Not only is Rositsa a classically trained pianist but she also explores and transcends genres as she also creates incredible electronic dance sounds. She is deeply involved with activism and charity work and spreads her positive light on everything she touches.
On top of all of this, Al3xAndrovA also tutors music to children and is a successful model on an international level. It is clear in Al3xAndrovA’s work that she will be a huge change-maker in the world through her music, acting and her daily life, inspiring her fans to live healthier toxic-free, more active lifestyle.
Enjoys spending time with her dog Cupid, bike rides, teaching and practicing yoga.
On Monday, September 9th, I was joined by fans from all over to see the rock stars we call Breaking Benjamin. Not only did they straight up rock the stage, they had other killer acts destroy it right before them. With performances on the docket from DIAMANTE, Dorothy, Three Days Grace, and Chevelle, we were surely in for a stellar night.
Straight out the gates DIAMANTE brought the heat and we were off. Something Benjamin Burnley said was that there is a shortage of strong women in rock music, and they did well choosing DIAMANTE for this tour. I had never heard of Diamante but from what I could tell, they are a perfect blend of anthemic rock music. Let’s not leave out how electrifying Diamante Bovelli’s hair and outfit were. FIRE. Their set was banger after banger and I thoroughly enjoyed it. DIAMANTE delivered a heavy start to the show and warmed it up for Dorothy to come next.
Hailing from Los Angeles, the quartet they call Dorothy hit the stage. I was not prepared for what I was about to hear. Dorothy Martin definitely comes out and gets the crowd’s heads and hands bobbing up and down. I think the song I enjoyed the most was “Wicked Ones” because it had so many different elements at play. I can see myself listening to them in the future for sure. The modernized-blues rock group was definitely there to have a good time and you could tell. Big things in store for Dorothy, I can see it now.
Following Dorothy was Three Days Grace. Now, I was specifically excited to see them because I have been listening to them since I first got into rock music back in middle school. Beginning in 1997, in a small town in Ontario, Canada, Three Days Grace took punk rock music and thrashed the alternative rock scene in the 2000s. After leaving in 2013 because of health issues, Adam Gontier was replaced with Matt Walst and some people wouldn’t have even guessed that happened because of how similar they sounded. They played hits like “Pain”, “I Hate Everything About You”, “Never Too Late”, and ended with “Riot”. All those songs had an impact on my music taste, and I was stoked to see them performed live. Every aspect of their performance was so well put together that it was like listening to them on the radio. Job well done to Three Days Grace.
Next up was Chicago-area based band, Chevelle. Having shot them at Edge Fest in 2017, I was prepared for another sick performance. I wasn’t able to shoot them this time around, but my floor seat was sufficient enough to enjoy the show. They are a fun band to watch because the lights are dim most of the time and when they hit any chorus the lights come on and hit you in the face! Watching Pete Loeffler sing these songs is entertaining as well because of all the high notes he has to hit – but he kills it every time. They played through a ton of great songs, but they knew what they were doing when they saved all of the best ones for last. “Vitamin R”, “Send The Pain Below”, and “The Red” were back to back of each other but there was still more to come. They ended their set with “I Get It” off their 2007 album Vena Sera and honestly, I couldn’t complain. Great performance all around.
And then there was one. I was looking forward to this moment all day and it was finally here. Breaking Benjamin, the highly anticipated act had a lot to top but they definitely found a way to do it. Starting the set with “Red Cold River” off their latest album, Ember, they dove right into “I Will Not Bow” soon after and the crowd went wild! I had a hard time taking photos cause I was so hype. Being a fan for the last 10 years, I couldn’t believe I was standing right in front of them taking their photo. Accompanied by some flames, in the middle of their set, they did covers of some all-time favorites in the rock genre. From hits like “Smells Like Teen Spirit” by Nirvana, “Bohemian Rhapsody” by Queen, “Enter Sandman” by Metallica, to “Bulls On Parade” by Rage Against the Machine, they ended with an amazing drum solo by Shaun Foist.
They had no trouble getting the crowd off their feet and yelling every word to their songs. They played more hits such as “So Cold” and then “Failure” from their 2015 release, Dark Before Dawn. What we thought was the end (and usually never is), “Torn In Two” came on and then the stage went dark once it concluded. With the crowd yelling and the lights down, the chords to the beginning of “Rain” started playing. Voices in unison started singing while Benjamin Burnely began walking around the pit with all of the fans. It was truly an awesome sight seeing the crowd allow him to walk through the center of everyone. Knowing it wasn’t over yet, the only logical song was missing, “The Diary of Jane”. With the last chance to get everyone off their feet, Breaking Benjamin gave it their all and closed the show out with a bang.
Monday night will go down as one of the best shows I have ever seen. Benjamin Burnely and the rest of the band did a phenomenal job throughout their performance and brought their 'A-Game' to Austin on Monday night. All supporting acts on this tour were incredible and played off each other in ways that made the lineup pop. I'd highly recommend catching this tour when it swings through your area as it was truly one for the ages!
Jessica Gramuglia got in the "Hot Tub" with Hot Tub Johnnie & DJ Spectrum on Hunnypot Live #423 to talk about her career as a Music Supervisor and share a very special music playlist.
Scroll Down to watch the video and be sure to check out the archives for Jessica's print bio and the full audio from from show HERE
