Rah Rah Ree, Kick 'em in the knee! Rah Rah Rass, kick 'em in the other knee! Lets give it up for another homecoming game quality Hunnypot Live! Show.
Ryan Taalbi started the event with his smooth on air introduction and commentary. John Anderson quarterbacked from the start and threw pass after glorious pass of musical touchdowns. Our guest DJ Marko Desantis brought his special teams skills and gave us a 100 yard sprint of his rich musical history and tastes.
Bronson Wisconsin delivered #1 draft pick level Americana music and performance, Denmantau brought us unique futbol style all the way from Germany, Groove Martini played a halftime show worthy dance music set, Swerve played killer defense and scored with the audience and Veronica Loren victory danced and sang in the end zone and nearly got flagged. Bri & Jaz got drafted to provide their DJ stylings between sets and rocked the dance party late in to the night. 7-11-16
Marko DeSantis is a music professional best known as the lead guitarist and co-founder of modern rock n roll band Sugarcult, with whom he has toured worldwide and sold over a million records since launching out of Santa Barbara, CA in 2001. Sugarcult released three studio records which spawned hit singles such as; "Bouncing Off the Walls", "Pretty Girl (The Way)", “Do It Alone” and "Memory". They’ve also released a documentary DVD, a live album, a “best of”/concert-DVD.
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Bronson Wisconsin is a tasteful collaboration of Alt-Country, Indie-Rock, and everything in between. Growing up as one of 9 kids in a musically diverse home, brothers Bronson and Preston was exposed to all the music they could handle and more than enough instruments needed to express themselves. Spending the long, cold Wisconsin winters the same way they spent the hot and beautiful summers, practicing their craft.
After achieving success as the globally recognized latin duo, Taalbi Brothers, Bronson went on expressing a different side of himself as a singer and as a songwriter. What started out as a "one day one song" demoing session, quickly turned into "3 days, 6 songs" and before they realized it, the brothers had themselves their first EP as Bronson Wisconsin.
"That Damn Piano" is releasing on Friday, June 10th in Bronson Wisconsin's hometown of Madison, WI.
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This five-piece German band has developed a unique genre that is now known as Bohemian/Dance Rock. Their new sound combines many different genres like folk, funk, jazz, rock, and many others. With the sound of a trumpet, acoustic/electric-guitar, keys, bass, and drums, the combo grooves together with sharp lyrics, expressive melodies and theatrical appearance. Their unique sound is centered around the trumpet, sealing the deal of a modern rock 'n' roll experience.
Starting their world tour from Australia/New Zealand over to Europe and all the way to California, they choose Los Angeles as their new home base. Having self-produced their first ("Mess of Melodies") and second ("Street Pulse") EP in a professional recording studio, DenManTau released their most recent EP ("Busker's Philosophy) in 2013. They are ready to take on their conquest not only spreading their music across the world but also being the first band on the moon!
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Swerve is a four-piece indie rock band based in Los Angeles, CA. Crafting melodic, guitar-driven tunes, singer-songwriter Gregory Mahdesian leads the band with a vision of staying true to the foundations of alt-rock. Together with local musicians Casey Baird on drums, Ryan Berti on guitar and Brandon Duncan on bass, Swerve creates songs reminiscent of the Britpop and Grunge movements with a modern sensibility and a healthy dose of their Californian personalities. Swerve made their official debut last fall with a self-titled EP release which lent to rave reviews; "the band has quickly created a memorable sound," describes PureVolume. Swerve is currently performing locally while recording a second EP, expected for release by the end of this year.
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Star Five Thirteen actor and model, Veronica Loren, returns to the Hot Tub to again dazzle us with her musical prowess. I'm sure there will be a costume change or two and her band includes a full horn section, it's sexy time!
Michete, a transfeminine non-gender-pronoun-abiding rapper hailing from Spokane Valley, WA, violates dolls and minds in his new video "Come Get It, Daddy." The song showcases Michete diss-rapping about a cycle of seduction and repudiation over the synthy techno beats of DJ Reverend Dollars in a fashion that not only makes you dance, but also makes you think. Michete was previously identified as having one of the "Best 50 Hip Hop Albums of 2015" by Spin, a magazine which also picked "Come Get It, Daddy" as one of "The Best 66 Songs of 2016" last Sunday. Check out Michete's video, Don't miss Michete's return to Hunnypot Live at The Mint 10/2/17!
The North American antelope's esophagus is shaped in such a manner that it is impossible for it to pronounce the word "lasagna". If that antelope had joined Hunnypot Live! for show #344, it would have forgotten all about the inability to order pasta.
Hot Tub Johnnie primed the warm water jets and kept the bubbles popping with new hot cuts by Those Who Burn, Die Antwoord, and Dr. Packer etc. Our guest DJ Garrett McElver ruled the decks on the 1's & blink-182's with a set of his current indie-rock favorites including Modern Baseball, Joyce Manor and Tacocat. Lovey James gave us ballads AND backup dancers. Bombay Beach Revival brought desert heat and salt watered emotion. Sara Sangfelt flew in from Sweden just to serenade us with her rock/dance amalgam. Jemuhni gave us quirky rock & pop and ZachG rapped us right in to the world famous Hunnypot dance party. 6-27-16
GARRETT McELVER (SUPERMUSICVISION INTERVIEW/DJ SET)Garrett McElver works with music supervisor Thomas Golubi? and the team at SuperMusicVision as a music coordinator working on television shows such as AMCs Breaking Bad, Better Call Saul, The Walking Dead & Halt and Catch Fire. Additionally he's worked on the upcoming Cinemax series ‘Outcast’, the second seasons of Netflix’s ‘Love’ and ‘Grace and Frankie’, and the Rob Reiner film ‘Being Charlie’. Previously, Garrett was the Creative Department Director for the entertainment law firm Winogradsky/Sobel. There he managed and developed independent one-stop catalogs and worked with their administration, publishing, and consulting clients. Garrett is a member of the Education Committee for the Guild of Music Supervisors, and played a large role in the development of the first annual Guild of Music Supervisors ‘State of Music In Media' Conference in 2015. They’re currently planning year two. Garrett has also recently begun teaching Music Supervision and Music Licensing at the Los Angeles College of Music in Pasadena, Calif.
Fresh off of being a Top 20 Contestant on FOX’s American Idol, Lovey James continues to shine as one of America’s premier young performers. At a very early age of 6 years old, she was already performing for audiences in her hometown, Portland, OR, and all over the U.S. Now at 18 years old, Lovey continues to command the stage with her contagious upbeat energy and powerhouse vocals.
She currently wrapped up her first self-titled album with reputable music producer, Steve Sundhom who has worked with many A-list talent artists like Carrie Underwood and Hall & Oats. Her album launched this upcoming April and she is beyond excited to share it with friends and family alike. It bridges classic dance pop with vibrant soul. “This album has given me the ability to speak my mind freely and express myself artistically. I have given it my all and I am ready for what the future holds.”
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BOMBAY BEACH REVIVAL is a soul trio from Los Angeles, conceived by producer and guitarist, Daniel deBlanke.
Sara Sangfelt is a talented, 20 year old singer from Stockholm, Sweden. Her music is a unique blend of indie pop, retro soul, and epic rock, topped with Sara’s unique, deep and heartfelt voice. Her musical influences are found among artists such as Amy Winehouse, Adele, Landa Del Rey and Tove Lo. Sara gained popularity in Sweden as a contestant and finalist on the hit TV show Swedish Idol in 2013. After Idol she toured Sweden, both acoustically and together with bands, building a solid fan base.
Sara’s recently released debut-EP ”Tattoo” consists of four songs expressing real life events. Her latest single “Love Me” is scheduled for release on May 27th. In addition, she is currently writing and recording songs for her debut album scheduled for release later this year.
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Jemuhni was Recently featured in Music Connection Magazine's July 2015 issue for his debut album ‘This Is Worth It.’ And then again in their December 2015 issue under ‘Top 25 New Albums of the Year’ Edgy, dark and cinematic, this artist’s songs leave us marveling at his originality. Not only does he bring a daring vision to his Alt-Pop Hip-Hop style but he succeeds in a way that is as accessible as it is ahead of the curve. Whether it’s the dynamic, dramatic Chinese gong that’s matched with heavy rock riffage on the sexy song “Red Dragon,” or the epic, humming, buzzing synthesizer stokes in the percussive, hip-hop infused “Don’t Back Down,” or the more orthodox yet no less original “Learn to Fly” (where he shows his vocal dynamics with an effective falsetto) Jemuhni never forgets the value of a catchy hook. He avoids predictability as gamely as so many other artists cling to formulas.Jemuhni plays all the instruments on his tracks and produces everything himself.
(All songs referenced are from Jemuhni’s debut album ‘This Is Worth It’…New EP dropping this Fall!!)
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In 2000 I didn’t start rapping because people liked rap music. There weren’t people around me making rap music, it wasn’t cheap to get the gear, it wasn’t easy to make rap music, and it wasn’t easy to share your music with billions of people. I started rapping because hip hop was the most powerful thing I had ever encountered. More powerful than skateboarding, and skateboarding was supercharged electricity to me. In my personal quest to make my livelihood and my art indistinguishable nothing was impossible. Hip hop may not have taught me that, but hip hop made it tangible and possible for me. I left loved ones behind; I moved from Weston to New York to, LA, to Arcata, to Oakland, to Mendocino, to San Francisco, to New York, to Las Vegas, to LA; I wrote for the Mishka blog for 3 years and helped to define the internet rap era; I made Hyperbolic Chamber Music 1 & 2 with 27 and 35 rappers respectively; I endured homelessness for a year and got hit by a car in the middle of it; I survived off food stamps, trimming and selling weed, occasional freelance work, and eventually a steady job as a community manager for a tech company. For 5 years I did whatever it took to ensure that I’d be able to keep making music on my terms for the rest of my life. I didn’t do anything to get more popular, I didn’t do anything to make money off my music, I just kept making music, kept turning down the wrong opportunities, and kept ensuring that I’d be making music tomorrow, and dealt with whatever life threw at me. I got fucked over a lot, and it made me work harder. People look at me and think I’m a nerdy privileged white guy, but that has more to do with their eyes than my life. I’m a person who came from the outside with nothing, and made a lane for himself. My life was defined in large part by my father’s job. He is a criminal defense attorney to some of the world’s biggest accused narcotics entrepreneurs, murderers, Mafiosos, and various bad guys who make up the fabric of hip hop signification today. Grisleda Blanco was the lady who was gonna kill my whole family long before she was a hip signifier. That's what I came from, but I don't wear it on my sleeve. I know who I am, and I stay in my lane. People don’t get that my music is about selling drugs, breaking the law, smoking lots of weed, not letting anyone stop you from reaching your goals, pervert sex, dealing with the isolation that comes with relentlessly pursuing your personal idea of success, and remaining positive. That’s okay, I don’t expect everyone to get it, in fact I design it that way. My music is designed for people who listen.
I’m an artist who earned an MA so that I could always have the last word on my art, and no critic or scholar would ever be able to hold anything over me. I’m the Jew who went to Catholic high school and got voted funniest in the senior superlatives. I’m the journalist who the artists respect, and I’m the artist who the journalists hate. I’m the rapper who has always made his own beats, mixed his own records, done his own art, and shot his own videos. I’m the musician who releases music on his own label. I’m a pervert and a feminist. Who I am is the result of a lot of disparate elements coming together and working on me being a rapper. I’m almost 35 and I never blew up, and that’s fine with me, because I just wanna keep making the music I love. If the world ever comes around I'll be here, and if not I'll still be here all the same.
The "horn-iest" Hunnypot Live! ever. Hot Tub Johnnie is all about the "brass" and played a set full of musical movements with all instruments butt, trumpet.
Special guest Emily Weber inspired the "Horns Up/Horny" night with a specially curated set dedicated to the true "metal" of music, horns.
We are ecstatic to sit down with Emily Weber in this special guest interview and DJ set, We'll talk music, industry and the life and times of being a true LA scenester. Then she'll grace us with a curated listening session that will include some of her all time favorite tunes!
SLEEPLUST is a Los Angeles electronic indie band by way of Charlotte, North Carolina consisting of songstress/poet Meghan Tartamella and twin brothers Michael and Joseph Pepe. The trio combines brooding electronics, wandering synths and heavy beats all brought together by Tartamella’s sultry yet focused melodies. Painting the picture of vast landscapes and endless travels the band is set to release their debut EP in November followed by extensive shows in and around the Los Angeles area.
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With the fervent presentation of a OneRepublic and soaring duets and harmonies of a Lady Antebellum, the Los Angeles quintet End of Ever layers the tender vocal chemistry of lead singers Dahni Piro above a musical backdrop that skates along the edge of pop and rock. End of Ever’s journey began when founding members Dahni Piro, keyboardist Richard Parizer, and drummer/producer Jesse Shadis began writing downtempo/triphop influenced tunes. Its more mainstream sound developed with the addition of bassist Michael Sklena and songwriting collaborations with Julien Jorgensen and Brad Kohn.
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In the decade of ten long years, Big Sir Loon went from Gangsta Rap lyricist to a self made songwriter, producer, manager, under ground hit maker and graphic design artist, as he works hard to land a major-label recording contract and, ultimately, a wildly successful solo career. Big Sir Loon paired years of hard living and closed doors with creativity, beats, and life changing situations old and new school raps and self-motivation. His strong faith set him apart from many of his worn down peers, and his confidence keeps him going.
This dynamic duo will be hitting the stage with their hard beats and insane lyrical flow, Mr. Lune & King Bishop are the talk of the underground scene and ones you should definitely check out!
Keeping the Cali swag real and chill, Fonzerelli Mayne represents his hometown of Pomona with his creative music writing and stage presence. His fire beats will have you hot on the dance floor!
Working super hard in the industry not only with his music, Authentic Hustle also represents his clothing brand too which keeps him on the grind and the eyes on the prize to the top of the hip hop world to greatness! Catch em live!
No matter what is being supplied, a hustler is only as good as his word. With South-Central L.A. serving up some of the most hottest, up & coming product in the rap game, Native son FiA$CO stands as one of the most exciting Artists of hood cool to emerge in years. What sets FiA$CO’s music apart is his ability to bring lights, color and flash to any story or song that has been expressed so many times before. He’s truly a musically creative artist who doesn’t need 16 bars to develop a picture for you to see. Soon as he opens his mouth everyone feels it instantly.
In 2007, Rob Dickinson did an acoustic set for us on Hunnypot Radio! Rob Dickinson is perhaps best known for his role as lead singer and guitarist of the band Catherine Wheel. Some of Rob's biggest hits with the 90's alternative band include Black Metallic, I Want to Touch You, and the song he sang for us, Crank! Rob Dickinson also released a solo album Fresh Wine for the Horses in 2005. Watch Rob Dickinson pour his heart out for Hunnypot Live in this awesome video! Shoutout to Lisa Goodwin for providing this cool clip!
-Jeff "Pesci" Gray 
Rob Lowry is a Los Angeles based Music Supervisor for Film, TV, and Advertising.
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When Tiki Lewis moved to Los Angeles from Chicago, she had no idea she'd meet Johnny Burkes and they'd subsequently join forces together to make some of the most memorable music in the world today, but through a combination of vision, empathy, melody, and rhythm, their sound has evolved into just that. While curating an absolutely remarkable stable of collaborators, they have played live shows that have made a distinct mark on a town filled to bursting with others who have fallen short of that and conversely inspired people all over the world with their online audio and video presence.
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Luke Top is best known for being the singer and co-founder of Fool’s Gold, a band that has enjoyed international acclaim for their unique blend of African dance music and New Wave pop stylings since 2009. His new release Suspect Highs is a step inward for the songwriter, resulting in his most personal collection of songs to date. It was self-produced during a period of relative isolation after several years of touring and being in bands full time.
The sound of the album itself is somehow familiar, yet can’t be ascribed to any particular era. There are subtle parallels to the world music touchstones of Fool’s Gold, but the music stands alone as something wholly new; a singular offering of intimately spun chamber-pop, constructed with lush arrangements and topped with Luke’s trademark melismatic croon.
Suspect Highs limited edition vinyl is now available via Org Music. Digital formats available for purchase and streaming via Grand Gallop.
Big Search is the ever-present alter ego of Matt Popieluch as he continues to make his way through Californian life, channeling the cross-currents of romance, upheaval, and casual adventure.
After over a decade of making music in various bands like Foreign Born, and assisting in bands Papercuts, Fools Gold, Glasser, Cass McCombs, Taken By Trees and Sky Ferreira, Big Search has been steadily uncovering the music being revealed to him in flow-states. After two albums and a number of singles including "Love In Return" which first appeared on season 2 of Maron, his upcoming album track "Please Do Not Explain" was included on the first compilation from Dangermouse's new label 30th Century Records. The full record, Life Dollars, will be released this Summer.
Things are happening fast for Los Angeles based MIDNIGHT DIVIDE. After nearly a year of writing sessions and toiling in three different studios, singer, songwriter and producer Austen Moret finally saw his indie/alternative project come to fruition with the band’s debut EP: Embrace The Wave on September 1st, 2015. The EP managed to crack the CMJ 200 at #149 in early October, receiving widespread national college and specialty radio airplay. The group also placed 2nd at the Hollywood Battle Of The Bands. Not a bad start.
The five track EP, which Austen wrote and produced took longer than expected but was well worth the wait. “I tried a lot of different ideas out for this record. It took forever to finally feel like I had arrived at the sound I wanted. I wanted a BIG band sound. Tribal drums, huge guitars, driving bass and electronics…I wanted people to hear it and say “damn…I need to hear this live”.”
For live performances, long time friends and live band members: Dan Beltran (lead guitar), Steve Robinson (bass) and Mike Aguado (rhythm guitar) joined Austen in April of 2015, along with Mark Colgrove (keys) in September. Sab Cahrunas (drums) joined in October 2015 to replace former percussionist Eddie Vyeda. Together, they provide the backing band so vital in bringing the songs to life.
The band is currently working on on their debut LP to release sometime in the Fall of 2016. Their current EP Embrace The Wave is available in all digital stores and in physical copy at shows. The band plays regularly in Los Angeles and surrounding area.
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Formed in 2006, Day Method is a young, Los Angeles EDM/rock trio with a futuristic live performance for all ages.
Day Method combines the EDM/Dubstep genre with a high-energy, full band rock show; breaking grounds previously untouched in modern music.
Through the use of dance and rock music, futuristic costumes, choreography and a state-of-the-art DMX Laser Light Show and effects, Day Method guarantees an unforgettable performance.
Over the years they have performed at a number of events and festivals, playing with artists such as Switchfoot, Family Force 5 and Twenty One Pilots.
Day Method is one of the only independent artists to perform with their own fully-automated Laser Light Show, now included at any indoor or night-time performance.
They have released three studio albums, the most recent of which being “Silence Departed” in 2015. All three albums are available on iTunes, Amazon, Google Play and Spotify.
Day Method is currently in Los Angeles working on projects for TV, film and advertising in between live events.
Driving down to the Santa Ana on Saturday evening, I could not help but wonder what I had gotten myself into. Over the past 30 years, I could not count on one hand the number of black metal concerts I had been to. The closest I have been to the darker side of rock might have been Metal Church at the Santa Monica Civic in 1989 (and still think the spinning upside cross haunts me to this day). Sure, I have listened to bands like Slayer and Mercyful Fate and have many of their classics in my collection. However, none of that would have prepared me for what I was about to experience at my first Behemoth show. Driving away from my quite suburban neighborhood in Long Beach, I cranked up their 10th album, "The Satanist", for the 45 minute trek down the 405 to Orange County. As Behemoth's haunting sound began to take over my sound system, I knew that this would be a rock n'roll show unlike any I have ever seen.
On Saturday May 7th., Behemoth convened their legions of followers at the Observatory in Santa Ana for what was to be their last U.S show (Number 13 to be exact) supporting the Blasfemia Amerika Tour. After a chilling set from opener Myrkur, Behemoth took the stage at 9:45pm in front of a near-capacity crowd. The masses in the pit began to swirl feverishly as Bass-guitarist Orion (Tomasz Wroblewski), Guitarist Seth (Patryk Sztyber) and Drummer Inferno (Zbigniew Prominski) exploded onto the stage. Then out from the shadows, front-man and guitarist Nergal (Adam Darski) took center stage and kicked off the show with crowd favorite, Blow Your Trumpets Gabriel. To say that this place went ballistic would be an understatement. Within moments of their opening salvo, everyone was on their feet and a massive mosh pit had erupted in the center of the floor. A crowd surfer floated effortless across the crowd towards the front of the stage with a shirt that ominously read, "Your God Cannot Save Me". What a strange foreshadowing of the evening to come.
For those that are not die-hard Behemoth fans, you should know that this band has an immense catalog of music that span an amazing 25 year career. They are known for having a dark signature sound coupled with multi-layered vocals. One also can hear a distinct middle eastern influence in their melodies that sets their sound apart from others in the blackened metal genre. Throughout the show, those in attendance were continually floored by many of their classics including Furor Divinus, Ben Sahar, and Ora Pro Nobis Lucifer. Each song rocked the Observatory in a way that made you feel like the walls may be coming down any moment. On top of that, Behemoth performed two kick-ass encores featuring standards such as Conquer All and Slaves Shall Serve. Nergal ended the evening just as he started it with a near flawless version of Chant for Eschaton 2000 (off the 1999 album "Satanica"). Simply amazing!
When the show was over and all the dust had settled, I took a moment to reflect on my first evening with Behemoth. Although I went into the show with eyes wide open, I had very little to compare it to going in. Prep for the evening came down to listening to Behemoth's latest album and watching a few of their videos on YouTube. Based on what I saw prior to the show, my expectations for the evening were honestly pretty low. It just seemed to be such a departure from bands like Van Halen, Judas Priest, and Iron Maiden which I grew up with as a child of the 80's. Fast forward two hours later, and I can honestly say I have been converted to one of their faithful. Nergal, Orion, Seth, and Inferno laid it all on the line in for their Southern California congregation on Saturday night. The show was one for the ages, combining their dark haunting sound along with amazing imagery that left plenty to one's imagination. And if that were not enough, they kept up their high-energy theatrics the entire show - no drop off in intensity whatsoever (which is pretty rare for most live bands today). To me, this is what metal is all about!
Stay Frosty and Rock on!
Hunnypot is still in the race. Hot Tub Johnnie began the night with his platform of groovy tunes. Mr. Bonzai regaled us with his tales of "being there" when rock n roll was dangerous, how he met John Lennon and a classic set of music. Olivia Harris torched the live sets off, Kalen Lister belted out her epic compositions, Iconique dazzled with their electro/disco indentity, Phil Gibbs brought the heartache through music and Somos Uno made everyone believe Tijuana is really a place in Jamaica with their international reggae sounds. 5-2-2016
Mr. Bonzai a.k.a. David Goggin is an award-winning photographer, music journalist and author. He has written over 1,000 articles for magazines in the U.S., Europe and Asia, and has published numerous books, including ”Studio Life” (Mix, 1984), “Hal Blaine and The Wrecking Crew” (Mix. 1992) “The Sound of Money” (Focal, 2000) “Faces of Music” (Cengage, 2006) “Music Smarts” (Berklee Press, 2009) and “John Lennon’s Tooth” (BookBaby, 2012). His photos and articles have appeared in Rolling Stone, The New York Times, Los Angeles Times, Billboard, Mix, EQ, Keyboard, Daily Variety, Hollywood Reporter, Los Angeles magazine, Disney Channel Magazine, Sound & Recording, and Relix, among others.
Los Angeles based singer/songwriter Olivia Harris released her first EP, "Lonestar Heart", in January of 2016. With influences like Amy Winehouse, Joni Mitchell, Jeff Buckley, Erykah Badu, and Betty Carter, Olivia's alternative pop/jazz and neo-soul is driven by her many travels, curiosities and
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Kalen Lister is a Brooklyn-based songwriter, vocalist, piano player, and performer. She leads the rock band, Kalen & The Sky Thieves, in addition to recording and performing under her own name as a solo artist. She has toured from coast to coast, playing many well-known venues including: Hotel Café (LA, CA), Brooklyn Bowl and Joe's Pub (NYC), DC9 (Washington, DC) and the Empire Ballroom (Portland, ME). Her most recent album, Bluebird, was her band’s debut album, which was released in 2014 on Ropeadope Records. Relix Magazine calls Kalen “a singer-songwriter with real character.” Kalen’s lyrics have earned her honorable mention in American Songwriter and her works have been favorably reviewed in such tastemaker blogs as Diffuser and Impose Magazine. Currently, Kalen is working on a new electronic recording project, Death By Piano, with bassist Jay Giacommazo while continuing to perform as a solo artist and with her band.
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Somos Uno Sound System began in 2003, with the creative initiative of Cesar Hank (Aka Abatzi) to create a group of MC's and DJ's, an idea that with time and creative needs have evolved and have been included to participate in the project important musicians and singers reggae scene for collaborations; for three years line-up was changing with male voices but always led by Abatzi. In 2006 in the 1st Route Raztlan he joined the We Are One's Aurely Monraz (Aka Khata) thus initiating a new stage in the project where female voice takes the same force as the male voice creating a melodic and rhythmic balance in music we are one.
In his music, the main idea has always been and will be to bring positive awareness and listeners through the rhythm of reggae, funk, hip hop and dance hall messages; Each vocalist has developed a particular and personal style in their lyrics and his voice, using various topics ranging from social situation currently live to issues of a spiritual nature, thus proposing with their lyrics free thinking and creativity as impulses good living in a world where we are all one unit.
They have participated in festivals such as Vibrations of America, La Quimera, in the 3 editions of Yampamento in 5 editions of Raztlan Festival, Music Festival in Guadalajara, festival new Fire, One Love and Peace festival, SunFest, Festival Quetzacoatl side artist of international stature as Pato Banton (UK), Gondwana (Chile), Don Carlos (Jm), Gomba Jhabari and Culture Prophetic (PR), Pericos and Cafres (Arg) with reggae legends such as Gladiators, U Roy and Max Romeo (JM), Eka Mouse (JM), Army and Midnite, Rakes, Antidoping and Ganja (Mx), Alika and Natty Combo (Arg), Ras Cocoman (Cb), Lumumba (Arg), Ras Michael (JM), Fermin Muguruza (PV) founder of the legendary group Negu Gorriak and collaborator of Manu Chao, Easy star All Stars, Mad Professor and Bad Manners pioneering ska band in Europe (UK), Natty Congo Crew (Mx), the Damn Yankees (Mx) Triston Palmer (JM), Ranking Joe (JM), to name a few. They have also been included in tours around the Mexican Republic with artists like Alborosie (It), Alika (Arg), Gondwana (ch), Cartel de Santa (Mx), Okokan sound system led by Sergeant Garcia (Fr / Sp).
Somos Uno have traveled most scenarios and major cities in the Mexican Republic and California (USA) on tour promoting his music in recent years. They are currently promoting her album We Are One Sound edited in 2008 by Option Sonica USA / Razlan records and mastered at Tuff Gong (study in Jamaica reggae legend Bob Marley), In their live performances have collaboration as band support the Black Star Band (Jm) grouping with which it was recorded its first album and Cualli band (USA) and the DJ Tijuas and Dj Triana (Dub Maniacs Tj), they are also working on new material for their next album.
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Iconique's heavy disco rhythms entwine with silky synth highlights to encapsulate the shimmering grit of the Los Angeles music scene. Self-produced and written, their material lures listeners to the dance floor with a synthesis of sounds ranging from Chic to David Bowie. Formed in 2015, the trio consists of brothers Eric Promani (drums / synths) and Greg Promani (guitar), and frontman Leo Paparella (vocals / synths).
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Phil Gibbs is a singer-songwriter from the United Kingdom. His music creates a refreshing and immediately contagious sound that ensnares audiences from the first bar. In a unique cocktail of soul, jazz and R&B influences combined with Phil's influences from modern hip-hop and pop, Phil has continued to evolve his music from his early writing days as a teen. Phil has created, recorded and performed in a series of bands and projects over the years, honing his unique vocal sound and recorded and self-released his debut EP: 'Diamond In The Rough' EP, in early 2014.
There is a line between insanity and genius that indie superhero, Mark Mallman has built a career on. There is something so engaging about his personality, solid songwriting, and wild stage persona that it's impossible not to be intrigued!
Glam-rocking Minnesotan cranks out flash-pot, binge-celebrating anthems of surprising cleverness with this hit single and video for your addictive enjoyment, "Monster Movies", which will leave you in awes with his mashed up vintage and space age techniques to achieve a unique, yet classic sound!
With 15 years of touring under his belt, his music/art experiments and retro-70s style has rocked the airwaves of countless radio and media outlets, as well as being written about by Rolling Stone, Pitchfork, USA Today, Wired, NME, The Toronto Star, Chicago Sun-Times, the Denver Post and so on. Mallman continues,
“Yeah, my records have always been retro half breeds, but as far Monster Movies goes, I wanted to take it vintage and full blast 2014 in the same song. Now all I gotta do is invent a flux capacitor time machine, and start saving for a Delorean.”
Over the years, there have been many amazing rock and roll bands that have come and gone. Not many can say that they have stood the test of time like Y&T. Founded in Oakland California in 1974, Y&T were the innovators of the hard rock sound flourishing in the San Francisco Bay area at that time. They were melting faces long before bands like Night Ranger, Faith No More, or even Metallica. Five decades (and 18 albums later), Dave Meniketti and crew are still at the top of their game and have set the gold-standard for hard rock bands all around the world.
On Sunday April 14th, Y&T brought their “in-your-face” style of Rock and Roll toThe Canyon in Agoura Hills. Vocalist (and Lead Guitar) Dave Meniketti, John Nymann (Guitar), Mike Vanderhule (Drums), and Aaron Leigh (Bass) delivered what many in attendance considered to be their best performance of the 2016 tour to date. After a solid set from opener Red Dragon, Y&T took the stage around 9:00pm and ripped into their 1981 classic Hurricane with a fury that fired up the near-capacity crowd and set the stage for an amazing night of classic rock and roll.
Over the next two hours, those in attendance at the Canyon were treated to (what I personally consider) a near flawless performance from Y&T. Standards such as Lipstick and Leather, Don’t Stop Runnin’, and Mean Streak rocked the crowd and sounded as amazing as the originals did on vinyl over 20 years ago. On top of that, fans were also treated to other "classics from the vault" such as Midnight in Tokyo, Barroom Boogie, and I Believe in You. However, my favorite moment of the evening came near the end of the show with my all-time favorite Y&T song, Rescue Me. The power and emotion of Meniketti vocally along with his amazing guitar skills elevated this already frenzied crowd to a whole new level. Truly epic moment!
If you have not seen Y&T live, do yourself a favor and grab some tickets for this amazing rock-and-roll show. Meniketti, Nymann, Vanderhule, and Leigh leave it all on the table in a 2 hour 20+ song extravaganza that will amaze even the most critical of fans. Dave Meniketti understands what his fans want, and continues to deliver on that promise each and every show. And to think that he still sounds as incredible as he did when he was 20 is truly amazing. Looking forward my next show with this legendary band!
Stay Frosty and Rock On!