"Television can control public opinion more effectively than armies of secret police, because television is entirely voluntary. The American government forces our children to attend school, but nobody forces them to watch T.V. Americans of all ages *submit* to television. Television is the American ideal. Persuasion without coercion. Nobody makes us watch. Who could have predicted that a *free* people would voluntarily spend one fifth of their lives sitting in front of a *box* with pictures? Fifteen years sitting in prison is punishment. But 15 years sitting in front of a television set is entertainment. And the average American now spends more than one and a half years of his life just watching television commercials. Fifty minutes, every day of his life, watching commercials. Now, that's power. " -John Reston (Looker) Speaking of power and coercion, everyone who was coerced in to attending Hunnypot Live #413 last night felt some serious power. Hot Tub started the persuasion with new classics. THOMAS GOLUBIC´ (the most appearing guest on Hunnypot Live) returned with updates in the music supervision world and brought a burning dark set of insanely danceable songs. Speed of Light broke sound and gravitational barriers with a pummeling rock music set. Velvet Starlings returned to our stage with new classic rave up rock n roll. Alex Noize bumped a dance DJ set. Amanda Rome West spit rhyme chimes with her raps. Sherif delivered a festival energy set and the night closed with yet another famous dance party. 04/01/2019
THOMAS GOLUBIC´ is a Los Angeles-based music supervisor, DJ and record producer. His music supervision credits include the AMC series Breaking Bad, Better Call Saul, Halt and Catch Fire and The Walking Dead, the Netflix series Grace and Frankie and Love, the Amazon series Sneaky Pete, the Showtime series Ray Donovan, and the HBO series Six Feet Under among many other film & television projects.
In 2017 Thomas became the president of the Guild of Music Supervisors, the same year he was nominated for the first Outstanding Music Supervisor Emmy Award for his work on
Better Call Saul. The Guild twice awarded Thomas with Best Music Supervision in a Television Drama for his work on Breaking Bad.
Thomas was twice nominated for Grammy awards for producing volumes 1 and 2 of the Six Feet Under soundtrack album, and with former partner Gary Calamar was responsible for the use of Sia’s “Breathe Me” in the final scene of the series. It is considered one of the most memorable uses of music in television, and launched Sia’s music career in America. Thomas is also responsible for producing four soundtrack albums for The Walking Dead, the Breaking Bad and Better Call Saul soundtracks, and has assembled various remix projects for EMI-Capitol Records and MGM, including
reinterpretations of Peggy Lee, The Beach Boys, Henry Mancini’s Pink Panther theme and EMI’s Christmas Classics remix compilation ‘Merry Mixmas’.
Thomas’ formative years, musically speaking, were spent as a DJ, music programmer and on-air host for tastemaker LA radio station KCRW 89.9 FM. After ending his 10- year residency at KCRW, he turned his attention to music production and live audio/video DJ work. He formed The Arbiters, a music collective creating mash-up music and video productions, free-released two EPs, and created audio and video mash-up productions for clients including Google, YouTube, Microsoft and Levi’s. Thomas has also become known as an innovative club DJ spinning broadly eclectic music sets, often with live synchronized visuals. His SYNCHRONIZE re-score project, featuring live DJ re-scores of classic films has been featured at the Sundance Film Festival, Bonnaroo Music & Arts Festival, Luminato Festival in Toronto, Dubrovnik Film Festival, U.S. Comedy Arts Festival, various residencies in Los Angeles, and has been profiled on Turner Classic Movies.
You can find more information about Thomas, and the SuperMusicVision team, at:
SPEED OF LIGHT are siblings from Santa Monica, California. Inspired by everything from The Stooges to Desert Rock, this power trio (15, 13 and 12) plays hard-hitting garage rock with a healthy side of punk. With Cameron's 70s-style guitar riffs, Tyler's thundering drums, and Riley's driving bass, they “smash out shameless firebrand old school rock and roll with skill and guts and style.”
All three members contribute to vocals and songwriting. This LA. band has rocked the SoCal area with their original sound, forging their own path with no apologies, no looking back, and nothing but open road ahead.
Velvet Starlings is fronted by Christian Gisborne a 15 year old indie rock singer, songwriter, producer and multi instrumentalist based in Los Angeles. He is known for a powerful 60s era Eric Burdon (The Animals) influenced vocal style combined with a commanding stage presence. Velvet Starling's unique performance style has invited media and industry insider comparisons to Jack White and Ty Segal. Gisborne's early musical influences included British Invasion staples, such as The Beatles, The Who and the Rolling Stones. Already making a name for himself at such a young age, Velvet Starlings has garnered attention from Los Angeles powerhouse KROQ as well as Sirius XM. His fusion of gritty garage blues coupled with Brit inspired rock has led to high profile festival bookings including SXSW/MEcon and Summerfest Milwaukee. Velvet Starlings’ long awaited self-titled EP on Sound x 3 Records / Rock N Rolla Records is set for release late 2018 which was a collaboration with producer songwriter Roger Gisborne (leader of 90s Brit Rock band “Plastiscene”), mastered by Brian Lucey (Arctic Monkeys, Beck, Black Keys). The seven track EP kicks off with leading single and video, “If Life Ain’t Getting You High”. The single features vintage guitar sounds, driving drums and hard hitting rock vocals. With introspective lyricism detailing living in the moment, "If Life Ain't Getting You High” is an anthem for the youth of today. The band wear their influences proudly on their sleeves with second single, “Borrowed Time”, a clear tribute to the sixties British Invasion era, which has been receiving considerable airplay & review. "Sold Down The River”, the latest single, showcases Dylan-esque lyrics, soulful Hammond B3 organ, gritty guitars and raw blues inspired vocals.
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Paper Jackets emerges from the LA indie pop scene inhabited by producer Ethan Kaufmann — a driving influence of the band’s electrifying, synth-pop sound.
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Alex Noize is a DJ and producer from London currently based in Washington DC. He's played shows with The Knocks, SG Lewis, and has opened for Prodigy and Nas, this will be his first LA show!
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A performer by nature, self-managed Amanda Rome West is a rapper, stand-up comedian, actress, content creator, USC Business Cinematic Arts honor student, and entrepreneur. She is pioneering the world of running the female rap game and has only just begun.
Hailing from Bethesda, MD, she is killing it in Los Angeles, the entertainment industry capital of the world. She just dropped her 18 song debut album When in Rome, which she performed at her first sold out show at the Dime LA, followed by shows at venues like Songbyrd DC, BANANAS at Leimert Park, 1221 Lounge, Cloud Nine Aspen, and more.
She's always working on new music, content, and other artistic creations. She stars in the most streamed episode (#3 “I Love Being Naked”) of Snapchat's BROTHER channel's show Parental Guidance, and makes widely viewed social media videos daily. She advocates for many causes, especially feminism, conscious happiness, body positivity, and anti-bullying.
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SHERIF is an up and coming rapper from DC, he's based in LA and is working with acclaimed writers like Ammar Malik, and producers like Roget, and Cole MGN. He's had a few soft releases on Spotify and is gearing up to drop a few EPs in the first quarter of this year to be followed by his debut album!
Here is a sampler playlist of unreleased music. Ready to blow!
Listen, Hunnypot Live is all ages and never charges a cover but we will still accept bribes to get your kids in . We will even say we have a rowing team they can join. Show #412 was pretty scandalous. Hot Tub Johnnie kicked (back) off with a set of danceables and tranceables. Arbel Bedak got wet with us for his backstory and party playlist. Grace Blue returned with synth and sensibilities. Voila dropped in straight from SXSW to give us acoustic pop gems. Flashback Flash played modern familiar hard rock. Elin K. sung her heart out for us and we closed with another Ivy League dance party. 03/18/2019
Arbel Bedak is Vice President, Sync A&R/Creative at Decca Publishing and currently co-runs the US office for the London-based division of Decca Music Group under Universal Music Group UK. He pitches music for placement in film, TV, advertising, and trailers in North America and procures and manages custom scoring opportunities for ads and trailers for the growing roster of Decca Publishing composer/artists, which includes Max Richter, Clint Mansell, Clark, Alex Somers, and Ben Frost. He works creatively with the roster to create new, sync-friendly works and to rework existing pieces and scores specifically for sync.
Arbel previously served as an agent at Evolution Music Partners, representing composers like Abel Korzeniowski, Fil Eisler, Lesley Barber, and Charlie Clouser. Simultaneously, he ran the daily operations of sister company Score Revolution, a start-up film music licensing company that he joined in the early stages as an intern and helped build. He went on to manage the catalog and served as the main contact for creative licensing and acquisition for three years.
Before that, Arbel received his Bachelor’s in Music Composition from UC Davis, where he directed the university’s marching band and worked for the Department of Music. Following graduation he moved to Los Angeles with aspirations of a career in film scoring, which dissipated as he fell in love with the music business and realized his passion for working with and supporting composers.
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Based out of Los Angeles, CA, Grace Blue is a duo comprised of vocalist Grace Mogz and keyboardist Joseph Arazi who had the pleasure of meeting each other in their hometown in Israel. Grace Blue's first video for their current single "Our Eyes" has garnered over 100,000 views on YouTube alongside rave reviews. Their next video/single "Nowhere To Go" is out now.
Check out their full 5 song EP at the link below. All songs are Represented by Hunnypot, Master and Publishing.
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“Refreshing,” “Romantic,” and “Relatable” are a few of the terms used to describe L.A.- based pop/rock act VOILÀ. Gus Ross and Luke Eisner, respectively from London and Wisconsin - combine authentic production, emotive vocals and magnetic lyricism as a duo.
Ross started out busking around London, which led to playing shows in London’s infamous West End: even performing for the Queen. He incorporates “raw emotion and old school jazz,” in his vocals. He is fascinated by the technicality of music and handles production.
On the other side of the world, Eisner’s passion for music came through lyricism: fascinated by timeless literature, he fronted bands in the midwest scene. “I strive to include at least one tattoo-able phrase in every song we write," says Eisner, who also maintains a professional modeling career, which helps craft the duo's aesthetic. ?
VOILÀ started 2018 as one of BBC Introducing Solent’s “Ones to Watch.” With millions of streams on their music to date, their singles “Hundredth Second Chance” and “Lately” continue to grow. After success on Spotify and BBC radio, the band drew eminent praise from the likes of Billboard, Pandora, and more. They have supported the likes of Kesha, The Fray, X Ambassadors, Flume and, Martin Garrix and their new single, "Don't," premiered on Spotify's New Music Friday playlist at #19. With their ambitious spirit, impressive dedication, and undeniable charm - VOILÀ look set for Wembley.
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Vintage rock for the modern listener.
Flashback Flash makes you feel a pleasant nostalgia with complex yet tasteful guitar leads; the homage to guitar masters like hendrix present in every song. Tender yet haunting vocals powerful enough to stop you in your tracks combine with a crushing, high energy rhythm section, creating a sound best described as “queens of the stone age meets the beatles.”
They hit the sweet spot of driving power and stunning flare without being distracting.
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Sweden’s newest export, Elin K, descends on LA with her latest atmospheric-filled, dream pop single, “Malibu” due out on 25th January. The single was produced by LA based Andrew Monheim (The J.B's, Imagine Dragons, Allen Stone, The Letters Home). “Malibu” is her first US single with her forthcoming EP to be released later in 2019.
Listen to: Malibu
Malibu is a hazy dream-like ethereal pop track, that evokes a cinematic backdrop of sunbathed rolling waves along Malibu’s iconic beach coast. The track’s guitar flirts with vintage west coast rock, sweet sweeping strings, and 70’s progressive sounds while Elin’s voice delivers a contemporary turn with a Nordic inspired aural immersion.
“Malibu” is written as a snapshot of a carefree golden period in Elin K.’s life while first touring the States. “It was something special about this city and its beach culture, in particular, that I instantly fell in love with. I felt at home, as I could fully be myself in this crazy mix of cultures and lifestyles.”
“…a voice similar to Lady Gaga meets Enya, and her musical accompaniment fills up the air, perfectly supporting that voice.” - L.A.Music Critic
Elin K is a genre-mixing Swedish artist-songwriter that has worked with producers like Vanessa Liftig (Wu-Tang clan) and Robin Mortensen Lynch ( Pink, Sting, Justin Bieber). She performed over 50 live performances in Europe, as well as in China and US. Most notably she has performed at music festivals in LA & Dublin, played prestigious Swedish music festival Way Out West., and was played live on Swedish Radio 4. Her first single “Truth Worth A Fight” gained success on Spotify. Elin K. is slated for West Coast tour dates in the US in 2019.
Heather Kreamer is Director of Music for Create Advertising, an entertainment marketing company. She oversees all music needs for both their Los Angeles and London offices. This includes finding and licensing the perfect commercial music, as well as working with composers to create custom scores. Prior to joining Create, Heather spent 5 years running the music department of mOcean, another entertainment marketing agency. Her background includes building the film and television department for INgrooves, a global music distributor.
She began her music career at Natural Energy Lab, where she signed artists and marketed their music for sync placements. Heather has worked on hundreds of successful motion picture marketing campaigns including Black Panther, Venom, Coco and Peter Rabbit.
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"Opium Moon’s debut album is a sublime and sensual brew of strings, percussion and bass that transports the listener to a musically soulful Shangri-La.” – Victoria Looseleaf, ArtNowLA
Sensuous and hypnotic, elegant yet deeply emotional, the music of Opium Moon evokes the mysteries of ancient worlds while remaining thoroughly contemporary. The Los Angeles-based ensemble’s cinematic soundscapes draw upon the virtuosic skills and diverse ethnic backgrounds of its members: Iranian santoor master Hamid Saeidi, innovative Israeli bassist Itai Disraeli, sought-after American percussionist M.B. Gordy, and the exceptionally expressive Canadian-American violinist Lili Haydn, whose passion and fluid mastery of her instrument enchant in every song.
Opium Moon’s eponymous debut album is our now on the Be Why Music label, distributed through ADA/Warner. The video of “Caravan” by Academy Award-nominated Genghis Blues director Roko Beliç debuted on NPR All Songs considered NPR.org. Lili Haydn’s third TED presentation is also live.
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OLD_SPORT is a five piece soul-rock band out of Los Angeles, California. Formed to create the soundtrack for the award-winning independent film ELSEWHERE, they have since headlined legendary clubs on both coasts, including The Troubadour in L.A. and The Mercury Lounge in Manhattan. Produced by Steve Kille of Dead Meadow, their three-track EP, The Midnite Vibeline Session, is available to stream now.
OLD_SPORT is Nick Vergara, Brian Williams, Keith Roenke, Michael Maio, and Andrew Gaul
Kim Kix: Singing, guitar.
Anders Pedersen: Guitar, Lap-stell guitar, keys, backing vocal.
Mike Sullivan: Drums
About Anders Pedersen a.k.a. Peasoup a.k.a. AP: Guitar player, songster. Howe Gelb’s wingman for more than a decade in Giant Sand. Proud to have served alongside good folks like Mark Lanegan, M. Ward, John Doe, Jim White, and Scout Nibblett. Avid dancer and addicted listener since the pre-teen years.
About Mike "ZACK" Sullivan: From the basements of the USA, Mike brings a primitive, passionate sound to the drums, having played with his own brother in a variety of bands (garage, rock 'n roll, country, indie, latin). And due to his Blue Man Group training in NYC, Mike is able to emote onstage using only his teeth. Mike has toured in Europe and North America, traveling with the likes of Young Fresh Fellows, The Hall Monitors, Eddie Angel, and of course, the mighty POWERSOLO since 2012, who have bestowed upon him the most honorable and appropriate moniker in Rock And Roll: ....ZACK!
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A Rock N Roll Band from Santa Ana, Orange County, CA. We just want to make love to the World.
Hurricanes, expect the unexpected.
We met, we jammed, shared many common interest, we mixed it together, and BAM! Pow right in the kisser!
We became the OC Hurricanes!
We have been fortunate enough to play various of shows. To different crowds of all sorts! We wish to play to everyone! No scenes, No Trends, just everyone! We want to make love to the world.
We have performed various of events and places around the world.
We have been fortunate enough to open up for legendary acts from the past that will never get old, more than once. Such as Wanda Jackson, Barbara Lynn, and Ronnie Spector (The Ronettes). We've also shared the stage with New Legends, such as The Reverend Horton Heat, King Khan, Plague Vendor, The Oh Sees, And many more to name.
We've also been aired on XM Sirius Radio, and 100.3 the Sound. Thanks to Mr. Steve and his staff at Little Stevens Underground Garage.
We are signed to a small but very powerful indie label in Hollywood, known as WILD RECORDS.
We are hoping to continue our journey till the end. Music, we love that shit.
Roach Sánchez - Vox/Rhythm Guitar
Gibram "Walter" Chavez - Ebass/Harmonica
Slim "Wray" Cervantez - Lead Guitar
Alex "Little Man" Marcia - Percussions
Oscar "Satan" Ramirez - Ebass/Farfisa Organ
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“You know those bands that the moment you get to the first chorus of their first song you realize, holy f*ck, they are gonna be HUGE. Introducing, Pacific Radio. With a penchant for big freaking hooks, thundering bass lines and singalong choruses, they remind me of The Killers, Weezer, the Airborne Toxic Event, Eagles of Death Metal and early Foo Fighters all poured into one flaming mojito.”
~Keith Creighton (Pop Dose)
Pacific Radio is a sonic collision of energetic garage rock with L.A. heartbreak. It's origins can be traced back to when Joe Robinson (singer/ guitar) and Joe Stiteler (bass) left L.A. punk band The Ringers in search of a more dynamic sound and space. The duo grew to a quartet with the addition of Kyle Biane (Guitar) and Hyke Shirinian (Drums). Stiteler, Biane and Shirinian created the perfect backdrop for Robinson’s catchy melodies.
After the release of their debut EP, 2017 saw the band hit the road with their wildly charismatic live show. From their home base in L.A. to Austin to Seattle to Napa’s Bottlerock Music Festival, the band began winning over fans from festivals to dive bars.
Between tour dates, the band retreated to the studio with Grammy nominated engineer and producer, Eric Weaver, putting the finishing touches on their upcoming full length album “Pretty, but Killing Me”. They diligently transformed their songs from wild rock show crowd-pleasers into a meticulously crafted record inspired by their heroes.
"Pacific Radio is a band that listeners will fall in love with from their Pop Rock to Punk Rock tempos and upbeat sound. Even with a theme around heartache and love each song has its own sound and style.” ~Alexis Coleman (Side Stage Magazine)
"...even though I hadn’t heard a single song from this band, their performance had me dancing like a maniac before the first song even finished" ~Kylie Banks (The Music Court)
Sue Crawshaw, founder and owner of Pick And Mix Music has worked across all aspects of the music industry over 3 decades. She started her career in music publishing with spells at MCA, Chrysalis, Asongs and Albert’s Publishing, in addition to 7 years at performing rights organization BMI in London. She then moved into sync placement and music supervision establishing Pick And Mix Music some 15 years ago. She has worked with artists such as AC/DC, Fat Boy Slim, James Bay, Kodaline and Nothing But Thieves.
Currently based in Los Angeles Sue works as a music supervisor on various successful TV productions including THE CROWN Seasons 1 & 2 (Netflix), STRIKE BACK Seasons 6 & 7 (HBO / Cinemax), OASIS (Amazon pilot), ORIGIN (YouTube Red), THE REPLACEMENT (BBC) as well as various indie movies, most recently TOGETHER. Past credits include the BAFTA nominated “SON OF RAMBOW’ (Paramount), HE KILLS COPPERS (BBC), RAW (RTE) and LOVE HATE (RTE).The Toronto-based, three-piece band Little Coyote formed in 2015. Their debut album, “The Trouble With Teeth”, was funded by a Canada Council for the Arts grant, and released by Egg Hunt Records (Richmond VA) on October 13th 2017.
Little Coyote have gained praise from George Strombolopulous (Strombo show CBC) , Noisey, Sidewalk Hustle, Exclaim! Pop Matters and Spotify’s “Indie All Stars” and “New Music Fridays” playlists.
Little Coyote consists of band mates Byron Patterson, Mike Poisson and Teagan Johnston. Teagan, the band’s leader, began her music career on the west coast of Canada where she released her first EP, Winter’s Child, and worked with local artist Aidan Knight. Teagan relocated to Toronto, ON at the age of 19 to start Little Coyote. The band’s sound and aesthetic is based on Whitehorse, YT which is Teagan’s birthplace. Additional influences include Toronto-based bands Metric, Stars and Broken Social Scene. ‘Little Coyote’ is Teagan’s Yukon nickname and musical alias, she is happy now to share the name with bandmates Byron and Mike.
Teagan, Mike And Byron bring diverse artistic backgrounds to Little Coyote. Together they are able to create an exciting new space in music that marries their vast influences of Folk, Alternative and Progressive rock, through classical piano, ethereal guitar, driving percussion and synth.
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Sheila Nicholls’ first brush with fame was when she streaked into public consciousness in an act of radical self exposure. Live at a Lords cricket match between England and Australia at the Ashes in 1989 she did naked cartwheels propelling herself onto the front pages of the tabloids in Britain and much of the commonwealth.
It was her first feminist action.
She was 19 and a few months later she went to stay with a friend in LA and didn’t go home. No one had even heard of A levels. Fantastic.
She has released three critically acclaimed albums: Brief Strop (1999), Wake (2002), and Songs From the Bardo (2009). In each album, smattered between songs of desire and yearning, are rousing feminist fantasies, testimonies to the failure of war, commentaries on the ridiculousness of worldwide chest-beating, anthems to the freedom gained if we just rewrote our collective mythology, and the personal eternal journey to rewrite one’s own.
Lyrically unique, she is propelled by a singular voice that is alternately confronting and magnetic The guardian has said ‘she sounds like a cross between Liz Phair and Kate Bush’ while the LA weekly remarked ‘she has a battery acid wit, a fierce rebellious streak and is just plain seductive.’
Hollywood records distributed her first, and it made it to the US college Top Ten Billboard chart in 2000. The track ‘Fallen for you’ is featured in the film and on the soundtrack of High Fidelity.
Her second record ‘Wake’ was a studio album where she collaborated with a team including Glen Ballard, Jez Colin, Mike Elezondo, and Ozomatli. She toured extensively, opening for KD Lang, and playing her song ‘Faith,’ which hit the Billboard top 40, on the Tonight show with Jay Leno.
Her third, ‘Songs from the Bardo’ was a medley a few years in the making, after having a daughter– it was back to the home studio scene, self- written, played, engineered and produced, mostly.
Having moved thru the corporate music world and kept her integrity intact, Sheila has a new record:
“All of Nature- a collection of social commentary to music”
in which she connects what’s completely personal to what’s not limited in time at all, with the underlying premise that consciousness is itself a bigger crucible than matter.
In this self produced project, including co-writes with Michael Bernard Beckwith and Dave Stringer, she defies genre, as the record also dips into the literary arena, with each lyric being accompanied by an additional commentary and forum on her website.
She petitions us to quarry, contemplate, and take action to blow through the masks and the conditions behind the conditions. To expose ourselves to ourselves and solve all the world’s problems right now. Because actually it would be quite simple to do so.
For this task she conjured up a Superband calling upon the skills of Kaveh Rastegar— standup bass (with John Legend), Jebin Bruni— keys (with Meshell Ndegeocello), Chris Bruce on guitar (also Meshell Ndegeocello.), Danny Frankel on drums (with Fiona Apple), Gary Novak on drums (with Alanis Morrisette), Walt Fowler on trumpet (with James Taylor) and Mitch Forman on piano (with Wayne Shorter). Engineered by Pete Min, who has also recorded and mixed Meshell’s last two records.
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Born and raised in South Central Los Angeles, MONIQUE RENée was destined for the arts and has been singing since the early age of six. Her musical influences range from Teena Marie and Whitney Houston to Mariah Carey and the Manhattan Transfer and her vocal prowess represents a true rhythm and blues singer.
By age 18, MONIQUE RENée made numerous local appearances and traveled to the far east to establish a track record of performances, before returning home to the states to become lead vocalist for former Mercury Records' group “Female.” The group appeared on MTV’s “The Real World,” and performed "I Wish I Didn't Need You No More," a song that featured highly acclaimed jazz saxophonist, Dave Koz and was written and produced by Derek Bramble of Heatwave fame. With the group she also performed at the IAAAM Convention, and was featured on Mario Van Peeble’s “PANTHER” gold status movie soundtrack for their soulful rendition of Aretha Franklin’s “Natural Woman,” and also participated in the "Freedom" video, a song that was written and produced by Dallas Austin, on the same soundtrack. Her studio experience includes working with world renowned recording artists D'wayne Wiggins of Tony! Toni! Toné!, Rose Royce, Kiddo, Shanice Wilson, and Too $hort, to name only a few.
MONIQUE RENée is currently featured as the lead singer in the R&B band, Tyghtship, that performs twice monthly at Kobe's Steakhouse in Seal Beach, California and makes various musical guest appearances at venues in the Southern California area.
Last night Hunnypot Live delivered our State of the Music Address. It was about unity, tearing down walls and dancing our asses off! . . Hot Tub opened the events with prime cuts of tunage. The White Buffalo splashed back in with us to share info and sponsor our "Green Room". Brian Vickers suited up and talked with us about his music supervisor (and music) career and released a hit laden DJ set. Lydia Rene returned and gave us rock and soul delights, Dead Poet Society came back to "Captain, My Captain" their rock ship, Cards delivered their live debut and MADUS also came back to tear what was left of roof off this mutha. . . 02/04/2019
Brian Vickers works as the Assistant Music Supervisor for The Walt Disney Studios in-house
theatrical marketing team, “The Hive”. He has worked on trailer campaigns that include
“Avengers: Infinity War,” “Star Wars: The Last Jedi,” “Black Panther,” “The Incredibles 2,” and a
number of other blockbusters. He’s also worked on a number of tv shows that include “Keeping
Up With the Kardashians,” “The Bad Girls Club,” and “The Real World”.
Brian’s extensive career experience ranges from music performance & audio engineering to
music supervision & licensing. He has held positions with companies throughout the music
industry that include The Recording Academy (NARAS), Bunim / Murray Productions, BMG
Production Music, Hidden Beach Recordings, and one of Hollywood’s top trailer houses, Trailer
Park, Inc.
As a performer, Brian appeared with the group Afro-Blue on season 3 of the NBC show “The
Sing-Off” – finishing 4th place behind the GRAMMY Award-winning group, Pentatonix. He has
also performed alongside such musical legends as Smokie Robinson and Bobby McFerrin.
Brian Vickers is a proud native of Birmingham, Alabama and a proud alumnus of both Howard
University and Full Sail University. With an undeniable passion for music, Brian continues to
work with aspiring artists and musicians to bring out the very best in their music.
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As a classically-trained pianist and accomplished musician, Lydia René’s sound is best described as “indie, vibrant soul”. With influences ranging from Jill Scott and Phyllis Hyman to James Taylor and Carole King, Lydia’s blended sound will take audiences to a higher musical plateau.
Lydia has shared the stage with many award-winning artists such as Eric Roberson, Jean Baylor, Jaguar Wright, and Wayna. She has also had the opportunity to work with acclaimed producers and musicians including Tejumold & Johari Newton (Lauryn Hill, Aretha Franklin, Jazmine Sullivan), Rick Carlos (Jennifer Lopez, Nelly), Harry Wilson (John Legend, Kindred The Family Soul), Damon “Mr. Dizzy Fingers” Bennett (Jay-Z, Christina Aguilera, Justin Timberlake), and Stan Davis (Kindred The Family Soul, Kelly Rowland, Teena Marie).
Born and raised in Mount Holly, New Jersey, Lydia gained her musical experience by performing at music venues all over nearby Philadelphia. Lydia now resides in Los Angeles, CA where she recently finished her debut studio album "Vintage Heart". Lydia teamed up with GRAMMY Award-nominated producer Jameel Roberts (Usher, J. Cole, Nicki MInaj) as well as producer / musician Harry Wilson (John Legend, Kindred The Family Soul) & Rick Carlos (Nello, J-Lo) to create a sound all her own. She's the proud winner of the 2014 LAMN JAM competition (previously won by Aloe Blacc). Lydia also performed at the 2014 Taste Of Soul Family Festival (which draws a crowd of over 250,000) along with other performers such as Tyrese, Syleena Johnson, Tank, and Raheem Devaughn. In 2015 Lydia had the opportunity to sing a soul stirring rendition of "I Put A Spell On You" for the movie trailer campaign for the box office hit "The Perfect Guy". She also lent her voice to hit show EMPIRE on FOX by singing "Wade In The Water" with a stellar vocal ensemble for a commercial promo. Currently she is the featured vocalist in CHOBANI Yogurt's National Commercial Campaign singing "What The World Needs Now Is Love Sweet Love".
While Lydia René continues to build upon her ever-growing fan base, she hopes to one day reach the level of music’s greatest singer/songwriters and musicians. Her studio album "Vintage Heart" has already received great acclaim from music publications including SoulTrain, Philadelphia Weekly and SoulBounce. The album is now available for purchase on iTunes, Amazon MP3, Google Play, and Bandcamp.
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Dead Poet Society is a four piece band out of Boston, Massachusetts playing fretless instruments that create an uncanny wobble effect, and atypical distortion that sounds more like a vintage synth on steroids than an actual guitar. Their sound is both genre defying and defining. The band features singer Jack Underkofler, guitarist Jack Collins, bassist Nick Taylor, and drummer Will Goodroad.
The group attracted early fan attention with the release of their debut single Sound and Silence in 2014, and saw them gain a growing fanbase with the release of their AXIOM and DEMPSEY EPs that followed.
In 2016 their music was discovered by the influential Mexican blog PepeProblemas. Their review caught the attention of another up and coming rock band Sputnik, who invited DPS to open for them on their national tour of Mexico. The opportunity has lead to more tours south of the border and a rapidly growing fan base that will see the band return to Mexico in 2019.
September 2018 saw the release of single and video “American Blood,” the first time the band has worked with an outside producer and mixer, Englishman Alex Newport. The collaboration was so successful that Alex was asked to produce a further five songs that will be part of the band’s debut album set for release in the Spring of 2019. The album will also include two songs produced by Boonn (Grandson) and three more self-produced songs.
2019 will be the most exciting year yet in the band’s career, starting in February with a 22 date national tour as special guest of Andres, followed by the album release and tours of Mexico, Europe and the Midwest.
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CARDS is the solo project of LA-based producer/songwriter, Mike O. After years of working with other artists in the studio and on the stage, he started dropping his own music under this moniker in late 2017.
After a year of singles, some playlist adds by Spotify and some kind words from influential indie-blogs like HillyDilly and Alexrainbird, CARDS is finally releasing the full album and starting to play live shows. Performances in 2019 are scheduled in NYC, LA and Philadelphia with many more dates to be announced soon including a European run of shows.
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Los Angeles natives Dugan Cruz and Sam Sobo originally met in their late teens on what they call “an online dating site for musicians”. After forming Madus in 2013, Cruz and Sobo went through several lineup changes before deciding it best to stay a duo until the right members come along.
Juxtaposing blissful west coast indie against angsty alternative rock, their songs are reminiscent of the early 2000s garage rock revival groups like Franz Ferdinand and The Strokes. In the Spring of 2017 they started a regimen of writing, recording, and releasing one song a month. Since beginning this songwriting regimen they decided to self produce and record all their music out of Cruz’s garage. “After years of accommodating the time constraints and heavy cost of producers, we wanted to be able to focus on the music and not worry about all of that" said Sobo. With the goal being to “...just put music out there and see what sticks”, the duo have kept each release as organic as possible. No expensive PR, no sponsored social media ads, and no chasing of highly coveted “likes”. After releasing a few singles this way, Madus eventually struck a chord with their song “Find Another Girl” achieving over 40,000 cumulative streams. The song has just been made available on Spotify and all other major music platforms with “Play Pretend” as a B-side. Madus is continuing to record frequently and further hone in on their sound.
More shows and music releases currently brewing.
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Attention Marijuana enthusiasts: TONIGHT! Hunnypot is again offering a very special private Cannabis tasting event.
The WHITE BUFFALO mission is to support global respect for the healing properties of the cannabis plant. Through dedication to sustainable manufacturing practices, we wish to create a positive legacy for generations to come. We strive to source post-consumer content for marketing materials and packaging solutions to benefit our environment and to safeguard the future of humanity.
Our event is located in the Green Room directly behind The Mint. Their will be surprises and give-aways throughout the night, bring a friend or two!
+21, 7-11PM
Green Room (behind The Mint)
6010 W. Pico Blvd.
LA, CA 90035
You've heard the Buzz, Hunnypot will Feed you the absolute truth when it comes to fantastic entertainment. We collude with the best industry players and music makers and we'd testify without any embellishment, to any body of government. Show #408 ignited with a Hot Tub DJ set filled with bangers and mashups. Shelita Burke sat down to talk about her humanitarian platinum hit songs and got on stage to help us get in touch with ourselves or to penetrate others. Grand Canyon returned like an echo to Hunnypot for a really rockin, rootsy set of American music Blame Candy also got down in the hot tub and were as sweet as can be. They hit the stage afterwards to perform a guitartastic, bombastic, glitter and heels rock n' roll revue. Binx made an African Bee-Line back to Hunnypot for another amazing bug eyed pop and dance extravaganza. Jude Rose performed a tender explosion of sweet melodies and subdued tones and the night finished with a world famous Hunnypot Dance Party. 01/21/2019
Shelita Burke is a Pop-Electronic artist and writer based in Los Angeles and Paris, France. She is known for her engaging, collaborative, and spontaneous live performance style. Originally from Seattle, Shelita independently toured the world with over 150 shows across Europe, Asia, and Africa as well as a myriad of performances throughout the U.S. Her ability to connect with audiences and engage her expansive network of over 175,000 twitter superfans has resulted in a devoted global audience and prompting media interest from NPR, The Village Voice, Billboard, MTV, and many music industry taste makers.
Her latest songs are a departure from her earlier acoustic releases and transports the rising star into the pop world as a result of her collaboration with hit producer Marcus “Bellringer” Bell. The response has been infectious, with the most resent single “Penetrate” rising to #14 on Billboard’s Next Big Sound, a viral response amongst streaming services, and social media impressions reaching over 40 million people. Added attention was generated from her first single “Belong” which achieved over 2.7 million Spotify plays. Her forthcoming EP is planned for release later this year.
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In an era of computer-made, beat-driven music, Grand Canyon is the antithesis of modern pop music. However, focusing on classic sounds and arrangements and drawing on the inspiration of 70s musicianship and timeless songwriting, it is the kind of music that will be wafting through the canyons for a long time.
The Los Angeles based rock and roll band, fronted by Casey Shea (guitar/vocals) and Amy Wilcox (vocals), and driven by Joe Guese (guitar), Darice Bailey (keys, vocals), Jon Cornell (bass), and Fitz Harris (drums) has self-recorded a debut album that is out now on Bodan Kuma Recordings.
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Shield your eyes, mortals - Blame Candy has landed. The extraterrestrial, FUTUREGLAMROCK quartet has descended upon Planet Earth with a guitar-heavy rock and roll mythos guaranteed to twist human nature on its head and thrust it into the outskirts of the stratosphere. Whether they’re dazzling concert-goers with lightning-speed instrumental virtuosity, gyrating in flawless synchronicity, or subverting social norms with gender-bending sartorial irreverence, Blame Candy leaves a glittery trail of destruction wherever they roam.
The band’s bedrock is built upon its dynamic and flamboyant live performance, which ringmaster Chris Greatti describes as a “reckless and animalistic release of primal energy. Dressed to impress!” The rambunctious opener “Sweet Tooth” muses on addiction to “rock and roll symphonies” amidst winding, neoclassical guitar flurries, while the choreographed “Pathetic” dutifully illustrates the bands knack for earworm melodies and penchant for onstage theatrics. Citing classic influences like Van Halen, Queen and Prince, as well as modern kinfolk Radiohead and Tame Impala, Blame Candy’s entity is undoubtedly eccentric and eclectic, and its live show is a must-see hard rock phenomenon unlike any before. In Greatti’s words, “Blame Candy’s music is music for the 2020’s and beyond. The future of rock and roll is staring you in the face in matching red vestments. Take my hand and join us.”
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Meet BINX, South Africa's beautiful "African Bee" with a sting ready to swell up pop music.
The New Yorker quotes "with a voice like Gaga's, she's partial to yellow-and-black clothes and arena choruses." This Avant-Garde pop musician/model is based in Los Angeles where she has performed at the US Open, The New York Marathon (two years in a row) Webster Hall, Soho House (NY) and The South African Traditional Music Awards. She has had a No.1 song in South Africa and is helping to save the bees with her latest album, "Buzzed."
BINX recently performed at the NAMM Grand Finale and Grammy Showcase Party 2018 in Los Angeles. She signed with Lip Sync Music in early 2018.
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Jude Rose is a singer and music producer based out of Chicago. His music is a unique brand of R&B that pulls you in and lingers in your consciousness even moments after its end. The 27-year old multi-instrumentalist produced a record layered with dark, moody sounds, pulsating synth, heartfelt melodies, and lyrics about personal experiences. In that regard, his artistry is comparable to recording artists such as Joji and Blackbear. With a sensual essence and captivating stage presence, Jude Rose has already begun to garner the attention of major record labels.
The emotional scars of the young songwriter’s past have provided a vivid backdrop for his sentimental subject matter and his introspective lyrical content. That notion is the very foundation that Rose used to create his upcoming single, Lose . “ Someone that I love had depression and anxiety. It got really bad to the point where she had thoughts of hurting herself or committing suicide. I was anxious and I didn’t know how to process it, ” said Jude Rose. “So (Lose) was just me being able to process it. The song is my promise to her. I will lose my mind and my touch before I ever lose her.”
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New Year, who's with? Oh, the things we've seen in 2019. Our first Hunnypot Live of the year, #407, dropped serious balls. Hot Tub launched a no-baloney DJ set tp start everyone off. Emmy nominated music supervisor Jen Malone returned to the tub to fill us in on what she's been up to in film and TV and "Ghost'd" us with an award winner of a DJ set. Jesse Palter Old Lang Sang her heart out for us with pop and soul panache. Baby Fuzz put rock, pop and pomp hairs on our chests and bandleader/songwriter Sterling Fox got a few minutes of soak time to bring us up to speed on the band. The Songery was the Baby Nuke Year and irradiated us with song and dance. Rae Khalil "repped, spit and chilled" with mindful music and Hot Tub Johnnie closed the first night of many this year with another historic dance party set. 01/07/2019
Jen Malone is an Emmy Nominated Music Supervisor based in West Hollywood.
Credits include: Creed II, Atlanta, Baskets, Step Up: High Water, The Resident, Are You The One?, Lady Dynamite, Shelter, Noisey, Vice Guide To Everything, Video Game High School and many more.
Jen Malone started her career in the music industry as a publicist at Formula PR, working for Nine Inch Nails, Portishead, Chemical Brothers, Crystal Method, Marilyn Manson, Prodigy and many more. While living in Boston she formed the boutique publicity agency, Black & White and represented several artists and labels including The Hellacopters, The Hives, Backyard Babies, The Wildhearts, Gearhead Records and Hydrahead Records to name a few.
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By the time she officially signed to Artistry Music and began honing the setlist for the release of her debut EP The Paper Trail, Jesse Palter had written an astounding number of songs. Every time she sidles up to the piano to pen a new one, the Detroit born and bred, Los Angeles based singer/songwriter commits herself to the discipline of perfecting her craft. Strengthening her creative muscles and figuring out what melodies, lyrics and chord changes work best, she allows herself to be vulnerable, brave and brutally honest at the same time. .
Helping Jesse develop her sound and overall vision is producer Doug Petty, who came into her life as a fan of her vocals and songwriting before she had signed her record deal with Artistry Music. Petty, also a veteran keyboardist who has worked with the likes of Nick Lachey, Celine Dion, Audra McDonald, Britney Spears, Lisa Loeb and Shawn Colvin, agreed to produce her material whether she had a label or not. What Jesse calls his “meticulous, mad scientist approach to production” allowed her to keep the integrity of her songs from demo through the many layers and textures he brought forth. Testament to Jesse’s artistry is the caliber of studio musicians who were invited to play on the project – including bassists Tim Lefebvre and Alex Al and drummers Matt Chamberlain and Aaron Sterling.
Jesse grew up a multi-instrumentalist (piano, trumpet, etc.) with parents whose passion for an eclectic array of music inspired her to deeply respect the art of great songs and songwriters, from Carole King and Joni Mitchell to Prince, Michael Jackson, Stevie Wonder, Smokey Robinson and The Beatles. Her multitude of talents as a vocalist and songwriter of strength and depth are showcased powerfully on the five tracks of The Paper Trail EP.
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Baby FuzZ, the latest project from songwriter Sterling Fox, is an alt rock/glam pop band with a rotating cast of contributors, band members, and characters. Baby FuzZ's music fuses a number of styles from emo to rock and roll to strange ballads, while the live show is theatrical and absurd.
Described as “one of the most slept on acts in music” by Hillydilly, Baby FuzZ has released a litany of singles and bizarrely brilliant videos in 2018 and is dropping a full length album Plastic Paradise at the end of January. In the past, Fox, the frontman of the group, produced “Video Games” by Lana Del Rey and has written songs for the likes of Madonna, Britney Spears, and Avicii.
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Writing songs that deal with every color and nuance of life, The Songery aims to push mental boundaries through genre-bending pop and theatrics. The concepts, ideas, and messages behind the songs are more important than the songs themselves and every move, every sound, every visual is developed with care and intent in a final attempt to peel back the mask that humanity can so easily wear.
When asked why one person would decide to call herself “The Songery” she replies, “The Songery is more than a persona. It is a call to arms, a spearhead signaling for spiritual awakening, symbolic of an ideology that the world seems to be lacking severely and yet constantly surrounds us. For this reason, my project is grounded in story-line, integrity, concept, and character. I feel very secondary- as if I am the one driving the car, and it’s my car… but I am not the car. The Songery is a name I feel very intertwined with, I feel it so perfectly encapsulates the whimsical world I strive to show people. I’m not quite there yet. I’m still developing, completely on my own, so it is a process… but I’ll get there.”
-I also feel the name gives me freedom to play with all these abstracts and to adopt such a wide range of tones and subject matter. Some very light, some very dark, ranging substantially in color yet all unified within this world. I have been writing songs and performing since I was a little girl, and never really had the belief that I could or should be trying to make a career out of it… until The Songery came along. It sparked a purpose within me. I believe in The Songery with such passion that I want to keep fighting until I see it realized. The Songery comes with power to me. It is more than me. It is bigger than me. If I forfeited the name, the music would not feel the same. Nothing would feel the same. It would not be the same.
The Songery loves Jonsi, Sigur Ros, Regina Spektor, Danny Elfman, Queen, Nick Cave and Warren Ellis, Beethoven, all the random hits of the 80s, and pretty much any film score.
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Rae Khalil a singer/rapper from Torrance, California is setting a new trend. The young rapper just released singles “BELIEVE” and “NOT GOING Back” on all platforms. Her beautiful raspy voice, combined with her ability to play with words and melodic bliss makes her hip/hop soul sound so captivating.
Fans are listening to Rae’s unique flow and the valuable messages she shares in her music. She often speaks on her duty to speak and impact the youth and her community, which is refreshing to hear from a female rapper/singer in today's music scene. Rae has a presence when she sings on her euphoric hip/hop soul beats and we are listening.
The motto at Hunnypot Live is "Smock 'em if you got 'em". We sure did that on Monday night. Show #406 was our winter holiday party and last show of the year and we did celebrate. Our true love, Hot Tub Johnnie, gave to us an opening set of good tidings music. (Christmas) Tree Adams hung and stocked us with care with an interview about his career as a band guy and a film and television composer. Then he jumped right down the chimney with his band Dagnasterpus and funked the audience right in their faces. Trishes brought us to musical ecstasy with multiple....personalities electronic pop/ Everyone got Heather Cole in their stockings and it was an amazing pop music gift. Mt. Vrnon rose just like an empress above the mid city and h2the fueled the dance party with a set that could have lasted for 8 days. 12/10/2018
Recap: J. Gray Photos: J. Gray, R. Taalbi, Juice
Tree Adams approaches the sound of a wooden spoon mashing potatoes, church bells tolling in Corsica, or air pushing through a tube mic pre with equal interest. Any of these could inspire a fresh way to tell a story with music, which is what he does. Equally at home conducting a large orchestra, programming beats in the studio, cranking out loud guitar solos in an amphitheater or arranging vocal parts with a gospel choir, Tree lives to create original and unique work for his every project.
Over the past 20 years, Tree’s adventures in film and television have given him the opportunity to collaborate with great talent in diverse styles. Current projects include an epic scifi score for Jason Rothenberg’s The 100 (CW), which is rife with dark soundscape, Middle Eastern colors and orchestral themes. Warner Bros/Water Tower has released 3 soundtracks of Tree’s score for The 100. For NCIS: New Orleans, Tree layers contemporary high energy procedural pulses and textures with New Orleans inflected blues/jazz ensemble elements and voodoo. The Freshman series‘Lethal Weapon called for him to score hip-hop-driven car chases, comedic cop banter and tender moments underscoring a range of relationships. Ken Biller’s international espionage thriller, Legends (TNT) featured a more minimalist approach combining solo celo and electronic soundscapes. For the John Hertzfeld’s redemption film Reach Me (Millenium Films), a traditional orchestral score. A gritty rock score for Californication (Showtime), an urgent cerebral score for the crime drama, Perception (TNT) a high energy electronica score for action/thriller Run (Millenium Films.) A dusty western score for Swelter and gritty hip hop grooves for Denis Leary and Bob Fisher’s comedy Sirens (USA).
Tree was somewhat reluctantly immersed in classical piano training at an early age. When he was around 10 years old, he heard Hendrix, at which point he picked up the guitar and found his love o’ the sport. He spent most of the ‘90s on the road as the frontman for a rock band called The Hatters, who released several records on Atlantic. They were road warrioirs, touring with bands like The Allman Brothers, Tribe Called Quest, King Sunny Ade and Jimmy Cliff. While in the studio recording the band’s last album, Tree had the opportunity to produce an end title song for a studio feature film and he had his first taste of music as an applied art. He found the process of working to picture exciting and intriguing and when his band dissolved later that year, Tree set out on a new course as a composer.
Since then, Tree has enjoyed collaborating with filmmakers to craft music with storytelling, where he employs an expansive musical palette in his adventures in film and television.
A true raconteur, Tree unveiled the first of his six issue graphic novel series DUSKRIDERS in spring 2017. The story chronicles the perils and pursuits of a three-man renegade army fighting to save a dying Earth and avenge the murder of protagonist Dublyn Stinson’s father. The comic was released digitally, along with a self-titled soundtrack, and is available at DuskridersComic.com.
Born in Berkeley, raised in New York City, Tree lives on the east side of Los Angeles with his wife and kids.
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DAGNASTERPUS is a groove machine that fell out of the mind of road warrior/composer, Tree Adams, former frontman of the New York City jam band, THE HATTERS, recently known for his work scoring film n tv projects such as THE 100, CALIFORNICATION, LEGENDS & NCIS NOLA.
DAGNASTERPUS features nimble horns, grimy beats and soulful vocals. Tree’s lyrics are imaginative and evocative, weaving observations of the everyday life with tales of secret agents, disreputable characters and a healthy pinch of who gives a fuck.
The Dag squad is an amorphous organism comprised of trumpeter, Jordan Katz (DeLa Soul, Method Man & Lucinda Williams), saxophonist, David Ralicke (Beck, Ziggy Marley & Macy Gray) and trombonist Shaunte Palmer (Earth, Wind & Fire & Kamasi Washington). Bassist, Ethan Phillips (DeLaSoul, Ghostface Killah & Raekwon). Drummers: Yayo Morales (Rita Marley) and Michael Jerome (Blind Boys of Alabama, Me’shell Ndgeocehllo) along with James Brack (background vocals, keyboards and percussion). Joey Massari (keyboards) and Andy Schuyler (guitar).
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Trishes is a project by Trinidadian native Trish Hosein, created to express Freud's constructs of self (the primal, conscious and spiritual) through spoken word, live looping and vocal effects. Her undeniably original songwriting, fleshed out by hip-hop beats and pop hooks, examines human struggle through an anthropological lens.
Hosein began touring the U.S. and abroad after graduating from the Berklee College of Music, and has opened for acts like Damian Marley, Vic Mensa, K. Flay, Neon Hitch and Gavin Turek. Her dynamic live show awes audiences as Hosein takes them into her museum-like mind and creates a sonic blanket with her unique sound. After seeing Hosein perform Marie Claire, Allure and Cosmopolitan writer Shyema Azam called it "Enchanting," continuing, "It wasn't hard to see that this one woman show was super talented, making her own music and expertly layering her voice over catchy tunes as she went along."
Hosein's upcoming album "Ego" focuses on the entities that define humanity while addressing the current cultural and political climate. Each focus track on the album will be aided by art collections and personal essays. When not working on music, Hosein helps resettle refugees in the Los Angeles area, volunteers with Rock n Roll Camp for Girls, and is on the board of the Elder Entertainment Organization. She is also a brand ambassador for American Express and Discover LA.
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Emerging pop artist, Heather Cole teams a compelling vocal talent with heart, passion, and ability to connect and move a room full of music listeners. Heather explains, " What I love most about music is how it connects people through shared experiences. Making and sharing music is like a group therapy session. Sometimes it's just letting loose and dancing, and sometimes its admitting a mistake, sometimes its declaring to choose yourself over a relationship. No matter what it is, we all have personal experiences we want to share. The best way for me to do that is through my music."
The Los Angeles based Alaska native is influenced by powerhouse pop artists, such as Katy Perry. Justin Timberlake, and Demi Lovato, Cole's music portrays her ability to balance a soft and vulnerable side with sultry confidence.
In 2015, Cole released her first co-written track a song called "Not that Smart", which is a duet with fellow Belmont classmate and former American Idol finalist, Rayvon Owen. Soon after she released "Hearts Will Break" to radio. Gaining attention from iHeart Radio's "Most Requested Live with Romeo," Cole visited Top 40 stations across the country, being touted for her engaging and authentic personality, along with her ability to capture an audience. Cat Thomas, VP of Top 40 at Cumulus, bragged, "[Heather Cole] is a real artist. When you meet her, you know she has the 'IT' factor.
Earlier this year, Heather released her debut EP entitled "One of Our Hearts," which is also a visual project. Cole tells the story of one relationship, beginning to end through music and film. Cole created the concept, wrote the script, co-choreographed the dancing, and was the overall creative director for this video project.
"Everyday Lover" is the first single from her new project. "When I wrote this song with Abe Stewart and Rhett Fisher, I was happily in a relationship I wanted to hang out with everyday."
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Mt. Vrnon is an indie folk project born in Los Angeles, CA. Their music blends layered harmonies, retro synths and acoustic sounding programmed beats, to create a sound that transcends genres. The sound and songs have a dreamlike quality disguising ardent, introspective lyrics in trans-formative textures and expansive reverb.
“Brilliantly blending 80’s synths with an new cutting edge sampling style, rising hip hop/experimental producer h2the released his debut single titled “Taste Of The“, a teaser/cut-up off his new beat tape exclusively available on cassette!” – UGHH
URB Magazine wrote that “[h2the] is something else…in a profound kind of way,” calling his sound titillating and “juicy for the ears,” while The Village Voice described his productions as “adventurous and banging.”
2DOPEBOYZ and Vibe Magazine’s allhiphop.com have also noted h2the’s rap flips of 80?s inspired sonics. It’s the producer as auteur as every track takes you through the emotional space of the artist, like Kanye or Godard.
Our guts (not our brains) tell us we only have about 100 years till the end of this planet and only 1 more Hunnypot Live show before the end of this year. Our 2nd to last show of the year, #405, might have made it all worth it.
Hot Tub Johnnie cooked the atmosphere early with "green" house gasses & party jams. In a not so change of climate, industry professional Kristen Agee (411 Music Group), jumped in the (fire) water with us. Kristen got an A+ on her interview where we learned about her career as a professional musician and copyright keeper. She also brought an awesome diverse playlist of music she shared with us.
The Living Strange gave us that curious life music filled with riff rock and catchy melodies, Velvet Starlings weren't nearly as soft as their moniker while they performed high energy rock n roll music, SILVERSAGE straddled that pop/rock/dance music line as tight as ever, Franklin Manor returned to perform melodic rock hits, and Hot Tub closed the night with a scorched earth dance party. 11/26/2018
Kristen Agee is the CEO and Founder of 411 Music Group. 411 provides synchronization licensing, publishing, administration, artist development and digital distribution for music rights holders. Three years after starting 411, the head of global music marketing at The Coca-Cola Company featured Agee in a Q&A centered on ‘the life of a music startup’ about becoming a musical entrepreneur. Agee secures global partnerships for 411 and oversees creative and strategic business development. She is a classically trained violinist, bassist, composer and sound engineer who resides in Los Angeles.
Agee has spoken on panels and hosted workshops across the world. She grew up in Oklahoma as a Classical violinist and started writing, recording and playing multiple instruments when she moved to Los Angeles at 18. After a stint at the LA Recording School, she built and opened a studio in Silver Lake and recorded Punk bands and developed writing partnerships. She started touring with multiple indie acts as a violinist and bassist before transitioning to full-time writing. After writing for publishers in the sync world, Agee crossed over to the business side of music and started 411 Music Group. As a music business owner, Agee has a fundamental understanding of the creative process across multiple musical genres and provides insight to the inner-workings of sync deals, publishing and TV, film and interactive music models. At 411 Music Group, she negotiates worldwide partnerships with artists, catalogs, publishers, TV networks and brands, as well as videogame, digital and production companies. In April 2017, Agee was called to run the music department at All3Media America where she was the Executive In Charge of Music from April 2017 to August 2018. Agee currently composes music for Chrisley Knows Best, Undercover Boss, 24 Hours to Hell and Back, Shark Week and Breaking Homicide.
The Living Strange is an alternative rock band based in Brooklyn, NY that is the brainchild of 19 year old songwriter, Elijah Sokolow. Sokolow wanted to form a band that could combine heavy guitar driven riffs of Tom Morello with a more modern electronic atmosphere in the vein of Annie Clarke of St. Vincent. On the new debut album “Gunk”, nearly all instruments are performed by Sokolow other than drums, which are performed by Ben Shafrir. As a live act, The Living Strange consists of Sokolow (vocals, guitar), Ben Shafrir (drums), Nico Sleator (synth), and Miles Blue Spruce (bass). The band has toured throughout the U.S and recently did the Vans Warped Tour.
Currently the band is looking for Film & TV licensing opportunities and playing shows to support their new album release “Gunk”
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Velvet Starlings is fronted by Christian Gisborne a 15 year old indie rock singer, songwriter, producer and multi instrumentalist based in Los Angeles. He is known for a powerful 60s era Eric Burdon (The Animals) influenced vocal style combined with a commanding stage presence. Velvet Starling's unique performance style has invited media and industry insider comparisons to Jack White and Ty Segal. Gisborne's early musical influences included British Invasion staples, such as The Beatles, The Who and the Rolling Stones. Already making a name for himself at such a young age, Velvet Starlings has garnered attention from Los Angeles powerhouse KROQ as well as Sirius XM. His fusion of gritty garage blues coupled with Brit inspired rock has led to high profile festival bookings including SXSW/MEcon and Summerfest Milwaukee. Velvet Starlings’ long awaited self-titled EP on Sound x 3 Records / Rock N Rolla Records is set for release late 2018 which was a collaboration with producer songwriter Roger Gisborne (leader of 90s Brit Rock band “Plastiscene”), mastered by Brian Lucey (Arctic Monkeys, Beck, Black Keys). The seven track EP kicks off with leading single and video, “If Life Ain’t Getting You High”. The single features vintage guitar sounds, driving drums and hard hitting rock vocals. With introspective lyricism detailing living in the moment, "If Life Ain't Getting You High” is an anthem for the youth of today. The band wear their influences proudly on their sleeves with second single, “Borrowed Time”, a clear tribute to the sixties British Invasion era, which has been receiving considerable airplay & review. "Sold Down The River”, the latest single, showcases Dylan-esque lyrics, soulful Hammond B3 organ, gritty guitars and raw blues inspired vocals.
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Emerging as one of the top alternative bands based out of Las Vegas, SILVERSAGE has created a buzz since its inception late 2013 by regularly filling top Vegas venues such as; House of Blues, Brooklyn Bowl Las Vegas, The Sayers Club, Double Barrel Roadhouse, and Vinyl at Hard Rock.
The band has also become a mainstay act on the Las Vegas strip performing under Caesars Entertainment. Along with local Vegas residencies, Silversage has also toured parts of the western U.S.
SILVERSAGE has opened for national acts Lukas Graham, LANY, Blues Traveler, and Steve Winwood, to name a few, along with showcasing at SXSW 2017 for Paradigm Talent Agency and Caesars Entertainment. Locally, SILVERSAGE has been featured on The Morning Blend and FOX 5 Gibson Showroom, and they have also received radio airplay from X107.5, MIX 94.1, and KOMP 92.3.
SILVERSAGE draws influences from One Republic, Muse, Imagine Dragons, and Fall Out Boy among others. ?
SILVERSAGE is currently working with producers Jim Kaufman (Atlas Genius, Night Riots) and Tall Animals (Plain White T's) preparing their debut album.
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Franklin Manor’s newly released EP “Time and Space” captures a cutting edge electro rock sound similar to Twenty One Pilots and Muse. Kevin Kelpin, highly innovate front man and founder of the project, brings forth a unique blend of piano, synth, and heavy guitar.
The 4 piece was established in 2015 included vocal/keyboard Kevin Kelpin, drummer Jeff Galland, bassist Nick Diiorio, Guitarist Eddie Lucero, with the release of their first album Motive quickly followed by their international tour in Japan, and first distribution deal with Tower Records.
If Hunnypot promoted and sold a plush bear it would have Hot Tub Johnnie's signature Fez hat, Ryan Taalbi's cool shades and DJ Spectrum's (Jeff Gray) harmonica necklace. It would be perfect as a motorcycle companion, as a camping buddy and cuddling on those cold Los Angeles nights. Perhaps we'd call it Humpy Bear.
We also had Hunnypot Live show #404 on Monday night.
Hot Tub kicked off the night with a "Gund shot" of hard rockin hits. Clay Busch landed in the tub with us to talk about his journey from sports, to music to cannabis marketing and slayed with a set of Heavy Grass jams. The 131ers played Velveteen smooth pop rock tunes, Wrong Wolf came from a killer Cabbage Patch to rock us hard, Skatenigs stuffed us with evil riffs and lyrics, Moon Riot was heady Teddy of psychedelia, Hollywood Nightmare had us all clamoring for a Plush bedtime companion and Hot Tub sewed up the night with another fantastic dance party set. 11/12/2018
An alumni of Chapman University, Clay Busch joined Heavy Grass in 2018 to run all marketing, creative and brand vision for Heavy Grass.
Prior to joining Heavy Grass, Clay Busch was the first hire for Danny Wimmer Presents (the countries largest independent live events promoter) in 2011–marking the company’s first hire–and was been a key part in the company’s rapid growth.
Other prior experience includes marketing, consulting, creative, event management and A&R. Clay got his start as an intern for AEG Live at the Kodak Theatre, moving on to work with the Staples Center and the LA Kings. From there, he transitioned to music marketing and publicity at Columbia Records where he interned before transitioning in the finance and sales departments at Interscope/Geffen/A&M Records.
Later, Clay ran the West Coast Lifestyle Marketing at Interscope/Geffen/A&M Records, helping with the early development for artists like Lady Gaga, LMFAO, The Pussycat Dolls, The All-American Rejects, and Tokio Hotel. Clay was also a Product Manager at Universal Music Group’s Interscope/Geffen/A&M Records for artists including Rob Zombie, Marilyn Manson, Yeah Yeah Yeah’s and White Lies to name a few.
Clay has been an successful independent marketing consultant for many years, with clients such as the Hard Rock Cafe, Maloof Family Ventures (including the Palms Hotel in Las Vegas and the Maloof Money Cup), Marilyn Manson, Idol Roc Entertainment, Synergy Global Entertainment, Monster Energy, Revolver Magazine, Regime Management, Zippo Lighters and more.
Clay is also credited with discovering one of music fastest rising artists and Grammy nominated band, Nothing More.
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Neon. Rust. Chemical plants and railroad tracks. Industrialized particulate set ablaze by the setting sun. These common sights litter the east side of the township of Torrance, CA. This is also the birthplace of the vibrant indie collective, The 131ers.
Founded in 2012, the band has grown from a two-piece blue-veined American folk project to a full scale quadraphonic tour de force. The solid foundation of friendship between founding members Kaleb Davies (vox/guitar) and Ryan Dawson (drums) permeates every note, eventually shepherding fellow members Chris Graue (bass) and Greg Wilmot (guitar) into the fold. The 131ers have claimed their own unique genre-bending sound by successfully infusing rock n’ roll with funk, edge, passion and soul.
The band came together in pieces. Kaleb and I met in high school Track and Field. We hated each other at first but ended up bonding over the band Young the Giant and started playing music together. We would actually ditch track practice, buy taco bell, and go rehearse at Kaleb's house” – Explains Ryan.
Modern yet vintage, the sonic pleadings flowing from Kaleb’s brain triggers unbridled nostalgia that seems to force you to look over your shoulder while simultaneously compelling your spirit forward to the unknown future. The pulsating rhythm from Ryan hijacks your heart rate, while you are propelled by Chris’ bass line, while Greg exposes one infectious riff after another.
“We've tried to force ourselves to write songs or prepare material to bring in and show the others, but it never works that way. The songs are really born in rehearsal. Someone starts playing something, then someone else piggy backs on their idea. Then we argue about structure and ideas for a really long time and usually throw the whole song away. But sometimes after we fight for a while, we all end up agreeing on something, and Kaleb goes away and writes the lyrics when no one else is there to bother him” says Chris.
The name of the band comes from an error in early MP3 tagging technology. These files carry data including title, artist, album, and more. The genre tag options were severely limited, and many artists found themselves unable to fit neatly into any of the boxes they could check. Several of these artists would leave the field blank, generating an error displaying “131” in the genre column of music playing software. As a child, Kaleb noticed that several of his favorite artists carried this error and would later go on to call their box-breaking sound “indie rock.” 131 later became the short code to define this genre in MP3 tags.
Following up their 2016 debut, self-titled album, the band has been gearing up for their sophomore release. Recorded mostly in their self-built warehouse studio, they’ve enlisted talents such as Vince Walker (Suburban Legends) and Ryland Steen (America) to help produce. Their first single and video, “Face On,” premiered in May 2017, with a full album coming summer 2018.
“Our music is definitely influenced by Southern California. A lot of our favorite bands are local, Chris is also involved in making music videos for a lot of SoCal bands which lead to Vince Walker, singer of Suburban Legends, coming in to produce our new album” says Kaleb.
In August of 2017, Kaleb and Ryan found themselves caught in the middle of Hurricane Irma during what was supposed to be a vacation in Puerto Rico. They had to participate in preparation efforts with people they had just met and now call friends while they rode out the storm in a hostel. When they returned home they deeply wanted to find a way to help so they founded Artists for Disaster Relief (www.afdrmusic.com), an organization they set up to bring musicians together to fund charity efforts around the world. Their first project, “Arecibo” is a compilation album released in January 2018 via Pledge Music with all proceeds going to Friends of Puerto Rico (www.friendsofpuertorico.org.)
The band has also taken the reins as organizers, bookers as well as performing at the Avaline Music Festival which will take place May 25-28 at Avaline Ranch, located near King City, California. A fundraising event for the Guidry Foundation, an arts and education charity. Four days of camping, swimming in a natural water hole, hiking and live music on May 26 and 27.
Look for the band to crisscross the country in 2018 in support of their new album Nothing's as it Should Be to be release this June.
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WRONG WOLF has a fresh sound for the metal scene. Influenced by the likes of Alice in Chains, Audioslave and Deep Purple, they are young, energetic, experienced performers with amazing stage presence - this band will rock the house and blow your mind. “It’s an 80’s and 90’s metal sound with a current feel” says Garrett Holbrook when asked about WRONG WOLF’s sound. After playing covers of popular 80’s & 90’s metal mixed in with original work, when WRONG WOLF is done for the night you’ll be begging for more.
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Do you live life to the fullest? This is a question that for thirty years now has been challenged by a formidable group known as the Skatenigs. A band of heathens that has survived like cockroaches navigating life’s ups and downs making no excuses for their unconventional lifestyles or lack of. Phil Owen (aka Phildo) developed a brand of music that stole from every aspect of outlaw genres such as punk rock, heavy metal, rap, hillbilly and every sacred rock and roll anthem vulnerable to its taking. After landing a deal with the Chicago based Wax Trax Records, through an introduction from his Revolting Cocks cohort and Ministry’s main man Al Jourgensen, Phildo penned the now classic song “Chemical Imbalance.” Years of reckless abandon would result later signing with Megaforce Records, known for their connection to breaking Metallica, a classic episode of “Beavis and Butthead,” video plays on MTV’s Headbangers Ball, several successful tours with Ministry, KMFDM, GWAR, FEAR etc. and a failed European tour with TOOL which brought the band to a break up that would later be revived by Phildo. 2016 brought the release of the band’s most current album Adult Entertainment for Kids which features videos for the songs “Taste” and “At War with Myself.” This album currently is streamed in 51 countries and has assured the Skatenigs are anything but forgotten! Join Phildo and his band of creetons as they rise from the gutter to bring you an undeniable experience that is sure to be on your bucket list!
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Moon Riot is an American psychedelic band based in Los Angeles. The current lineup is a four piece that incorporates elements of 60s psychedelia and garage Rock. The band is currently recording their first full-length album tentatively titled "My Spirit Animal is on Parole."
Hollywood Nightmare is a 6 piece act based out of Hollywood California.
Attention Marijuana enthusiasts: Hunnypot is again offering a very special private Cannabis tasting event.
This Tasting Session is sponsored by the fine folks at White Buffalo,
Our event is located in the Green Room directly behind The Mint. Their will be surprises and give-aways throughout the night, bring a friend or two!
+21, 7-11PM
Green Room (behind The Mint)
6010 W. Pico Blvd.
LA, CA 90035